204 Results in the "Science Fiction" category


    • The Monster Men Cover
      by LovelyMay The Monster Men by Edgar Rice Burroughs is a thrilling science fiction tale of Dr. Arthur Maxon, who attempts to create artificial life on a remote island, resulting in a series of monstrous beings, one of whom challenges the definition of humanity as he falls in love with Maxon’s daughter amidst danger and adventure.
    • Section 9: Of the Universal Colour Bill Cover
      by LovelyMay Section 9 captures a vivid and elegant moment in Flatland’s cultural history, when color had transformed even the simplest gatherings into breathtaking events. At a social function, the crowd itself became a visual spectacle, each figure dazzling in a unique hue. In public settings such as churches and theaters, these visual expressions grew so rich that they began to overwhelm even the most disciplined minds. The military review was the most splendid of all, where formations of twenty thousand Isosceles…
    • Section 8: Of the Ancient Practice of Painting Cover
      by LovelyMay Section 8 begins with a clear sense of monotony that defines everyday life in Flatland. While societal issues such as conflict and rebellion exist, they fail to provide the kind of visual or emotional variation that brings richness to life. The world is composed entirely of straight lines, where perception is limited to variations in brightness and shade. This lack of depth or curvature deprives inhabitants of artistic pleasure. There are no paintings, no landscapes, no expressions of individuality through…
    • Section 7: Concerning Irregular Figures Cover
      by LovelyMay Section 7 reveals how deeply education in Flatland shapes not only personal success but societal structure. Advancement depends on passing the Final Test, and those from the Polygonal class often thrive, accelerating far beyond their Triangular classmates. In early stages, triangles and polygons may share the same curriculum, but over time, the Polygonal students display sharper insight and superior understanding. This distinction becomes clear as they enter professional life, where their education…
    • Section 6: Of Recognition by Sight Cover
      by LovelyMay Section 6 delves into the unique way Flatlanders interpret visual information in a world limited by two dimensions. Sight recognition plays an essential role in the lives of the upper classes, particularly in areas where the natural presence of fog assists in the process. In these foggy regions, objects at various distances take on different degrees of dimness. This visual fading creates a gradient effect, allowing trained eyes to discern one shape from another. For instance, the angle of a triangle might…
    • Section 5: Of our Methods of Recognizing one another Cover
      by LovelyMay Section 5 explores the rigid structure that defines a woman’s place in Flatland—a society where mobility, both social and intellectual, is essentially impossible for them. Women are shaped as mere lines, and this geometric limitation marks them as inherently inferior in the eyes of the system. Unlike other shapes that can evolve into higher forms, women remain fixed, both in form and fate. There is no educational path, no social strategy, and no merit-based system that can change their status. As a…
    • Section 4: Concerning the Women Cover
      by LovelyMay Section 4 presents a disturbing view of societal control in Flatland, particularly how irregular or discontented citizens are dealt with by the ruling Circles. Those who do not meet the strict standards of shape may find themselves confined for life in state institutions under the pretense of rehabilitation. A few of the most rebellious or hopelessly flawed are executed without fanfare, considered a threat to the stability of the realm. To suppress unrest, especially among the Isosceles class, the…
    • Section 3: Concerning the Inhabitants of Flatland Cover
      by LovelyMay Section 3 explores the social structure of Flatland through both its geometry and strict hierarchy. Buildings in populated areas must follow a legal standard that ensures safety by limiting sharp angles, with pentagonal forms being the lowest acceptable design. This reflects a broader cultural shift, where even architecture mirrors the drive toward symmetry and refinement. Only in remote, undeveloped regions might a square house still be found—an architectural relic seen more as a curiosity than a…
    • Section 22: How I then tried to diffuse the Theory of Three Dimensions by other means, and of the result Cover
      by LovelyMay Section 22 – Flatland reveals a deeply personal and philosophical crisis that unravels slowly within the mind of the narrator. As the realization of a Third Dimension settles into his consciousness, he struggles to share this vision with others who are confined to thinking only within their two-dimensional limitations. His initial excitement turns to despair as even his grandson—bright and inquisitive—dismisses his attempts at explanation. The rejection wounds more deeply because it comes from…
    • Section 21: How I tried to teach the Theory of Three Dimensions to my Grandson, and with what success Cover
      by LovelyMay Section 21 – Flatland begins with renewed hope that enlightenment might spring from youth, as the narrator reaches out to his Grandson, remembering the boy’s earlier comments about dimensions beyond two. Confident that this fresh mind could grasp what older ones could not, he attempts to explain the meaning of a third spatial direction—one that does not follow the cardinal plane but instead moves "upward." The theory, while simple enough in isolation, proves frustratingly difficult to communicate in…
    Note