535 Results in the "Romance Novel" category
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The chapter "Reasons Why It’s Good I’m Not With Jen" succinctly captures the emotional reality of unrequited feelings. The narrator opens with a stark acknowledgment: Jen did not want to be with them. This simple yet profound statement sets the tone for the chapter, emphasizing acceptance of a relationship that never truly existed from Jen’s perspective. The brevity underscores the clarity with which the narrator views the situation, highlighting the importance of recognizing when affection is not…-
101.4 K • Ongoing
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The chapter "Reasons Why It’s Good I’m Not With Jen" presents a candid and detailed reflection on the narrator's complex feelings towards Jen, highlighting a series of personal quirks and social behaviors that created distance between them. The narrator recounts Jen’s lack of rhythm and dancing skills, her outdated views on glamour, and her peculiar habits such as refusing to arrive early at the airport and her prolonged, meticulous bedtime routine. These traits, combined with her tendency to talk…
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101.4 K • Ongoing
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The chapter "Reasons Why It’s Good I’m Not With Andy" offers a candid and detailed critique of Andy’s personality and behavior, highlighting numerous challenges the narrator faced in the relationship. Andy is portrayed as someone who overindulges, particularly with food, and then complains about the consequences, reflecting a broader pattern of dissatisfaction and negativity. His refusal to engage in therapy or self-improvement, combined with a dismissive attitude toward mental health, creates…
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101.4 K • Ongoing
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Chapter
PRESS COMMENTS ON THE PLAY
"Damaged Goods," a play by Eugene Brieux, received unprecedented attention when it was first presented in America at the Fulton Theater in New York on March 14, 1913, captivating audiences with its urgent societal message. Garnering accolades from press, clergy, and the public for its raw depiction of the consequences of venereal diseases, the play was hailed as a profound societal contribution. Producer Richard Bennett faced initial criticism but was soon lauded for his bravery in showcasing such…-
13.3 K • Ongoing
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Chapter
Notes
In this notes "THE BLENDING"--of alternate prose and verse--"is not unknown in various countries." Thus in Dr. Steere's Swahili Tales (London, 1870), p. vii. we read: "It is a constant characteristic of popular native tales to have a sort of burden, which all join in singing. Frequently the skeleton of the story seems to be contained in these snatches of singing, which the story-teller connects by an extemporized account of the intervening history . . . Almost all these stories had sung parts, and of some…-
12.1 K • Ongoing
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Chapter
Monday 7th October 2019
The chapter opens with the narrator recounting his routine visits to Sophie’s flat after gigs on consecutive nights. Their interactions are intimate yet casual, blending physical closeness with relaxed conversation and shared meals. Despite their connection, Sophie enforces a boundary: the narrator must leave by Monday night, regardless of inconvenience. This rule sparks a playful yet honest dialogue about their differing views on relationships, desire, and the "chase." The narrator admits to valuing…-
101.4 K • Ongoing
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Chapter
Monday 29th July 2019
The chapter opens with the narrator’s experience of moving out of a boat, a process that proves more cumbersome than anticipated. Communication with Bob, who instructs leaving the keys in a code-locked box, reveals a cooling of their previously friendly relationship. Additionally, the narrator encounters bureaucratic hurdles at a storage facility, where despite renting the same unit, they must complete a new customer form. These events set a tone of transition and subtle tension, reflecting the…-
101.4 K • Ongoing
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Chapter
Monday 28th October 2019
The chapter opens with the protagonist receiving a belated call from his agent, triggered by a viral article about a client’s disastrous comedy set. Their conversation reveals the agent’s superficial support and the protagonist’s growing disillusionment with the platitudes often exchanged in their professional relationship. Despite the agent’s insistence on staying quiet about the article, the protagonist feels detached and resigned, recognizing the performative nature of the encouragement he once…-
101.4 K • Ongoing
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Chapter
Monday 27th July 2015
The chapter opens on a reflective note about the transition from the symbolic thirtieth birthday to the more settled and familiar thirty-first, marked by a lifestyle of moderate indulgences and practicalities. The narrator attends Jane’s birthday party, set in a nondescript pub chosen to accommodate a large, diverse group. The atmosphere is casual but tinged with the complexities of coordinating adult friendships and responsibilities, such as babysitting and travel logistics. This setting underscores the…-
101.4 K • Ongoing
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Monday 21st October 2019
The chapter opens with the narrator waking up to a disconcerting text from a barely known comedian, hinting at troubling online discussions involving them. Initially confused and anxious, the narrator searches online, discovering a critical article titled "RIP STAND-UP COMEDY" that harshly condemns the current state of stand-up comedy, using comedian Andy Dawson as an emblem of its decline. The article dismisses Dawson's style as uninspired and repetitive, symbolizing a broader cultural stagnation in…-
101.4 K • Ongoing
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