LovelyMay
Stories
93
Chapters
1,516
Words
6.7 M
Comments
0
Reading
23 d, 5 h
-
The Valley of the Shadow opens not with fear, but with a quiet recognition. This is not a place for those who scream against fate, but for those who have grown silent under its weight. Each figure in this land has carried a dream long enough for it to wear thin, until it frays into memory. They have walked roads lined not with flowers but with faded hopes that once seemed real. No monument marks their arrival; instead, their stories are written on the air in glances, sighs, and pauses. Here, people do not…-
51.7 K • Ongoing
-
-
The Wandering Jew walks not with the hurried steps of modern man, but with the deliberate grace of one who has seen too much to rush. He passes through centuries as though they were mere shadows, leaving behind no footprint, yet carrying every sorrow the world has cast upon him. His presence in a bustling city teeming with noise and ambition feels like a paradox—timeless silence brushing against the urgency of now. People around him do not see the weight he carries, the lives and empires he has outlived,…
-
51.7 K • Ongoing
-
-
The Three Taverns opens with a man traveling not merely along a Roman road but through the deeper terrain of belief, sacrifice, and fate. His thoughts are heavy yet calm, as if peace had been hard-won through long reflection. He does not fear the end, for he sees it not as final but as the continuation of his purpose. What burdens him is not death, but the weight of the message he carries—one forged in love, tested by opposition, and proven in suffering. His mission is less about conversion and more…
-
51.7 K • Ongoing
-
-
On the Way begins as a conversation that carries the weight of more than words. Between Hamilton and Burr flows not just dialogue, but the unspoken history of ambition, ideology, and wounds too deep for diplomacy. The setting is quiet, perhaps a garden path or a shadowed street in Philadelphia, where two minds meet not as enemies yet, but as figures standing before a fork in the nation's future. Burr's tone is teasing but edged with steel; he recognizes the uncertainty of their moment in history. Hamilton…
-
51.7 K • Ongoing
-
-
John Brown begins not as a declaration, but as a solemn meditation by a man approaching the end of his mortal journey. He does not plead for sympathy nor seek forgiveness. Instead, he reflects on the emotional distance that time, cause, and conviction have placed between himself and the woman he addresses. Their separation, more spiritual than physical, was born of his unwavering pursuit of justice—an endeavor he admits left little room for tenderness. Yet beneath this admission lies no regret, only a…
-
51.7 K • Ongoing
-
-
London Bridge opens not with a structure of stone and steel, but with a fragile link between two people who cannot quite meet in the middle. In this poem, Robinson channels the undercurrents of a strained marriage through a bitter conversation sparked by something as ordinary as children’s singing. The husband, practical and dismissive, sees no reason for his wife's unease. Yet her agitation reveals something deeper—an emotional restlessness awakened by a man from her past, whom she encountered…
-
51.7 K • Ongoing
-
-
Tasker Norcross offers not just a glimpse into one man’s reclusive life but a broader commentary on emotional detachment and the silent tragedies that unfold behind closed doors. Norcross stands apart from his community, not through scandal or acclaim, but by the sheer peculiarity of his existence. His presence had always unsettled the usual order, as though he neither fit in nor chose to stand out. With his passing, the town seems to recalibrate, reducing its view of humanity to two simple types…
-
51.7 K • Ongoing
-
-
Rahel to Varnhagen begins not with declarations but with tension. Rahel wrestles with the uncertainty that follows vulnerability, unsure if her unveiled self will draw Varnhagen in or quietly push him away. She has handed over not just letters but pieces of her past, marked with passion, joy, and anguish—memories that once felt private, now bared in stark light. His silence in response unsettles her. Was he unmoved, or simply choosing not to react? The lack of immediate judgment leaves her adrift, unsure…
-
51.7 K • Ongoing
-
-
Nimmo sits at the crossroads between memory and myth, a figure both vivid and obscured by time’s retelling. The narrator begins by acknowledging the tall tales that have gathered around Nimmo like fog around a familiar street, obscuring more than they reveal. These embellished versions seem almost theatrical, full of drama and imagined quarrels, while the real man slips quietly beneath them, mostly forgotten. With a tone that shifts from amusement to quiet regret, the speaker admits complicity in…
-
51.7 K • Ongoing
-
-
Peace on Earth begins not with grand pronouncements but with a single man whose words, though quiet, reverberate with deep intention. Ichabod, worn by life’s many winters, holds his tattered hat as though it were a relic of old truths. His voice, more fragile than commanding, speaks not to rally crowds but to awaken the soul. He does not offer guarantees or theologies; he presents an idea—peace that doesn’t start in courtrooms or churches but in the hidden quiet of one's being. When challenged about…
-
51.7 K • Ongoing
-
- Previous 1 … 31 32 33 … 152 Next
