Cover of The Stone Sky
    DystopianFantasyFictionScience Fiction

    The Stone Sky

    by Jemisin, N. K.
    “The Stone Sky” by N.K. Jemisin is the concluding volume of the Broken Earth trilogy, a groundbreaking fantasy series. The story follows Essun, a mother and orogene with earth-manipulating powers, as she races against time to save her daughter Nassun and prevent the apocalyptic destruction of their world. Themes of oppression, resilience, and the cyclical nature of violence are explored through Jemisin’s intricate world-building and layered characters. The novel delves into the origins of the moon’s disappearance and the catastrophic consequences for the planet. Jemisin’s innovative narrative structure and profound exploration of societal trauma earned the trilogy unprecedented back-to-back Hugo Awards. The Stone Sky masterfully ties together the series’ complex threads while delivering a poignant commentary on power, sacrifice, and redemption.

    The chap­ter opens with Schaf­fa lead­ing Nas­sun and eight oth­er chil­dren from Found Moon out of Jek­i­ty under the pre­tense of a train­ing trip. Nassun’s recent act of return­ing the sap­phire to the sky has alarmed the comm, prompt­ing the head­woman to hasti­ly pro­vide sup­plies. The chil­dren depart via the “rog­ga steps,” a path only oro­genes can tra­verse, with Wudeh demon­strat­ing new­found con­trol over his abil­i­ties. Despite the group’s sub­dued mood, Nas­sun grap­ples with guilt over her father’s death and the con­se­quences her actions have brought upon the oth­ers. The twins, Oegin and Yne­gen, show her under­stand­ing, but fear lingers among the chil­dren, who remem­ber her past vio­lence.

    At a cross­roads, Schaf­fa informs the chil­dren they must part ways, as he and Nas­sun will face pur­suit and dan­ger. Shirk pleads to stay, but Schaf­fa gen­tly insists they are safer on their own. Wudeh’s bit­ter laugh­ter under­scores their grim reality—being cast out dur­ing a Sea­son. Deshati sug­gests forc­ing their way into anoth­er comm, reveal­ing a hard­ened resolve to sur­vive. Schaf­fa, though momen­tar­i­ly reflec­tive, approves of their deter­mi­na­tion, sig­nal­ing a shift from his for­mer self. Nas­sun, con­sumed by remorse, reflects on the loss of Found Moon’s once-whole­some com­mu­ni­ty, now shat­tered by her choic­es.

    Schaf­fa offers chill­ing advice to the chil­dren: if they must infil­trate a comm, they should kill one per­son painful­ly and loud­ly to instill fear. His calm deliv­ery con­trasts with the bru­tal­i­ty of his words, reveal­ing his exper­tise in manip­u­la­tion and ter­ror. The chil­dren, includ­ing the usu­al­ly com­posed Lashar, are stunned, but Nas­sun rec­og­nizes the grim wis­dom in his guid­ance. Schaffa’s trans­for­ma­tion is evi­dent as he pri­or­i­tizes sur­vival over moral­i­ty, a stark depar­ture from his past self. Nas­sun, mean­while, wres­tles with Steel’s prophe­cy that she will destroy every­thing she loves.

    The chap­ter con­cludes with Nassun’s inter­nal con­flict, torn between her love for the Found Moon chil­dren and the vio­lence she has unleashed upon them. Schaffa’s prag­mat­ic cru­el­ty high­lights the harsh world they inhab­it, where sur­vival often demands bru­tal­i­ty. The children’s fate remains uncer­tain, but Schaffa’s lessons have armed them with a ruth­less strat­e­gy. Nassun’s grief and self-loathing deep­en as she con­fronts the irre­versible dam­age she has caused, set­ting the stage for her con­tin­ued jour­ney into dark­ness.

    FAQs

    • 1. What is the significance of the “rogga steps” in this chapter, and how does their use reflect the social dynamics of Jekity?

      Answer:
      The “rogga steps” are a series of basalt columns on Jekity’s north side that only orogenes can traverse, highlighting the segregation and prejudice against orogenes in the comm. The term “rogga” itself is a derogatory slur, emphasizing the disdain the community holds for these children. Wudeh’s steady use of orogeny to guide the group down contrasts with his visible despair, illustrating the painful duality of their existence—both empowered and ostracized. This moment underscores how orogenes are simultaneously relied upon and marginalized, forced to navigate a world that fears and exploits them.

      2. Analyze Schaffa’s advice to the children about how to survive after being cast out. What does his strategy reveal about his character and the world they inhabit?

      Answer:
      Schaffa instructs the children to kill one person painfully and loudly to instill fear, demonstrating his pragmatic yet brutal approach to survival. This advice reveals his deep understanding of human psychology and power dynamics—terror can secure safety in a hostile world. His gentleness while delivering these harsh instructions adds complexity, showing a caregiver who prioritizes survival over morality. The tactic also reflects the grim reality of the Stillness, where violence is often the only language respected. Schaffa’s evolution from a Guardian who might have restrained such actions to one who encourages them marks his acceptance of necessary cruelty.

      3. How does Nassun’s internal conflict manifest in this chapter, particularly regarding her actions and their consequences?

      Answer:
      Nassun grapples with guilt over killing her father and uprooting the other children’s lives, oscillating between self-justification (“Daddy, I miss you”) and remorse (“It’s cruel that they must suffer… because of what I have done”). She recognizes her capacity for violence (“Nassun is [a killer]”) but resists this identity, as seen in her silent grief for the lost innocence of Found Moon. Her awareness of the twins’ understanding versus the others’ fear highlights her isolation. Steel’s prophecy—”You’ll kill everything you love”—haunts her, forcing her to confront the destructive path she’s on.

      4. Compare the reactions of the children to their expulsion from Jekity. How do their responses reflect their individual personalities and coping mechanisms?

      Answer:
      Shirk’s desperate pleading reveals her vulnerability and dependence on Schaffa, while Lashar’s haughty dismissal (“Have some rusting pride”) masks fear with arrogance, clinging to her Sanzed heritage. Wudeh’s bitter laughter and Deshati’s cold determination (“kill only one”) showcase divergent survival strategies—one resigned, the other ruthlessly pragmatic. Oegin and Ynegen’s silent understanding contrasts with Peek’s quiet empathy, illustrating how trauma manifests differently. These reactions collectively paint a portrait of children forced to mature rapidly, their personalities shaping how they face abandonment.

      5. Why does Schaffa lie to the headwoman about the purpose of their departure, and what does this deception suggest about the broader societal attitudes toward orogenes?

      Answer:
      Schaffa claims the group is leaving for a “training trip” to avoid suspicion, exploiting the headwoman’s fear after Nassun’s sapphire display. This lie underscores the comm’s willingness to believe convenient falsehoods about orogenes rather than confront their power. The headwoman’s hurried compliance—providing subpar supplies—reveals her eagerness to be rid of them, reflecting society’s transactional tolerance: orogenes are accepted only when useful. The deception also foreshadows the inevitable backlash when Jekity discovers the Guardians’ deaths, emphasizing how trust in orogenes is always conditional and fragile.

    Quotes

    • 1. “They are not killers at heart, after all … and Nassun is. (She does not want to be, any more than you do.)”

      This quote captures Nassun’s internal conflict and the tragic self-awareness of her capacity for violence. It highlights the chapter’s theme of forced transformation and the loss of innocence, as Nassun contrasts with the other children who fear her despite their shared orogene nature.

      2. “You’ll kill everything you love, eventually, Steel has told her. She hates that he is right.”

      A pivotal moment of foreshadowing and character insight, this quote reflects Nassun’s growing realization of her destructive potential. It underscores the chapter’s exploration of cyclical violence and the inevitability of loss in her journey.

      3. “Kill only one, initially. Pick someone who tries to harm you—but only one, even if more than one tries. […] Make sure your target screams. That’s important.”

      Schaffa’s chilling advice to the children represents the chapter’s dark turning point into survival pragmatism. This quote exemplifies the brutal worldview they must adopt in a hostile world, contrasting sharply with Found Moon’s former sanctuary-like atmosphere.

      4. “There was beauty in Found Moon; among her fellow children, Nassun has known the delight of reveling in what she is and what she can do, among people who understand and share that delight. Now something once wholesome and good is dead.”

      This lament encapsulates the chapter’s core tragedy—the irreversible loss of community and innocence. The quote poignantly frames Nassun’s journey as a fall from grace, marking the end of her sheltered existence and the beginning of a hardened path.

    Quotes

    1. “They are not killers at heart, after all … and Nassun is. (She does not want to be, any more than you do.)”

    This quote captures Nassun’s internal conflict and the tragic self-awareness of her capacity for violence. It highlights the chapter’s theme of forced transformation and the loss of innocence, as Nassun contrasts with the other children who fear her despite their shared orogene nature.

    2. “You’ll kill everything you love, eventually, Steel has told her. She hates that he is right.”

    A pivotal moment of foreshadowing and character insight, this quote reflects Nassun’s growing realization of her destructive potential. It underscores the chapter’s exploration of cyclical violence and the inevitability of loss in her journey.

    3. “Kill only one, initially. Pick someone who tries to harm you—but only one, even if more than one tries. […] Make sure your target screams. That’s important.”

    Schaffa’s chilling advice to the children represents the chapter’s dark turning point into survival pragmatism. This quote exemplifies the brutal worldview they must adopt in a hostile world, contrasting sharply with Found Moon’s former sanctuary-like atmosphere.

    4. “There was beauty in Found Moon; among her fellow children, Nassun has known the delight of reveling in what she is and what she can do, among people who understand and share that delight. Now something once wholesome and good is dead.”

    This lament encapsulates the chapter’s core tragedy—the irreversible loss of community and innocence. The quote poignantly frames Nassun’s journey as a fall from grace, marking the end of her sheltered existence and the beginning of a hardened path.

    FAQs

    1. What is the significance of the “rogga steps” in this chapter, and how does their use reflect the social dynamics of Jekity?

    Answer:
    The “rogga steps” are a series of basalt columns on Jekity’s north side that only orogenes can traverse, highlighting the segregation and prejudice against orogenes in the comm. The term “rogga” itself is a derogatory slur, emphasizing the disdain the community holds for these children. Wudeh’s steady use of orogeny to guide the group down contrasts with his visible despair, illustrating the painful duality of their existence—both empowered and ostracized. This moment underscores how orogenes are simultaneously relied upon and marginalized, forced to navigate a world that fears and exploits them.

    2. Analyze Schaffa’s advice to the children about how to survive after being cast out. What does his strategy reveal about his character and the world they inhabit?

    Answer:
    Schaffa instructs the children to kill one person painfully and loudly to instill fear, demonstrating his pragmatic yet brutal approach to survival. This advice reveals his deep understanding of human psychology and power dynamics—terror can secure safety in a hostile world. His gentleness while delivering these harsh instructions adds complexity, showing a caregiver who prioritizes survival over morality. The tactic also reflects the grim reality of the Stillness, where violence is often the only language respected. Schaffa’s evolution from a Guardian who might have restrained such actions to one who encourages them marks his acceptance of necessary cruelty.

    3. How does Nassun’s internal conflict manifest in this chapter, particularly regarding her actions and their consequences?

    Answer:
    Nassun grapples with guilt over killing her father and uprooting the other children’s lives, oscillating between self-justification (“Daddy, I miss you”) and remorse (“It’s cruel that they must suffer… because of what I have done”). She recognizes her capacity for violence (“Nassun is [a killer]”) but resists this identity, as seen in her silent grief for the lost innocence of Found Moon. Her awareness of the twins’ understanding versus the others’ fear highlights her isolation. Steel’s prophecy—”You’ll kill everything you love”—haunts her, forcing her to confront the destructive path she’s on.

    4. Compare the reactions of the children to their expulsion from Jekity. How do their responses reflect their individual personalities and coping mechanisms?

    Answer:
    Shirk’s desperate pleading reveals her vulnerability and dependence on Schaffa, while Lashar’s haughty dismissal (“Have some rusting pride”) masks fear with arrogance, clinging to her Sanzed heritage. Wudeh’s bitter laughter and Deshati’s cold determination (“kill only one”) showcase divergent survival strategies—one resigned, the other ruthlessly pragmatic. Oegin and Ynegen’s silent understanding contrasts with Peek’s quiet empathy, illustrating how trauma manifests differently. These reactions collectively paint a portrait of children forced to mature rapidly, their personalities shaping how they face abandonment.

    5. Why does Schaffa lie to the headwoman about the purpose of their departure, and what does this deception suggest about the broader societal attitudes toward orogenes?

    Answer:
    Schaffa claims the group is leaving for a “training trip” to avoid suspicion, exploiting the headwoman’s fear after Nassun’s sapphire display. This lie underscores the comm’s willingness to believe convenient falsehoods about orogenes rather than confront their power. The headwoman’s hurried compliance—providing subpar supplies—reveals her eagerness to be rid of them, reflecting society’s transactional tolerance: orogenes are accepted only when useful. The deception also foreshadows the inevitable backlash when Jekity discovers the Guardians’ deaths, emphasizing how trust in orogenes is always conditional and fragile.

    Note