Cover of Tower of Dawn
    Adventure FictionFantasyRomance NovelYoung Adult

    Tower of Dawn

    by Maas, Sarah J.
    “Tower of Dawn” by Sarah J. Maas is the sixth installment in the “Throne of Glass” series. The novel follows Chaol Westfall, former Captain of the Guard, who travels to the southern continent of Antica with Nesryn Faliq to seek healing for his spinal injury and forge an alliance with the Khagan’s powerful empire. Set concurrently with the events of “Empire of Storms,” the story explores Chaol’s physical and emotional journey as he confronts his past and navigates political intrigue. Key themes include redemption, loyalty, and the pursuit of inner strength. The novel also introduces new characters, including the healer Yrene Towers, whose connection to Chaol becomes pivotal. The book expands the series’ worldbuilding while resolving lingering character arcs.

    Nes­ryn awak­ens in the Hall of Altun, dis­ori­ent­ed by the time and anx­ious about over­sleep­ing in front of the rukhin, who might mock Prince Sar­taq for his court­ly habits. After a rest­less night, she notices move­ment out­side her door and pre­pares for the day, wash­ing her face with luke­warm water. She joins Sar­taq, who is already sad­dling his ruk, Kadara, in the emp­ty great hall. They take flight into the freez­ing dawn, join­ing oth­er ruks hunt­ing for break­fast. Kadara catch­es salmon from a riv­er before Sar­taq guides them toward a train­ing area for novice rid­ers, where the ter­rain is less treach­er­ous but still daunt­ing.

    Sar­taq explains the rig­or­ous train­ing reg­i­men of the rukhin, reveal­ing that chil­dren as young as four begin learn­ing to ride on sea­soned ruks, with fam­i­ly mem­bers accom­pa­ny­ing them ini­tial­ly. By their teens, they raise their own hatch­lings. Nes­ryn is stunned by the ear­ly age and the per­ilous nature of the train­ing, strug­gling to imag­ine chil­dren nav­i­gat­ing such dan­gers. Sar­taq com­pares their meth­ods to the horse-clans of the steppes, where chil­dren mas­ter rid­ing and weapon­ry ear­ly, a tra­di­tion that con­tributed to the khaganate’s mil­i­tary dom­i­nance. He high­lights the inge­nu­ity of their ances­tors, who trav­eled light and relied on engi­neers to craft weapons from local mate­ri­als.

    The prince recounts the strate­gic bril­liance of the first kha­gan, who crossed the Kyzul­tum Desert with nomad guides, sur­pris­ing ene­mies by attack­ing from behind. Instead of open war­fare, the kha­gan used fear and selec­tive bru­tal­i­ty to force sur­ren­ders, reward­ing com­pli­ance and ensur­ing his rep­u­ta­tion pre­ced­ed him. Sartaq’s pride in this his­to­ry is evi­dent as he describes the khagan’s dual *sulde*—Ebony for war and Ivory for peace—and how the Ebony’s pres­ence alone often deterred resis­tance. Nes­ryn, fas­ci­nat­ed, lis­tens intent­ly, drawn deep­er into the cul­ture and his­to­ry of Sartaq’s peo­ple.

    As they soar above the moun­tains, Sartaq’s sto­ry­telling weaves a vivid tapes­try of con­quest and cun­ning, con­trast­ing the khagan’s meth­ods with the brute force of oth­er rulers like Adarlan’s king. Nesryn’s curios­i­ty grows, and she relax­es into the flight, her ear­li­er ten­sion replaced by a sense of con­nec­tion to both Sar­taq and the lega­cy he embod­ies. The chap­ter clos­es with a lin­ger­ing sense of awe at the khaganate’s sto­ried past and the unspo­ken bond form­ing between the two char­ac­ters amid the vast, windswept peaks.

    FAQs

    • 1. What are the key differences between how novice and experienced ruk riders train, according to Sartaq?

      Answer:
      Novice riders begin training at age four on older, more docile ruks that are past their prime for long flights. These seasoned birds serve as training mounts until riders reach 13-14 years old, when they then select and raise their own hatchling to bond with. Sartaq mentions this process is similar to the horse-clans’ training methods, where children learn to stand atop horses by age six. In contrast, experienced riders like Sartaq have fully bonded with their ruks (he raised Kadara from a hatchling) and undertake more dangerous flights through mountain ranges like the Dorgos peaks.

      2. How does Sartaq describe the khagan’s military strategy that allowed him to conquer the southern territories?

      Answer:
      The khagan employed unconventional tactics by crossing the feared Kyzultum Desert with help from local nomads—groups previously dismissed by southern kingdoms. This surprise approach let him bypass enemy armies waiting along traditional routes. Rather than engaging in open combat, he made brutal examples of key leaders to spread terror, then offered generous surrender terms. His strategic use of the Ebony sulde (a war standard) became a psychological weapon; its reputation alone sometimes prompted surrenders. Sartaq emphasizes how the khagan’s mobility, engineering skills, and psychological warfare tactics overcame larger forces.

      3. Analyze how Nesryn’s cultural background influences her reaction to the rukhin training methods.

      Answer:
      Nesryn’s urban upbringing (implied by her shock at children riding at age four) contrasts sharply with the rukhin’s warrior culture. She struggles to reconcile the danger of the training runs with childhood development, mentally comparing it to her nieces/nephews who “run naked and shrieking” at bath time. Her perspective highlights the cultural divide: where Sartaq sees normal discipline, she sees recklessness. Yet her curiosity about the sulde traditions shows openness to learning. This tension underscores the chapter’s theme of cultural exchange between Nesryn’s more sheltered background and the harsh, nomadic values of the khaganate.

      4. What symbolic and practical roles do the Ebony and Ivory sulde play in the khaganate’s traditions?

      Answer:
      The sulde are sacred standards with deep cultural significance. The Ebony sulde, bearing black horsehair, symbolizes war and intimidation—used on campaigns to psychologically dominate enemies, as seen when its mere presence spurred surrenders. The Ivory sulde (white horsehair) represents peace, likely used in diplomacy or ceremonies. Practically, they serve as rallying points in battle and markers of the khagan’s authority. Sartaq’s pride in describing them underscores their enduring importance; even his father still carries both, maintaining this tradition that blends military strategy with cultural identity.

      5. How does the chapter use sensory details to convey the experience of flying with Kadara?

      Answer:
      Vivid sensory descriptions immerse readers in the ruk flight: the “freezing air slamming into [Nesryn’s] face” emphasizes the brutal cold at high altitudes, while Kadara’s salmon hunt—snatching fish midair with “slicing bite[s]“—highlights the ruk’s predatory grace. The contrast between the warm interior chamber and the “biting wind” outside reinforces the harshness of the environment. Visual details like “turquoise river” and “snowcapped peaks” paint the landscape, while tactile moments (Nesryn settling into Sartaq’s back) add intimacy. Together, these details ground the fantastical flight in tangible, physical sensations.

    Quotes

    • 1. ““We take our first rides at four. Or the others do. I was, as you know, a few years late.””

      This quote highlights the rigorous training culture of the rukhin riders, emphasizing how their skills are cultivated from extreme youth. It also subtly reveals Prince Sartaq’s outsider status among his people, having joined their ranks later than usual.

      2. ““Those kingdoms also didn’t anticipate an army that conquered from behind, by taking routes that few would risk.””

      This statement captures the strategic brilliance of the khagan’s military campaigns, showcasing how unconventional thinking led to their conquests. It represents a key historical insight into how the khaganate established its dominance.

      3. ““He avoided outright combat whenever he could, actually. Made a brutal example of a few key leaders, so that terror would spread, and by the time he reached many of those cities or armies, most laid down their arms and accepted his terms of surrender in exchange for protection.””

      This quote reveals the psychological warfare tactics employed by the khagan, demonstrating how strategic use of fear could be more effective than direct combat. It’s a powerful commentary on leadership and conquest strategies in this world.

      4. ““The Ebony and the Ivory, we call them. A sulde with white horsehair to carry in times of peace and one with black horsehair to wield in war.””

      This passage introduces the important cultural symbols of the khaganate, representing the dual nature of leadership - both peaceful and warlike. The symbolism of these standards carries deep significance in their society.

    Quotes

    1. ““We take our first rides at four. Or the others do. I was, as you know, a few years late.””

    This quote highlights the rigorous training culture of the rukhin riders, emphasizing how their skills are cultivated from extreme youth. It also subtly reveals Prince Sartaq’s outsider status among his people, having joined their ranks later than usual.

    2. ““Those kingdoms also didn’t anticipate an army that conquered from behind, by taking routes that few would risk.””

    This statement captures the strategic brilliance of the khagan’s military campaigns, showcasing how unconventional thinking led to their conquests. It represents a key historical insight into how the khaganate established its dominance.

    3. ““He avoided outright combat whenever he could, actually. Made a brutal example of a few key leaders, so that terror would spread, and by the time he reached many of those cities or armies, most laid down their arms and accepted his terms of surrender in exchange for protection.””

    This quote reveals the psychological warfare tactics employed by the khagan, demonstrating how strategic use of fear could be more effective than direct combat. It’s a powerful commentary on leadership and conquest strategies in this world.

    4. ““The Ebony and the Ivory, we call them. A sulde with white horsehair to carry in times of peace and one with black horsehair to wield in war.””

    This passage introduces the important cultural symbols of the khaganate, representing the dual nature of leadership - both peaceful and warlike. The symbolism of these standards carries deep significance in their society.

    FAQs

    1. What are the key differences between how novice and experienced ruk riders train, according to Sartaq?

    Answer:
    Novice riders begin training at age four on older, more docile ruks that are past their prime for long flights. These seasoned birds serve as training mounts until riders reach 13-14 years old, when they then select and raise their own hatchling to bond with. Sartaq mentions this process is similar to the horse-clans’ training methods, where children learn to stand atop horses by age six. In contrast, experienced riders like Sartaq have fully bonded with their ruks (he raised Kadara from a hatchling) and undertake more dangerous flights through mountain ranges like the Dorgos peaks.

    2. How does Sartaq describe the khagan’s military strategy that allowed him to conquer the southern territories?

    Answer:
    The khagan employed unconventional tactics by crossing the feared Kyzultum Desert with help from local nomads—groups previously dismissed by southern kingdoms. This surprise approach let him bypass enemy armies waiting along traditional routes. Rather than engaging in open combat, he made brutal examples of key leaders to spread terror, then offered generous surrender terms. His strategic use of the Ebony sulde (a war standard) became a psychological weapon; its reputation alone sometimes prompted surrenders. Sartaq emphasizes how the khagan’s mobility, engineering skills, and psychological warfare tactics overcame larger forces.

    3. Analyze how Nesryn’s cultural background influences her reaction to the rukhin training methods.

    Answer:
    Nesryn’s urban upbringing (implied by her shock at children riding at age four) contrasts sharply with the rukhin’s warrior culture. She struggles to reconcile the danger of the training runs with childhood development, mentally comparing it to her nieces/nephews who “run naked and shrieking” at bath time. Her perspective highlights the cultural divide: where Sartaq sees normal discipline, she sees recklessness. Yet her curiosity about the sulde traditions shows openness to learning. This tension underscores the chapter’s theme of cultural exchange between Nesryn’s more sheltered background and the harsh, nomadic values of the khaganate.

    4. What symbolic and practical roles do the Ebony and Ivory sulde play in the khaganate’s traditions?

    Answer:
    The sulde are sacred standards with deep cultural significance. The Ebony sulde, bearing black horsehair, symbolizes war and intimidation—used on campaigns to psychologically dominate enemies, as seen when its mere presence spurred surrenders. The Ivory sulde (white horsehair) represents peace, likely used in diplomacy or ceremonies. Practically, they serve as rallying points in battle and markers of the khagan’s authority. Sartaq’s pride in describing them underscores their enduring importance; even his father still carries both, maintaining this tradition that blends military strategy with cultural identity.

    5. How does the chapter use sensory details to convey the experience of flying with Kadara?

    Answer:
    Vivid sensory descriptions immerse readers in the ruk flight: the “freezing air slamming into [Nesryn’s] face” emphasizes the brutal cold at high altitudes, while Kadara’s salmon hunt—snatching fish midair with “slicing bite[s]“—highlights the ruk’s predatory grace. The contrast between the warm interior chamber and the “biting wind” outside reinforces the harshness of the environment. Visual details like “turquoise river” and “snowcapped peaks” paint the landscape, while tactile moments (Nesryn settling into Sartaq’s back) add intimacy. Together, these details ground the fantastical flight in tangible, physical sensations.

    Note