Header Image
    Cover of Legends and Lyrics – Second Series
    Poetry

    Legends and Lyrics – Second Series

    by

    A Leg­end of Provence begins in a qui­et moment of reflec­tion, where a sim­ple por­trait stirs a deep sto­ry of loss and redemp­tion. The image—a sor­row­ful nun with down­cast eyes—serves not just as a sym­bol of piety, but as the gate­way to a nar­ra­tive set in the sun-kissed fields of south­ern France. The con­vent known as Our Lady of the Hawthorns stood like a sanc­tu­ary of com­pas­sion, offer­ing care to the sick, peace to the weary, and a home to many who had nowhere else to turn. With­in its tran­quil walls lived Sis­ter Angela, a gen­tle soul raised from child­hood by the nuns, known for her laugh­ter and unwa­ver­ing faith. She was not remark­able in sta­tus, but in spirit—kind, hope­ful, and deeply loved. Her pres­ence brought joy, and her prayers seemed to bloom like the hawthorn trees out­side the chapel.

    Angela’s life, how­ev­er, was not to remain untouched by the world’s harsh­ness. The qui­et rou­tine of prayer and ser­vice was shat­tered when the vio­lence of war swept through the region, bring­ing wound­ed men to the convent’s gate. Among them was a for­eign knight—charming, elo­quent, and world­ly in ways Angela had nev­er known. His sto­ries of hon­or, dis­tant lands, and daz­zling cities stirred some­thing in her—curiosity first, then yearn­ing. What began as inno­cent won­der soon deep­ened into affec­tion, and before long, Angela was torn between her vows and a new, dan­ger­ous long­ing. One night, heart pound­ing with a blend of fear and hope, she left the safe­ty of the con­vent, hand in hand with the knight who promised love and adven­ture.

    The world she entered was not the one described in his tales. The chival­ry fad­ed fast, replaced by hard­ship, dis­ap­point­ment, and betray­al. Angela’s trust had been mis­placed, and she quick­ly found her­self aban­doned and alone in a world that was nei­ther kind nor for­giv­ing. The joy she once brought oth­ers was now replaced by sor­row car­ried in silence. Each pass­ing year deep­ened her grief, and the mem­o­ry of the con­vent grew more dis­tant but more cher­ished. She longed not for escape, but for return—not to reclaim her past, but to seek mer­cy. After years of wan­der­ing through hard­ship, one cold night, she stood once again before the gates of Our Lady of the Hawthorns.

    What greet­ed her was not judg­ment, but silence—tranquil, almost sacred. As she crossed the thresh­old, Angela was stunned to learn that none had noticed her absence. Her duties had been car­ried out, her pres­ence still felt, and the sis­ters believed her to have nev­er left. A qui­et mir­a­cle had unfold­ed dur­ing her absence. It was said that the Vir­gin Mary her­self had stood in her place, cloaked in divine com­pas­sion. This act of grace was not just symbolic—it was Angela’s abso­lu­tion. She returned to her prayers, her ser­vice, and her qui­et life, now rich­er with humil­i­ty and wis­dom born of expe­ri­ence.

    Years passed, and Angela, though old­er and more frag­ile, became a guide to the younger sis­ters. She spoke lit­tle of the world beyond, yet her com­pas­sion deep­ened with time, and her kind­ness became almost lumi­nous. On her deathbed, she final­ly shared her story—not with shame, but with qui­et clar­i­ty. She told it not as a tale of sin, but as one of mer­cy, empha­siz­ing how for­give­ness is not just giv­en, but lived. Her sis­ters wept, not in grief, but in rev­er­ence. Angela’s return was no longer seen as a fall and recov­ery, but as a path that led through sor­row into a more com­plete under­stand­ing of grace.

    Her life became leg­end, not because of her mis­take, but because of what came after. In a world where judg­ment often shouts loud­er than mer­cy, Angela’s sto­ry remains a soft-spo­ken mir­a­cle. She had left in weak­ness and returned in strength—not the strength of pride, but of sur­ren­der and redemp­tion. The con­vent con­tin­ued, the hawthorns still bloomed, and her mem­o­ry remained woven into their petals. To those who passed the por­trait, now hung near the chapel door, her sor­row­ful gaze was no longer one of regret, but of peace. And in her sto­ry, every heart was remind­ed that no road is too far for love to bring you home.

    Quotes

    FAQs

    Note