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    Cover of The Autobiography of A Slander
    Fiction

    The Autobiography of A Slander

    by

    My Triumphant Finale begins not with celebration, but with silence—the heavy kind that settles in a prison cell at night when hope has begun to fade. Sigismund Zaluski, a man once full of promise and intellect, finds himself confined not by just stone walls, but by the weight of an accusation rooted in thoughtless gossip. Within those narrow walls, time slows, days blur, and the mind becomes both sanctuary and tormentor. Desperate for a lifeline, he reaches out—not through voice, which the walls muffle—but through faint taps in Morse code. His only answer comes from the cell next to his, where Valerian Vasilowitch responds, forming a bond of words between two men swallowed by the machinery of a broken system.

    Their connection becomes more than mere communication—it becomes survival. Every letter tapped, every message exchanged, serves to remind them they are not forgotten. Zaluski finds fleeting comfort in these coded conversations, especially as his physical health begins to fail. Reading books is no longer about knowledge—it becomes escape. Writing turns into quiet resistance, an act of defiance against the silence imposed on him. Yet even these efforts begin to feel futile as his body weakens, the damp chill of the prison gnawing at him day by day.

    As his condition deteriorates, Zaluski tries not to succumb to hopelessness. He still clings to thoughts of Gertrude, the woman he once believed he could build a future with. Her memory offers warmth in the cold, even as his strength drains. One night, after a failed petition for release is met with bureaucratic indifference, he taps out a final message to Valerian—a confession of love, a farewell, and a quiet surrender to fate. These aren’t the words of a defeated man, but of someone who knows that dignity sometimes lies in knowing when the fight is over.

    Valerian, despite his own suffering, acts with nobility. He promises to carry Zaluski’s words beyond the prison walls. In doing so, he preserves the voice of a man silenced not by guilt but by cruelty. As the year turns, and celebratory fireworks are heard faintly in the distance, Zaluski takes his last breath. Alone in a forgotten cell, his heart stops—but his story doesn’t end there. It moves forward, carried by the memory of a fellow prisoner and the final echo of a tapped goodbye.

    Far away in England, the ones who initiated this chain of events carry on, blissfully ignorant of the tragedy they helped shape. To them, the rumor they passed around was fleeting entertainment, nothing more than idle speculation. They never saw Zaluski’s prison cell. They never heard the slow tapping on a concrete wall. They never felt the pain of being discarded by a system that prefers accusation over evidence. This contrast is stark: on one side, casual cruelty; on the other, a life destroyed.

    Gertrude, however, feels the weight of what has occurred. Haunted by dreams she cannot explain, she wakes with a sense of grief that clings like fog. When the truth of Zaluski’s death reaches her—whether through Valerian or through the aching whisper of regret—it shatters the illusion of justice she once held. Her sorrow is not loud; it doesn’t scream or demand vengeance. Instead, it lingers quietly, like an unanswered letter, a chapter left unread.

    The true power of this chapter lies in its brutal honesty. It forces readers to confront the ease with which lives can be unraveled by thoughtless speech. Zaluski didn’t die from disease or war—he was undone by whispers, rumors, and the self-righteousness of those who never considered the consequences of their words. The story doesn’t offer neat resolutions or heroic triumphs. Instead, it leaves us with a caution: justice is fragile, truth must be protected, and silence in the face of slander is its own kind of guilt.

    “My Triumphant Finale” is not triumphant in the way the title suggests—it’s triumphant in a more somber, enduring sense. Zaluski may have died, but his dignity remained intact. His final stand wasn’t marked by anger, but by grace. In that quiet resistance, in that refusal to let bitterness define him, he achieved a kind of moral victory. And in remembering him, we are reminded that stories, even when tragic, can still carry truth, meaning, and a warning that echoes far beyond a prison cell.

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