Ballad: Haunted
byHaunted begins with a reflection not on the usual specters of graveyards or shadowed halls, but on the less visible phantoms that cling to memory—those born of social missteps and emotional bruises. The protagonist carries these burdens with a reluctant familiarity, haunted by moments society deemed failures. Black Monday looms, not for any ghostly threat but for the looming return to school, that universally dreaded ritual of rigid timetables, recitations, and cold stares. Early love, once bright and naive, vanishes when the object of his affection, still only seventeen, is swept away by an elderly Colonel, leaving only the bitterness of lost potential. These moments stack, not like tombstones but like unopened letters—each one filled with past disappointments, quietly demanding attention.
He grows older, but the ghosts age with him, maturing into deeper regrets and missed opportunities. A youthful attempt at sophistication ends with a failed first smoke, its consequences unfolding into a domestic squabble that echoes for years. A courtroom blunder—mistaking a magistrate for a bishop—brands him socially, a moment that clings like spilled ink on his reputation. Even his professional endeavors betray him: manuscripts returned with curt rejections, savings swallowed by reckless investments, and dreams reduced to anecdotes at dinner parties. Every chapter of his life is marked by these intangible hauntings, each more biting because they come not from the beyond but from the living world around him.
His torment is not rooted in fear of the dark or footsteps in the hall, but in polite chuckles that veil ridicule, or the silences that follow a failed joke. There is a particular cruelty in the kind of ghost that visits during daylight—at board meetings, family dinners, or idle conversation. These hauntings do not disappear with sunrise. Instead, they sit beside him, invisible yet heavy, reminding him of times he faltered in the public eye. This is a haunting of societal consequence—a life examined not by spirits but by social codes, unspoken rules, and the harsh light of expectation.
In such hauntings, there is little peace to be found. Even solitude offers no respite, for silence is filled with recollection. Yet, there’s a strange comfort in their familiarity. He learns to nod at his ghosts like old acquaintances, their edges dulled but never gone. Time doesn’t exorcise them; it simply teaches you how to carry them with less visible pain. The world around him may not see the full weight, but it lives in the slump of his shoulders, the cautious way he enters a room, or the pauses he takes before speaking.
Where ghost stories typically end with a cleansing—a ritual, a farewell, a moment of peace—this man envisions his ending differently. He imagines a tombstone that doesn’t list accolades or virtues, but instead acknowledges the burden he bore. “Haunted in life by too much surface,” he’d have etched in stone, a nod to the irony that his ghosts were born not of depth, but of perception. Society’s standards, polished and sharp, were what injured him most. In this inscription, he reclaims a sense of narrative, turning his quiet suffering into something named, recognized, and finally, honored.
This story ultimately reframes what it means to be haunted. It strips the idea of its Gothic trappings and reassembles it in familiar form—awkward conversations, unspoken judgments, personal failures witnessed by others. It suggests that the most persistent ghosts are not those that knock in the night, but those that echo within us, whispered by others, remembered by us, and carried every day. In capturing this quiet torment with lyrical wit and keen observation, the tale speaks to anyone who has ever winced at a memory and wished, just for a moment, to forget. Not all ghosts are dead, it reminds us. Some are alive and well, sitting patiently at the table of our lives, sipping tea, and reminding us of who we once were.