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    FictionPoetry

    Just Folks

    by

    The Lure That Failed begins with a por­trait of a whim­si­cal land, full of col­ors brighter than any real-world palette and joys untouched by adult con­cerns. It’s a place where laugh­ter is nev­er forced and no one ever grows tired, hun­gry, or grumpy. Every­thing sweet is in end­less supply—chocolate and cook­ies fall like bless­ings from the sky, and not a sin­gle child is told to wait before hav­ing more. The sun nev­er sets too ear­ly, and bed­time sim­ply doesn’t exist. In this place, pup­pies play gen­tly, kit­tens pounce with­out scratch­ing, and even the tin sol­diers on guard smile while pro­tect­ing the can­dy king­dom. There are no chores, no school­books, no cross grown-ups with tick­ing clocks. It’s a land made for the care­free hearts of child­hood, imag­ined not with log­ic but with long­ing. Only a gold­en-tide ship can reach its shores, and its sails lift only for those young enough to believe.

    This mag­i­cal jour­ney, nar­rat­ed with play­ful affec­tion, takes on the tone of a bed­time invi­ta­tion, gen­tly draw­ing a child away from the noise of the town and into the soft embrace of dreams. The sto­ry promis­es not just sweets and games but the chance to leave behind the world of rules, tasks, and tired faces. The sto­ry­teller offers the voy­age with won­der, describ­ing it not as an escape but as a reward—a des­ti­na­tion only reach­able when eyes begin to close. But the charm breaks with a twist both humor­ous and true. The child, wide-eyed and sus­pi­cious, rec­og­nizes the hid­den intent beneath the tale’s gold­en promise. The land sounds mar­velous, yes—but not enough to trick him into sur­ren­der­ing to sleep. He declines the offer. And with that refusal, the ship of dreams remains docked, the sails low­ered, the jour­ney post­poned until anoth­er night.

    This sud­den turn gives the poem its delight­ful edge. It cap­tures the wit of chil­dren who know more than we assume, who can sense when a fan­ta­sy hides a bed­time beneath the frost­ing. The sto­ry­teller, gen­tly out­wit­ted, is left smil­ing at the clev­er­ness of the one who lis­tens. In that moment, the pow­er of imag­i­na­tion is matched by the strength of a child’s will—not to resist dreams, but to remain awake just a lit­tle longer. What seemed like a bed­time vic­to­ry becomes a gen­tle stand­off, filled with warmth. The failed lure is not a fail­ure at all. It’s part of a night­ly rit­u­al, where love and laugh­ter linger a while before the lights dim.

    In con­trast, The Old-Fash­ioned Thanks­giv­ing shifts to mem­o­ry instead of make-believe. It doesn’t invent a world—it remem­bers one. A table, crowd­ed with chairs, not because of space but because of peo­ple. Laugh­ter shared by cousins, sto­ries repeat­ed by uncles, and a prayer spo­ken gen­tly before the feast. The past felt slow­er not because life was eas­i­er, but because peo­ple stayed longer. Time togeth­er was pro­tect­ed, not split into screen time or trav­el plans. The aro­ma of turkey and pies came with music—the clink­ing of dish­es, the squeals of chil­dren, the qui­et thanks that came from full hearts.

    The speak­er mourns not just the loss of a meal’s rit­u­al, but the deep­er loss of close­ness. In today’s speed, peo­ple for­get to gath­er, or they do so briefly, their minds half else­where. Grat­i­tude has turned into a post online instead of some­thing said aloud. This new pace leaves a gap. The rich­ness of togeth­er­ness has been trad­ed for con­ve­nience. The poet doesn’t blame, but he does grieve. He remem­bers when the small­est chair at the table was as impor­tant as the biggest one, when every­one brought something—not just food, but pres­ence. And in that mem­o­ry, there’s a qui­et plea: to make space for each oth­er again.

    Togeth­er, The Lure That Failed and The Old-Fash­ioned Thanks­giv­ing high­light how much val­ue lies in moments we often rush past. Whether imag­ined or remem­bered, both chap­ters speak to some­thing essential—childhood won­der and shared cel­e­bra­tion. One shows the mag­ic we try to offer our chil­dren. The oth­er reveals the tra­di­tions we long to pre­serve. Both point to a truth: joy is not hard to find, but it is easy to lose if we stop notic­ing. These sto­ries aren’t just reflec­tions. They are reminders. The world may move fast, but the best parts of life are still wait­ing, qui­et­ly, for us to return.

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