Cover of The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession
    True Crime

    The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession

    by testsuphomeAdmin
    The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession by Michael Finkel tells the riveting true story of Stéphane Breitwieser, one of the most prolific art thieves in history. Over the course of several years, Breitwieser stole hundreds of priceless works from museums across Europe, all while evading capture. Finkel explores the complex motivations behind Breitwieser's crimes, including his obsessive love for art and the impact of his actions on his personal life. The book examines themes of obsession, passion, and the thin line between art and crime.

    In Chap­ter 24 of “The Art Thief,” Anne-Cather­ine earns her driver’s license and buys a rasp­ber­ry-red Ford Ka, allow­ing her to com­mute to work after mov­ing out from her par­ents’ home to a stu­dio apart­ment on the out­skirts of Mul­house. Mean­while, Bre­itwieser strug­gles with his life after Anne-Cather­ine leaves him; for four months, he refrains from steal­ing, feel­ing aim­less with­out her. He occu­pies him­self with tem­po­rary jobs and broods alone, lead­ing him to even­tu­al­ly con­tact Anne-Cather­ine.

    When they speak, Bre­itwieser express­es remorse for how he treat­ed her, acknowl­edg­ing his obses­sion and volatil­i­ty while promis­ing to let go of his past anger about their rela­tion­ship, includ­ing the abor­tion. He con­veys his love for her, claim­ing she is the only woman for him and admits that her absence has quelled his addic­tion to art theft. Con­verse­ly, Anne-Cather­ine, now with a sta­ble life, can­not shake her addic­tion to the excite­ment she shared with Bre­itwieser, which involved clan­des­tine art heists. Although she warns him against vio­lence, she does not explic­it­ly for­bid him from steal­ing, pre­fer­ring to main­tain her own space free from art while rejoin­ing him in the attic.

    As their rela­tion­ship rekin­dles, Bre­itwieser feels inspired again, retreat­ing to local muse­ums to steal art­works. By late 1999, he has amassed around 250 stolen items, pri­mar­i­ly avoid­ing church­es, hav­ing rec­og­nized Anne-Cather­ine’s dis­com­fort with those thefts. How­ev­er, he even­tu­al­ly returns to them as they pro­vide easy tar­gets with valu­able art. His col­lec­tion grows, mak­ing their attic space increas­ing­ly clut­tered.

    In the new year, Bre­itwieser secures a well-pay­ing job in Switzer­land, which he jug­gles with his art theft. Deter­mined to appease Anne-Cather­ine’s crav­ing for excite­ment through legal means, he orga­nizes a roman­tic get­away to the Domini­can Repub­lic, where he refrains from steal­ing entire­ly. After this trip, he plans future vaca­tions with her, yet Anne-Cather­ine remains cau­tious about his work in Switzer­land, fear­ing the con­se­quences of anoth­er arrest fol­low­ing their pre­vi­ous luck. Though the­o­ret­i­cal­ly agree­ing to her cau­tion, Bre­itwieser strug­gles with temp­ta­tion as he dri­ves past muse­ums on his way to work .

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