Drama

    Wish You Were Here:

    by Picoult, Jodi
    “Wish You Were Here” by Jodi Picoult follows Diana O’Toole, a 29-year-old art specialist whose meticulously planned life unravels when she becomes stranded in the Galápagos Islands during the COVID-19 pandemic. Separated from her surgeon boyfriend as borders close, Diana adapts to isolation, forging unexpected connections and reevaluating her priorities. The novel explores resilience, self-discovery, and the fragility of human plans against global crises. Picoult’s narrative blends pandemic realism with introspective character growth, offering a poignant reflection on finding meaning in upheaval. The story’s twist reveals deeper layers about perception and reality, marking it as one of the early literary responses to the pandemic era.

    The epi­logue reflects on the protagonist’s jour­ney of recov­ery and self-dis­cov­ery three years after sur­viv­ing Covid. Empha­siz­ing the impor­tance of liv­ing in the present, the nar­ra­tor dis­miss­es grand ambi­tions in favor of appre­ci­at­ing small victories—health, shel­ter, and loved ones. Now an art ther­a­pist with her own prac­tice, she trav­els to the Galá­pa­gos alone, sym­bol­iz­ing clo­sure and inde­pen­dence. The chap­ter under­scores the fleet­ing nature of moments and the val­ue of cher­ish­ing what one has, rather than yearn­ing for what’s absent.

    Arriv­ing in Puer­to Vil­lamil, the pro­tag­o­nist observes the vibrant, tourist-filled town, con­trast­ing it with her pan­dem­ic mem­o­ries. She recon­nects humor­ous­ly with her friend Rod­ney, who sup­port­ed her through her breakup with Finn and her mother’s death. The nar­ra­tive touch­es on Finn’s new life with anoth­er woman, acknowl­edg­ing the protagonist’s gen­uine wish for his hap­pi­ness. Her solo trip rep­re­sents a final chap­ter, a delib­er­ate step toward per­son­al res­o­lu­tion and growth after years of upheaval.

    The pro­tag­o­nist checks into a bou­tique hotel, not­ing its dis­sim­i­lar­i­ty to her dreams, and inquires about a woman named Ele­na, hint­ing at unre­solved threads from her past. She reflects on her master’s the­sis about memory’s unre­li­a­bil­i­ty, draw­ing par­al­lels to Japan’s tsuna­mi stones—monuments meant to pre­serve hard-earned wis­dom across gen­er­a­tions. Her art ther­a­py prac­tice has chan­neled this idea into cre­at­ing “pan­dem­ic stones,” col­lab­o­ra­tive art­works by sur­vivors to memo­ri­al­ize their col­lec­tive trau­ma and lessons. One such stone stands in the MoMA, near her mother’s pho­to­graph, bridg­ing per­son­al and com­mu­nal heal­ing.

    Explor­ing Isabela Island, the pro­tag­o­nist con­fronts dis­crep­an­cies between her mem­o­ries and real­i­ty, blend­ing famil­iar­i­ty with new­found details. She vis­its the tor­toise breed­ing ground, anoth­er site that diverges from her imag­i­na­tion, and jogs along the coast, savor­ing the abil­i­ty to breathe freely—a stark con­trast to her Covid expe­ri­ence. The epi­logue clos­es with her embrac­ing the present, acknowl­edg­ing the past’s weight while step­ping for­ward into a life shaped by resilience, art, and the qui­et joy of sur­vival.

    FAQs

    • 1. How does the narrator’s perspective on life change after recovering from Covid, and what specific examples does she provide to illustrate this shift?

      Answer:
      The narrator adopts a more present-focused, gratitude-centered perspective after her Covid recovery. She rejects traditional measures of success like bucket lists and benchmarks, instead valuing small daily wins like waking up, having shelter, and loved ones’ wellbeing. The text states: “You don’t need the things you don’t have. You only need what you’ve got.” This philosophy manifests in her career shift to art therapy, her breakup with Finn, and her solo trip to the Galápagos—all representing conscious choices aligned with her new values rather than societal expectations.

      2. What is the significance of the “pandemic stones” the narrator created with her art therapy patients, and how do they connect to the concept of tsunami stones mentioned later?

      Answer:
      The pandemic stones (10-foot tall monuments decorated with survivor art and messages) serve as collective memory markers for Covid trauma, similar to Japanese tsunami stones that warn future generations. Both represent attempts to preserve hard-won wisdom: the narrator notes it takes three generations to forget trauma, and these physical monuments combat that forgetting. The stones’ imagery (grayed-out stick figures, motivational mantras, medical symbols) visually encodes lessons about loss, resilience, and social solidarity that survivors want to transmit, just as tsunami stones geographically encode safety knowledge.

      3. Analyze the narrator’s return to the Galápagos as both a literal journey and a symbolic act. What contrasts does she notice between her imagined version and reality?

      Answer:
      Literally, the trip fulfills her postponed pre-pandemic plans, but symbolically, it represents closure and reconciliation with trauma. She notes stark contrasts: the real hotel “looks nothing like the hotel I dreamed,” and familiar landmarks like Abuela’s home don’t exist, revealing how memory distorts reality. Yet some elements (lava formations, beach curves) match her subconscious memories, showing how trauma embeds certain images. Her ability to breathe deeply where she once struggled symbolizes overcoming physical and psychological Covid impacts, making the journey a full-circle healing experience.

      4. How does the narrator’s professional work as an art therapist reflect her personal experiences with trauma and memory?

      Answer:
      Her art therapy practice directly applies lessons from her dual trauma—losing her mother and surviving Covid. Her thesis on memory reliability informs her approach: she helps patients externalize and process pandemic trauma through creative expression, just as she does by returning to the Galápagos. The MoMA-installed pandemic stone beneath her mother’s photo symbolically connects personal and professional healing. Her work validates that creating tangible artifacts (like art or monuments) can help survivors transform pain into preventative wisdom for others, addressing her own existential question: “what’s the point of living through something terrible if you cannot convey the lessons?”

      5. Evaluate the narrator’s statement that “you should live in the moment” is impossible. How does her journey demonstrate an alternative approach to finding meaning?

      Answer:
      The narrator argues we can’t truly live in the moment because time constantly progresses, but we can consciously shape our cumulative “tallied up” moments through intentional choices about relationships and values. Her journey models this: she leaves an unfulfilling relationship (Finn), pursues meaningful work (art therapy), and revisits trauma sites (Galápagos) not to dwell in the past but to integrate those experiences into ongoing growth. Her small daily appreciations (“Did I wake up?”) and creative legacy projects (pandemic stones) show meaning emerges from stringing together purposefully lived moments, not chasing ephemeral present-mindfulness.

    Quotes

    • 1. “Bucket lists aren’t important. Benchmarks aren’t important. Neither are goals. You take the wins in small ways: Did I wake up this morning? Do I have a roof over my head? Are the people I care about doing okay? You don’t need the things you don’t have. You only need what you’ve got, and the rest? It’s just gravy.”

      This quote encapsulates the chapter’s central theme of finding meaning in simplicity and gratitude after surviving trauma. It reflects the narrator’s hard-won perspective shift post-Covid, rejecting societal pressures in favor of appreciating life’s fundamentals.

      2. “Memories are the safeguards we use to keep from making the same mistakes.”

      This profound statement comes as the narrator discusses her art therapy work creating pandemic monuments. It represents both her professional insight about collective trauma and her personal journey to memorialize loss while moving forward.

      3. “I breathe deeply, thinking that last time I was here, I couldn’t breathe at all.”

      This poignant contrast highlights the narrator’s full-circle moment returning to the Galápagos after her Covid ordeal. The physical act of breathing becomes a powerful metaphor for survival and rebirth.

      4. “It’s the last chapter; it’s time for the book to end.”

      This meta-commentary about closure appears as the narrator embarks on her solo trip. It signifies both her acceptance of life’s impermanence and her deliberate choice to conclude this phase of her personal narrative.

    Quotes

    1. “Bucket lists aren’t important. Benchmarks aren’t important. Neither are goals. You take the wins in small ways: Did I wake up this morning? Do I have a roof over my head? Are the people I care about doing okay? You don’t need the things you don’t have. You only need what you’ve got, and the rest? It’s just gravy.”

    This quote encapsulates the chapter’s central theme of finding meaning in simplicity and gratitude after surviving trauma. It reflects the narrator’s hard-won perspective shift post-Covid, rejecting societal pressures in favor of appreciating life’s fundamentals.

    2. “Memories are the safeguards we use to keep from making the same mistakes.”

    This profound statement comes as the narrator discusses her art therapy work creating pandemic monuments. It represents both her professional insight about collective trauma and her personal journey to memorialize loss while moving forward.

    3. “I breathe deeply, thinking that last time I was here, I couldn’t breathe at all.”

    This poignant contrast highlights the narrator’s full-circle moment returning to the Galápagos after her Covid ordeal. The physical act of breathing becomes a powerful metaphor for survival and rebirth.

    4. “It’s the last chapter; it’s time for the book to end.”

    This meta-commentary about closure appears as the narrator embarks on her solo trip. It signifies both her acceptance of life’s impermanence and her deliberate choice to conclude this phase of her personal narrative.

    FAQs

    1. How does the narrator’s perspective on life change after recovering from Covid, and what specific examples does she provide to illustrate this shift?

    Answer:
    The narrator adopts a more present-focused, gratitude-centered perspective after her Covid recovery. She rejects traditional measures of success like bucket lists and benchmarks, instead valuing small daily wins like waking up, having shelter, and loved ones’ wellbeing. The text states: “You don’t need the things you don’t have. You only need what you’ve got.” This philosophy manifests in her career shift to art therapy, her breakup with Finn, and her solo trip to the Galápagos—all representing conscious choices aligned with her new values rather than societal expectations.

    2. What is the significance of the “pandemic stones” the narrator created with her art therapy patients, and how do they connect to the concept of tsunami stones mentioned later?

    Answer:
    The pandemic stones (10-foot tall monuments decorated with survivor art and messages) serve as collective memory markers for Covid trauma, similar to Japanese tsunami stones that warn future generations. Both represent attempts to preserve hard-won wisdom: the narrator notes it takes three generations to forget trauma, and these physical monuments combat that forgetting. The stones’ imagery (grayed-out stick figures, motivational mantras, medical symbols) visually encodes lessons about loss, resilience, and social solidarity that survivors want to transmit, just as tsunami stones geographically encode safety knowledge.

    3. Analyze the narrator’s return to the Galápagos as both a literal journey and a symbolic act. What contrasts does she notice between her imagined version and reality?

    Answer:
    Literally, the trip fulfills her postponed pre-pandemic plans, but symbolically, it represents closure and reconciliation with trauma. She notes stark contrasts: the real hotel “looks nothing like the hotel I dreamed,” and familiar landmarks like Abuela’s home don’t exist, revealing how memory distorts reality. Yet some elements (lava formations, beach curves) match her subconscious memories, showing how trauma embeds certain images. Her ability to breathe deeply where she once struggled symbolizes overcoming physical and psychological Covid impacts, making the journey a full-circle healing experience.

    4. How does the narrator’s professional work as an art therapist reflect her personal experiences with trauma and memory?

    Answer:
    Her art therapy practice directly applies lessons from her dual trauma—losing her mother and surviving Covid. Her thesis on memory reliability informs her approach: she helps patients externalize and process pandemic trauma through creative expression, just as she does by returning to the Galápagos. The MoMA-installed pandemic stone beneath her mother’s photo symbolically connects personal and professional healing. Her work validates that creating tangible artifacts (like art or monuments) can help survivors transform pain into preventative wisdom for others, addressing her own existential question: “what’s the point of living through something terrible if you cannot convey the lessons?”

    5. Evaluate the narrator’s statement that “you should live in the moment” is impossible. How does her journey demonstrate an alternative approach to finding meaning?

    Answer:
    The narrator argues we can’t truly live in the moment because time constantly progresses, but we can consciously shape our cumulative “tallied up” moments through intentional choices about relationships and values. Her journey models this: she leaves an unfulfilling relationship (Finn), pursues meaningful work (art therapy), and revisits trauma sites (Galápagos) not to dwell in the past but to integrate those experiences into ongoing growth. Her small daily appreciations (“Did I wake up?”) and creative legacy projects (pandemic stones) show meaning emerges from stringing together purposefully lived moments, not chasing ephemeral present-mindfulness.

    Note