In 1969, Sher­iff Joe and Ed vis­it Kya’s shack with a search war­rant, seek­ing evi­dence relat­ed to the mys­te­ri­ous cir­cum­stances sur­round­ing Chase’s jack­et. The scene is set in a marsh­land set­ting, sur­round­ed by the nat­ur­al ele­ments. Upon arrival, they find the shack unoc­cu­pied, allow­ing them to pro­ceed with their search. The inte­ri­or of the shack is described as a menagerie, filled with var­i­ous items and arti­facts that hint at Kya’s deep con­nec­tion with the marsh and its wildlife.

Joe and Ed are tasked with find­ing spe­cif­ic items: arti­cles of red-wool cloth­ing, a diary or notes men­tion­ing Kya’s where­abouts, a shell neck­lace, and bus stubs. These items are believed to be cru­cial in link­ing Kya to the inves­ti­ga­tion. Despite their objec­tive, they express a cer­tain respect towards Kya’s pos­ses­sions, indi­cat­ing a desire not to dis­rupt her belong­ings unnec­es­sar­i­ly.

Through­out their search, they uncov­er var­i­ous intrigu­ing aspects of Kya’s life and inter­ests, par­tic­u­lar­ly her detailed stud­ies of the marsh’s birdlife. Joe finds him­self momen­tar­i­ly dis­tract­ed by Kya’s notes on birds, learn­ing that female birds have only one ovary and reflect­ing on the evo­lu­tion­ary adap­ta­tions of male pea­cocks. This dis­cov­ery high­lights Kya’s exten­sive knowl­edge and pas­sion for the nat­ur­al world, con­trast­ing sharply with the inva­sive nature of their search for incrim­i­nat­ing evi­dence.

Their metic­u­lous search through the shack encap­su­lates a blend of pro­fes­sion­al duty and per­son­al curios­i­ty, as they nav­i­gate through Kya’s pri­vate world. The chap­ter draws atten­tion to the com­plex­i­ty of Kya’s char­ac­ter, a reclu­sive yet pro­found­ly knowl­edge­able indi­vid­ual, against the back­drop of a crim­i­nal inves­ti­ga­tion that seeks to pen­e­trate the depths of her soli­tary exis­tence.