Peasant Wives
byPeasant Wives introduces a layered account of village life that pulls the reader into the modest yet tension-filled household of Dyudya, a peasant patriarch who has built up his small fortune through frugal living and hard work. Within the wooden walls of their cottage, relationships simmer beneath the surface. Dyudya’s elder son, Fyodor, is burdened with a chronically sick wife, Sofya, who adds a quiet strain to the home. Meanwhile, Alyoshka, the younger son and physically deformed, is married to Varvara, a woman chosen more for her beauty than her compatibility with him. This setting, where obligation outweighs affection, quickly sets the tone for a story woven with dissatisfaction and longing.
On a cold evening, a visitor named Matvey Savitch arrives, accompanied by a boy named Kuzka. As the family gathers around the fire, Matvey recounts a grim episode from his past involving infidelity, death, and remorse. His story focuses on the Kapluntsevs, whose lives were torn apart after Matvey engaged in an affair with Mashenka, the wife of his neighbor Vasya. When Vasya returned from military service to find his wife unfaithful, he fell into despair and eventually died—allegedly poisoned by Mashenka. Her punishment came swiftly: she was exiled to Siberia, where she eventually died from fever. Kuzka, the child left behind, was later taken in by Matvey, who attempts to raise him as an act of atonement.
This confession ignites complex emotions in the listeners. Dyudya interprets the story through a religious lens, believing repentance and punishment must follow sin. Sofya, quietly listening, draws painful parallels to her own suffering—married to a man who is largely indifferent to her while she battles chronic illness. Varvara, on the other hand, burns with rebellion. Trapped in a loveless marriage to a man she doesn’t desire, she imagines abandoning everything, even if it means enduring the shame or consequence that would follow. The story unleashes her suppressed desires and awakens a bitterness she can no longer hide.
The morning sun doesn’t dispel the heavy mood left by Matvey’s story. Everyone returns to their chores, but the emotional weight lingers. Dyudya says little, though he feels reaffirmed in his strict views about women and morality. Sofya resigns herself again to her silence, aware that her suffering will continue, unrecognized. Varvara, however, remains unsettled. Her thoughts swirl with defiance and the idea that a different life is still possible, however distant or forbidden it might seem. The tale did not merely entertain; it exposed the raw edges of lives held together by duty and the rules of a rigid society.
Despite the narrative’s dark turn, Matvey sees himself as redeemed, believing that raising Kuzka has atoned for his sins. Yet to the others, especially Varvara and Sofya, his tale is not a lesson in forgiveness but a reflection of the cruel and limited choices women face. In their village, women bear burdens without complaint and are expected to be loyal, even if that loyalty costs them their happiness, freedom, or health. The men, by contrast, often decide the course of these women’s lives with little accountability. Through this lens, the story becomes a quiet critique of power dynamics disguised as peasant virtue.
In rural life, much is endured in silence. But stories, especially those with moral implications, ripple through homes and minds, opening cracks in old beliefs. Peasant Wives shows how a single evening’s tale can awaken old regrets and stir silent rebellions. Even in small huts where daily life appears static, the human soul remains restless, searching for dignity, love, or at the very least, a sliver of autonomy. For Varvara and Sofya, the conversation around the stove lingers long after the embers fade—reminders of what has been lost, and what might still be claimed.