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    Literary

    The Witchand Other Stories

    by

    Peas­ant Wives intro­duces a lay­ered account of vil­lage life that pulls the read­er into the mod­est yet ten­sion-filled house­hold of Dyudya, a peas­ant patri­arch who has built up his small for­tune through fru­gal liv­ing and hard work. With­in the wood­en walls of their cot­tage, rela­tion­ships sim­mer beneath the sur­face. Dyudya’s elder son, Fyo­dor, is bur­dened with a chron­i­cal­ly sick wife, Sofya, who adds a qui­et strain to the home. Mean­while, Alyosh­ka, the younger son and phys­i­cal­ly deformed, is mar­ried to Var­vara, a woman cho­sen more for her beau­ty than her com­pat­i­bil­i­ty with him. This set­ting, where oblig­a­tion out­weighs affec­tion, quick­ly sets the tone for a sto­ry woven with dis­sat­is­fac­tion and long­ing.

    On a cold evening, a vis­i­tor named Matvey Sav­itch arrives, accom­pa­nied by a boy named Kuz­ka. As the fam­i­ly gath­ers around the fire, Matvey recounts a grim episode from his past involv­ing infi­deli­ty, death, and remorse. His sto­ry focus­es on the Kaplunt­sevs, whose lives were torn apart after Matvey engaged in an affair with Mashen­ka, the wife of his neigh­bor Vasya. When Vasya returned from mil­i­tary ser­vice to find his wife unfaith­ful, he fell into despair and even­tu­al­ly died—allegedly poi­soned by Mashen­ka. Her pun­ish­ment came swift­ly: she was exiled to Siberia, where she even­tu­al­ly died from fever. Kuz­ka, the child left behind, was lat­er tak­en in by Matvey, who attempts to raise him as an act of atone­ment.

    This con­fes­sion ignites com­plex emo­tions in the lis­ten­ers. Dyudya inter­prets the sto­ry through a reli­gious lens, believ­ing repen­tance and pun­ish­ment must fol­low sin. Sofya, qui­et­ly lis­ten­ing, draws painful par­al­lels to her own suffering—married to a man who is large­ly indif­fer­ent to her while she bat­tles chron­ic ill­ness. Var­vara, on the oth­er hand, burns with rebel­lion. Trapped in a love­less mar­riage to a man she doesn’t desire, she imag­ines aban­don­ing every­thing, even if it means endur­ing the shame or con­se­quence that would fol­low. The sto­ry unleash­es her sup­pressed desires and awak­ens a bit­ter­ness she can no longer hide.

    The morn­ing sun doesn’t dis­pel the heavy mood left by Matvey’s sto­ry. Every­one returns to their chores, but the emo­tion­al weight lingers. Dyudya says lit­tle, though he feels reaf­firmed in his strict views about women and moral­i­ty. Sofya resigns her­self again to her silence, aware that her suf­fer­ing will con­tin­ue, unrec­og­nized. Var­vara, how­ev­er, remains unset­tled. Her thoughts swirl with defi­ance and the idea that a dif­fer­ent life is still pos­si­ble, how­ev­er dis­tant or for­bid­den it might seem. The tale did not mere­ly enter­tain; it exposed the raw edges of lives held togeth­er by duty and the rules of a rigid soci­ety.

    Despite the narrative’s dark turn, Matvey sees him­self as redeemed, believ­ing that rais­ing Kuz­ka has atoned for his sins. Yet to the oth­ers, espe­cial­ly Var­vara and Sofya, his tale is not a les­son in for­give­ness but a reflec­tion of the cru­el and lim­it­ed choic­es women face. In their vil­lage, women bear bur­dens with­out com­plaint and are expect­ed to be loy­al, even if that loy­al­ty costs them their hap­pi­ness, free­dom, or health. The men, by con­trast, often decide the course of these women’s lives with lit­tle account­abil­i­ty. Through this lens, the sto­ry becomes a qui­et cri­tique of pow­er dynam­ics dis­guised as peas­ant virtue.

    In rur­al life, much is endured in silence. But sto­ries, espe­cial­ly those with moral impli­ca­tions, rip­ple through homes and minds, open­ing cracks in old beliefs. Peas­ant Wives shows how a sin­gle evening’s tale can awak­en old regrets and stir silent rebel­lions. Even in small huts where dai­ly life appears sta­t­ic, the human soul remains rest­less, search­ing for dig­ni­ty, love, or at the very least, a sliv­er of auton­o­my. For Var­vara and Sofya, the con­ver­sa­tion around the stove lingers long after the embers fade—reminders of what has been lost, and what might still be claimed.

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