Header Image
    Cover of The Witchand Other Stories
    Literary

    The Witchand Other Stories

    by

    Chap­ter XIV begins as night deep­ens over the sea, with Gusev shift­ing in his ham­mock, his body gen­tly rocked by the rest­less rhythm of the waves. In the dim cab­in air, he shares a tale of a giant fish that once crashed into a ship, an image that blends the fan­tas­tic with the absurd. His voice cuts into the dull hum of the ves­sel, offer­ing a sliv­er of sto­ry­telling in a space oth­er­wise filled with coughs, sighs, and the groan­ing of iron and rope. But the sto­ry finds no wel­come. Pavel Ivan­itch, ever the skep­tic, offers no reply—his silence more dis­mis­sive than absent­mind­ed. The cab­in becomes a cocoon of muf­fled sounds again, filled with snor­ing men and the rhyth­mic creaks of the ship’s hull respond­ing to ocean swells.

    The mood remains thick with fatigue and heat, as the three sleep­ing ser­vice­men toss in their ham­mocks, their dreams inac­ces­si­ble but some­how felt in their rest­less breath­ing. A sud­den clang of metal—a cup or per­haps a belt buckle—breaks the spell, star­tling Gusev’s imag­i­na­tion. He won­ders aloud if the wind itself is fight­ing to be free, shack­led like a caged spir­it bound to the mast. But such poet­ic mus­ing irri­tates Pavel Ivan­itch, whose ill­ness and dis­com­fort rob him of patience. He lash­es out, dis­miss­ing Gusev’s thoughts as the sil­ly notions of peo­ple dulled by tra­di­tion and too long held in the arms of fan­ta­sy. Gusev lis­tens but does not respond, as the qui­et around them falls once again like a heavy cur­tain.

    Gusev is a man ground­ed in expe­ri­ence, but not with­out won­der. His mem­o­ries are filled with small mar­vels: snow that clings to fur hats, bread hand­ed out dur­ing long march­es, and chil­dren shout­ing greet­ings from frozen porch­es. These reflec­tions, though sim­ple, keep him con­nect­ed to the world out­side the ship. Pavel, on the oth­er hand, lives with­in the bound­aries of log­ic. For him, imag­i­na­tion seems like a betray­al of truth, a dan­ger­ous lux­u­ry for men strug­gling to sur­vive. The clash between them feels less like an argu­ment and more like a col­li­sion between two worldviews—one root­ed in the com­fort of won­der, the oth­er in the rigid­i­ty of rea­son.

    The con­trast in their char­ac­ters echoes a larg­er theme: the human need to assign mean­ing even in grim con­di­tions. Gusev finds solace in sto­ries, in the col­or of mem­o­ry, and in the shared expe­ri­ence of being human. Pavel, per­haps afraid of what lies beyond cer­tain­ty, retreats into crit­i­cism, strip­ping life of metaphor to cope with its cru­el­ty. As the ship rocks, they remain sus­pend­ed between two shores—one phys­i­cal, the oth­er philo­soph­i­cal. While the sea out­side is vast and imper­son­al, their small cab­in brims with the silent noise of con­flict­ing truths.

    A soft gust leaks through the hatch. It car­ries with it the scent of salt and met­al, the faint taste of the hori­zon nei­ther man can see. The bound­aries between dream and real­i­ty blur, and for a moment, the ship feels unteth­ered from time. Gusev begins to drift off, his thoughts return­ing to that fish—a crea­ture big enough to strike steel, yet imag­ined only in tales passed between men with tired eyes. Sleep claims him slow­ly, like a tide climb­ing a shore­line. In his heart, the fish swims still, pow­er­ful and absurd, yet some­how real.

    Pavel remains awake longer, tor­ment­ed by nau­sea and thought. He fix­ates on Gusev’s sto­ry, frus­trat­ed by how eas­i­ly non­sense can com­fort a man while he, with all his rea­son, feels no peace. His stom­ach churns, and the sweat on his fore­head glis­tens in the low light. He does not believe in fish large enough to dent ships or wind that breaks free, but he envies the calm that Gusev finds in such tales. He pulls his blan­ket tighter, as if to shield him­self from the wild­ness of an imag­i­na­tion he no longer pos­sess­es.

    The chap­ter clos­es in half-light, with the ship groan­ing under the weight of its pas­sen­gers and their invis­i­ble bur­dens. Out­side, the sea goes on end­less­ly, unmoved by the dreams or dis­putes of those it car­ries. In this vast­ness, every man aboard seems small­er, more frag­ile, their sto­ries and cer­tain­ties alike swal­lowed by the night. Gusev dreams. Pavel watch­es. And the ship moves for­ward.

    Quotes

    FAQs

    Note