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    Cover of The Witchand Other Stories
    Literary

    The Witchand Other Stories

    by

    Chapter XVI opens on a quiet but emotionally charged evening, where the flickering glow of the hearth in the tavern kitchen reflects the unspoken longing that fills the space. Yegor, with sleeves rolled up and hands stained from ink and soot, listens patiently as Vasilisa dictates her heartfelt message to her absent daughter. Each word she speaks carries the weight of four silent years, a gap filled with more questions than answers. Her voice wavers as she names familiar holidays and blessings, grasping at memories of a daughter whose face now lives more in imagination than in recent memory. Pyotr, her blind husband, sits silently in the corner, his stillness speaking louder than words. While his presence is mostly passive, it’s clear that even without sight, the ache of absence is fully felt. The simple act of writing a letter becomes an emotional excavation of time and memory.

    Yegor, once content to simply write what was told, now encourages Vasilisa to share more, sensing that this letter might be more than just a seasonal greeting. The details spill out in fragments—news of neighbors, stories of changing seasons, mention of who has died, and who has married. But threaded within these updates is a hope that her daughter might be thriving, that life in the distant capital has treated her gently. They reminisce briefly over a crumpled letter from years back, one that spoke of Andrey’s job at a hydropathic establishment and the busy streets of Petersburg. Yet as Vasilisa stares into the fire, doubt creeps in. What if Yefimya is gone? What if their words will find only silence at the other end? The letter begins to feel like a final reach into the unknown.

    The contrast between the warm kitchen and the imagined frost of Petersburg becomes striking. This modest village scene—scented with burning wood and filled with the quiet sounds of Yegor’s pen scratching—feels timeless. But the unknown world beyond the letter is vast and uncertain. As Yegor writes, he begins to infuse the letter with a more structured tone, adding a touch of formal advice to balance the emotion. He writes not just for Vasilisa, but as someone who understands what it means to be away from home, to miss letters, to feel forgotten. Though his language may be plain, the compassion in his phrasing gives the letter a resonance beyond simple greetings. His role has shifted—from mere scribe to a bridge between generations, connecting lives shaped by time, distance, and silence.

    In the quiet between Vasilisa’s words, Yegor reflects on the broader truth of the moment. Letters, he realizes, carry not only information but also yearning and identity. They preserve pieces of the sender’s world—its sounds, scents, and sorrows—in a form that travels beyond their reach. For those left behind in small villages, where the rhythm of life rarely changes, writing is not just communication but survival. It preserves dignity, staves off despair, and reinforces hope. In that moment, Yegor doesn’t just transcribe; he witnesses the raw human need for connection, even when voices go unheard and answers never come.

    The chapter concludes with the letter folded, sealed, and entrusted to uncertain hands and uncertain roads. Though Vasilisa and Pyotr may never know if their words will be read, they have done what they could—they have remembered, hoped, and reached out. The silence of years has not hardened them; instead, it has made their message more tender, more urgent. In a world that often forgets the old and the distant, this letter becomes an act of faith. It says, “You are not forgotten. We are still here.” Through this simple exchange, Chekhov captures the aching persistence of familial love, resilient in the face of time, distance, and doubt.

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