Chapter XIII – The witch and other Stories
byChapter XIII unfolds in a cramped, overheated cabin aboard a listing ship, where Gusev, weakened by illness, listens to Pavel Ivanitch’s fierce accusations against the medical and military systems. The oppressive air and constant sway make every movement an effort, but Pavel’s energy seems renewed by indignation. He claims their journey is a deliberate execution, orchestrated by indifferent doctors who knowingly send terminally ill patients to die at sea. For him, the ship is not a vessel of hope or recovery but a floating grave. Gusev struggles to follow the full scope of Pavel’s outrage but senses the bitterness beneath it. In his mind, he attributes his condition to misfortune, not malevolence.
Gusev’s own thoughts drift to his time as a servant for an officer. That job, though menial, was at least predictable—tasks like shoe cleaning and cooking were manageable, and no one tried to deceive him. He remembers how he could nap during the day and spend evenings in conversation or games, far from the grim uncertainty he now faces. Pavel Ivanitch scoffs at such nostalgia, insisting that this service life was just another manipulation—offering crumbs while stripping dignity. Gusev doesn’t argue. He knows Pavel carries a fire of resentment that logic won’t quench. But still, he clings to the belief that the past, though imperfect, held comfort in familiarity.
As the ship rocks, daily life grows more difficult. Eating is nearly impossible, and sleep comes in short, broken spells. The sick groan or mumble in half-dreams, while the healthy avoid them when they can. The scent of damp wood and sweat fills the room, mingled with the faint staleness of sea air struggling to push through small vents. Pavel’s words linger like smoke—about class cruelty, human neglect, and institutional betrayal. Each passenger in the sick bay begins to realize their condition is not just medical but existential. They are not only battling fever but abandonment.
In one moment of rare clarity, Pavel reflects on his earlier years of faith, wondering whether his prayers ever mattered. His voice softens, his ranting replaced by a near-whisper, as he recounts the comfort he once drew from sacred texts. Now, that belief feels distant—buried under layers of disillusionment, pain, and bureaucratic cruelty. Gusev, meanwhile, doesn’t analyze so much. He simply hopes to see home again, to hear the crunch of snow under his boots and feel his mother’s arms around him. For him, meaning lies in small things—meals, memories, voices.
The ship’s corridor brings only silence now. Outside, the ocean stretches without end, indifferent and endless. A steward passes occasionally, tossing glances but avoiding eye contact, knowing what this part of the ship means. It’s not just the sick that reside here—it’s those the world has decided to forget. Yet within this small, stuffy cabin, fragments of humanity remain. Pavel’s fury may be harsh, but it springs from a need to affirm dignity. Gusev’s simplicity, though passive, is also a quiet resistance—a belief in personal worth despite the setting.
When Gusev closes his eyes that night, he isn’t thinking of doctors or politics. His thoughts drift to cold rivers and warm fires, to laughter during meal prep, and to songs sung at dusk. It is these memories, not policies or protests, that keep him anchored. Meanwhile, Pavel mutters to himself, fighting demons no one else can see. He grips the edge of his bunk as if clinging to the last remaining truth he has. Outside, the waves crash and sigh, unaware of the lives being tested within.
This chapter offers more than a glimpse into suffering—it explores the textures of despair and hope in extreme conditions. Readers are reminded that systems often fail those who need them most, but the human spirit—whether defiant or dreaming—endures. Chekhov’s portrayal of institutional cruelty, countered by flashes of memory and dignity, transforms a dying room into a stage for moral confrontation. It’s not just illness that’s being examined—it’s how society, under the mask of order, chooses who gets to live with meaning.