Cover of The Vanishing Half (Brit Bennett)
    Historical Fiction

    The Vanishing Half (Brit Bennett)

    by Denzelle
    The Vanishing Half by Brit Bennett follows twin sisters who lead separate lives—one as a Black woman and the other passing for white—exploring themes of race, identity, and family.

    In this chap­ter, Stel­la Sanders is caught in the intri­ca­cies of her evolv­ing self, her fam­i­ly, and the ten­sion between the two. Teach­ing sta­tis­tics at San­ta Mon­i­ca Col­lege, Stel­la’s sto­ry becomes a pow­er­ful reflec­tion of improb­a­ble growth—considering her uncon­ven­tion­al aca­d­e­m­ic jour­ney. Her jour­ney high­lights the bal­ance between per­son­al auton­o­my and ambi­tion, as she nav­i­gates chal­lenges with resilience. Hav­ing dropped out of high school and lat­er return­ing to edu­ca­tion as an adult, Stel­la’s rise to the role of a col­lege instruc­tor rep­re­sents the very odds she often dis­cuss­es in her class­room. Her aca­d­e­m­ic pur­suits, though achieved with deter­mi­na­tion, come in con­trast to her ear­li­er life deci­sions, many of which were root­ed in prac­ti­cal­i­ty rather than pas­sion.

    Her past, one filled with sac­ri­fice and com­pro­mise, reveals the depth of her strug­gle to rec­on­cile per­son­al iden­ti­ty with the expec­ta­tions placed upon her. Mov­ing from New Orleans to sup­port her hus­band Blake’s career was one such choice—a prag­mat­ic deci­sion that sti­fled her own ambi­tions in favor of those of her hus­band. Now, years lat­er, Stel­la finds her­self grap­pling with the ever-present ten­sion between the soci­etal expec­ta­tions of being a wife and moth­er, and her desire to be rec­og­nized as more than just the sup­port­ing char­ac­ter in some­one else’s sto­ry.

    Her rela­tion­ship with Blake is emblem­at­ic of this dis­con­nect. While Blake seems indif­fer­ent to her accom­plish­ments, focus­ing instead on his own work, Stel­la wres­tles with her dis­sat­is­fac­tion with their life and the grow­ing chasm between their indi­vid­ual aspi­ra­tions. It becomes clear that their val­ues diverge—Blake’s com­fort in main­tain­ing the sta­tus quo stands in stark con­trast to Stella’s inter­nal need for intel­lec­tu­al ful­fill­ment and auton­o­my.

    At a Bev­er­ly Hills retire­ment par­ty, Stel­la is faced with the painful real­iza­tion of how far her life has devi­at­ed from the intel­lec­tu­al spaces she once envi­sioned for her­self. Sur­round­ed by shal­low social encoun­ters and neglect from Blake, she finds her­self reflect­ing on the jour­ney that took her from being a GED can­di­date to aspir­ing sta­tis­tics pro­fes­sor. While she strug­gles to fit into the world of acad­e­mia, it becomes a rare space where she can reclaim some sense of self and intel­lec­tu­al pur­pose. In these moments, she feels a sub­tle rebel­lion against the life Blake has built around her—one that is often focused more on appear­ances and social stand­ing than per­son­al growth or ambi­tion.

    This con­flict is fur­ther under­scored by Stella’s rela­tion­ship with her daugh­ter, Kennedy, whose deci­sion to drop out of col­lege to pur­sue act­ing serves as anoth­er point of ten­sion. Stel­la is dis­mayed by her daughter’s choice, see­ing it as a reflec­tion of irre­spon­si­bil­i­ty and lack of direc­tion. Yet, at the same time, she is forced to con­front her own ambiva­lence about her career and ambi­tions. The gen­er­a­tional clash high­lights the dif­fer­ences between Stella’s need for intel­lec­tu­al val­i­da­tion and Kennedy’s desire for cre­ative expres­sion. While Stel­la wants to see Kennedy take the aca­d­e­m­ic path she nev­er had the chance to, Kennedy yearns for the free­dom to explore her artis­tic dreams—further high­light­ing the divide between their val­ues.

    Con­ver­sa­tions with Peg Davis, a fac­ul­ty men­tor, bring Stella’s inter­nal strug­gle to the fore­front. Peg’s unwa­ver­ing sup­port and encour­age­ment to pur­sue grad­u­ate stud­ies serve as a cat­a­lyst for Stella’s own reflec­tion. Despite her progress, Stel­la is reluc­tant to ful­ly embrace the idea of advanc­ing in her field, caught between her desire for intel­lec­tu­al auton­o­my and the deeply ingrained role she feels as a wife and moth­er. Peg acts as a mir­ror to Stella’s own unful­filled poten­tial, chal­leng­ing her to rede­fine her­self out­side of her famil­ial duties and soci­etal roles. The notion of pur­su­ing her ambi­tions, how­ev­er, feels daunt­ing and fraught with insecurity—primarily due to the lim­i­ta­tions imposed by Blake’s con­ser­v­a­tive out­look and Stella’s fears of rejec­tion and fail­ure.

    Ulti­mate­ly, this chap­ter poignant­ly explores themes of iden­ti­ty, ambi­tion, and per­son­al auton­o­my. Stella’s strug­gle between soci­etal norms and her desire for per­son­al growth mir­rors the broad­er expe­ri­ence many women face—trying to bal­ance fam­i­ly oblig­a­tions with the need for self-ful­fill­ment. Her jour­ney encap­su­lates the pro­found con­flict between duty and desire, and her nar­ra­tive serves as an insight­ful com­men­tary on the com­plex­i­ties of self-dis­cov­ery, par­tic­u­lar­ly in the face of soci­etal pres­sures. Stel­la’s sto­ry is a com­pelling explo­ration of how women, often forced to con­form to tra­di­tion­al roles, can nev­er­the­less strive for and attain their own aspi­ra­tions, even if those ambi­tions come at a per­son­al cost.

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