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    Cover of Something Wicked This Way Comes
    Novel

    Something Wicked This Way Comes

    by

    Chap­ter 14 opens in the qui­et of the ear­ly morn­ing, where Will is left to pon­der the feel­ings that the hour of three a.m. stirs with­in him. Wrapped in the warmth of his bed yet chilled by an unset­tling dis­com­fort, he hears his father’s voice repeat­ing the word “three,” a word laden with trou­bling mem­o­ries. This rec­ol­lec­tion stems from a time when a train arrived at pre­cise­ly this hour, an event that has long haunt­ed Will’s thoughts, fill­ing him with a sense of dread and fore­bod­ing. The con­nec­tion between the num­ber and the inci­dent makes Will ques­tion his own feel­ings of unease, won­der­ing if there was some­thing sig­nif­i­cant about the time or the moment that he had over­looked. His mind races as he con­tem­plates the nature of time and the dark­ness that creeps into a sleepy town at night. His thoughts drift, filled with an over­whelm­ing sense of help­less­ness as he strug­gles to qui­et his mind and focus on the safe­ty of his home, yet the sen­sa­tion of being trapped in his own swirling thoughts per­sists. It is a time when ques­tions of the unseen forces of life seem more press­ing than ever.

    Mean­while, Charles Hal­loway, Will’s father, is also lost in thought, reflect­ing on the sig­nif­i­cance of this par­tic­u­lar hour—three a.m.—and the feel­ings it brings. To Charles, this time rep­re­sents more than just a moment in the night. He believes it to be a time of intro­spec­tion for men, a peri­od of deep self-exam­i­na­tion, while women remain undis­turbed by the weight of their thoughts, sleep­ing peace­ful­ly. Charles views three a.m. as a form of “liv­ing death,” a time that con­jures up past joys now taint­ed with sor­row, remind­ing him of what has been lost and nev­er reclaimed. He con­tem­plates the para­dox of existence—the desire to hold onto life and the over­whelm­ing bur­den of real­iz­ing that time, once passed, can nev­er be retrieved. These reflec­tions flood his mind as he expe­ri­ences a deep sense of long­ing for a life that seems so far out of reach, while at the same time grap­pling with the empti­ness and regret that accom­pa­ny the night hours. The weight of this exis­ten­tial cri­sis press­es heav­i­ly upon him, mark­ing this hour as one filled with emo­tion­al tur­moil.

    As Charles is caught in the deep cur­rents of his inner reflec­tions, a soft voice from his wife, inter­rupt­ing his soli­tude, brings him back to real­i­ty. She qui­et­ly inquires, momen­tar­i­ly break­ing the grip of his inner con­flict, but Charles can­not bring him­self to share the depths of his emo­tion­al strug­gle with her. He finds it dif­fi­cult to artic­u­late the com­plex feel­ings that have over­whelmed him, unable to explain his thoughts to her in any mean­ing­ful way. Despite his silence, the pres­ence of his fam­i­ly offers a sharp con­trast to the feel­ings of iso­la­tion he’s been bat­tling through­out the night. In this brief exchange, Charles is remind­ed of the love and con­nec­tion he shares with his wife and son, yet his emo­tion­al dis­tance from them grows more pro­nounced. The jux­ta­po­si­tion of his inter­nal tor­ment and the warmth of his famil­ial bonds empha­sizes the lone­li­ness that comes with grap­pling with one’s deep­est thoughts. This chap­ter explores the con­flict­ing emo­tions that arise when time, life, and per­son­al regrets col­lide, reveal­ing the com­plex nature of the human psy­che dur­ing the qui­et, reflec­tive moments of the night. As Will and Charles nav­i­gate their respec­tive fears and uncer­tain­ties, their expe­ri­ences become a poignant reflec­tion on the pas­sage of time and the emo­tion­al bur­dens car­ried with­in. The haunt­ing silence of the night ampli­fies these inter­nal strug­gles, push­ing both char­ac­ters to con­front the dark­er, often hid­den aspects of their emo­tions, while also acknowl­edg­ing the need for con­nec­tion and under­stand­ing amidst their fears.

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