Cover of Serpent & Dove
    FantasyRomance Novel

    Serpent & Dove

    by Mahurin, Shelby
    “Serpent & Dove” by Shelby Mahurin is a YA fantasy novel set in a French-inspired world where witches are hunted by the Church. The story follows Louise “Lou” le Blanc, a witch who has renounced magic and hides in the city of Cesarine, and Reid Diggory, a devout witch hunter. After a chance encounter forces them into an arranged marriage, their opposing loyalties and beliefs create tension. As Lou’s secrets threaten to unravel, the pair must navigate betrayal, forbidden romance, and a brewing war between witches and the Church. The novel explores themes of identity, prejudice, and the clash between duty and desire, blending fantasy, romance, and adventure.

    The chap­ter opens with Reid, a Chas­seur cap­tain, train­ing rig­or­ous­ly in the yard, his frus­tra­tion evi­dent as he reflects on his recent fail­ure to cap­ture a witch. His shirt remains on, a self-imposed pun­ish­ment, while his com­rades train shirt­less. The mem­o­ry of Célie’s dis­ap­point­ment and the escaped witch weighs heav­i­ly on him, fuel­ing his anger. His long­time friend and fel­low Chas­seur, Jean Luc, pro­vokes him with taunts about the inci­dent and Reid’s inter­ac­tions with a thief, test­ing Reid’s patience and high­light­ing the ten­sion between them.

    Reid and Jean Luc’s rela­tion­ship is revealed to be strained, their once-close bond erod­ed by Reid’s pro­mo­tion and Jean Luc’s envy. Their spar­ring ses­sion becomes a metaphor for their con­flict, with Reid’s phys­i­cal strikes mir­ror­ing his emo­tion­al tur­moil. Jean Luc’s jabs about Reid’s fail­ures and the Archbishop’s dis­ap­proval esca­late the ten­sion, while Ansel, anoth­er Chas­seur, attempts to medi­ate. Reid strug­gles to con­trol his anger, count­ing silent­ly to regain com­po­sure, a tech­nique taught by the Arch­bish­op.

    The Archbishop’s arrival shifts the focus, as he reas­sures Reid of his trust and assigns him to accom­pa­ny him to a the­ater mati­nee, despite Reid’s reluc­tance. Jean Luc’s resent­ment sim­mers in the back­ground, his envy of Reid’s posi­tion and favor with the Arch­bish­op becom­ing increas­ing­ly appar­ent. The chap­ter under­scores the grow­ing rift between the two friends, with Reid acknowl­edg­ing the shift in their dynamic—once root­ed in mutu­al respect, now taint­ed by jeal­ousy.

    In the final moments, Reid reflects on the bit­ter­ness of their frac­tured friend­ship, rec­og­niz­ing Jean Luc’s envy as the source of their dis­cord. The chap­ter clos­es with Reid in a car­riage, con­tem­plat­ing the sting of regret and the irre­versible change in their rela­tion­ship. The themes of duty, fail­ure, and the cor­ro­sive effects of envy are cen­tral, paint­ing a vivid pic­ture of Reid’s inter­nal and exter­nal con­flicts.

    FAQs

    • 1. What internal conflict is Reid grappling with in this chapter, and how does it manifest in his interactions with Jean Luc?

      Answer:
      Reid is struggling with feelings of failure and self-doubt after letting a witch escape and disappointing both the Archbishop and Célie Tremblay. This internal conflict manifests in his tense sparring session with Jean Luc, where Reid responds aggressively to his friend’s teasing (elbowing him hard, creating welts) and nearly loses control of his anger. The chapter reveals Reid’s struggle to maintain composure through counting exercises, showing how his professional failures bleed into personal relationships. Jean Luc’s pointed remarks about Reid’s privileges and responsibilities further exacerbate this tension.

      2. Analyze the significance of the counting ritual Reid performs when angered. What does this reveal about his character and upbringing?

      Answer:
      Reid’s counting ritual (reaching seven while recalling the Archbishop’s childhood instruction to “master yourself”) reveals his disciplined upbringing under church authority and his ongoing battle with anger management. This coping mechanism shows how deeply the Archbishop’s teachings are ingrained in him, presenting Reid as someone who struggles to reconcile his emotional nature with rigid expectations of control. The ritual’s partial success—he still feels bitter regret later—suggests his emotional complexity beneath the disciplined exterior, making him more than just a zealous Chasseur.

      3. How does Jean Luc’s dialogue serve to develop both his character and the central tensions in the chapter?

      Answer:
      Jean Luc’s barbed teasing (“Still thinking about your witches?”), scripture-quoting wit, and pointed observations about Reid’s privileged position serve multiple purposes: 1) They establish their long-standing but strained friendship through casual cruelty masked as humor; 2) They highlight the envy Jean Luc feels toward Reid’s captain status (“Reid alone enjoys the privileges”); 3) They force Reid to confront his failures publicly. Jean Luc’s blend of humor and hostility makes him a foil who exposes Reid’s vulnerabilities while revealing his own resentment, deepening the chapter’s themes of envy and fractured camaraderie.

      4. What symbolic meaning might be inferred from Reid keeping his sweat-soaked shirt on during training while others discard theirs?

      Answer:
      Reid’s clinging shirt symbolizes his self-imposed punishment for recent failures—the physical discomfort mirrors his mental anguish. Unlike Jean Luc, who trains shirtless and carefree, Reid’s choice suggests he denies himself relief, literally and figuratively “stewing” in his mistakes. The wet fabric chafing his skin parallels how his regrets irritate him psychologically. This detail reinforces his self-flagellating nature and contrasts with his comrades’ more relaxed attitudes, visually underscoring his isolation as captain.

      5. Evaluate how the Archbishop’s appearance affects the power dynamics between Reid and Jean Luc.

      Answer:
      The Archbishop’s arrival shifts the power dynamic decisively in Reid’s favor: 1) He singles out Reid for a special assignment, validating his status despite recent failures; 2) Jean Luc’s visible frown and “flashing eyes” show his resentment at this preferential treatment; 3) The Archbishop explicitly absolves Reid of blame (“Last night was not your fault”), contradicting Jean Luc’s earlier accusations. This interaction confirms Jean Luc’s envy is rooted in reality—Reid does enjoy institutional favor—while showing the Archbishop’s role in maintaining hierarchy among the Chasseurs.

    Quotes

    • 1. “Our respect had also once been mutual. But that was before.”

      This quote captures the central tension between Reid and Jean Luc, highlighting how their childhood friendship has deteriorated due to professional rivalry and envy. It marks a turning point in their relationship dynamic within the chapter.

      2. “‘Perhaps it is fair and just for Reid alone to bear the consequences.’”

      Jean Luc’s pointed remark reveals the growing resentment beneath their camaraderie, emphasizing the burden of leadership and unequal accountability. This represents a key moment where their conflict comes to a head during training.

      3. “I complied. Slowly, surely, the tension in my shoulders eased. The heat on my face cooled. My breath came easier.”

      This passage demonstrates Reid’s internal struggle with anger management and his disciplined adherence to the Archbishop’s teachings. It shows his character development and the psychological toll of his responsibilities.

      4. “We shall catch the witches, and we shall burn their pestilence from the earth.”

      The Archbishop’s declaration encapsulates the chapter’s central conflict and the Chasseurs’ mission. This quote represents the ideological foundation that drives Reid’s actions and the story’s larger witch-hunting narrative.

      5. “Our respect had once been mutual. But that was before the envy.”

      The chapter’s closing line powerfully bookends the opening statement about their relationship, now explicitly naming envy as the corrosive force. This conclusion leaves readers with a clear understanding of the transformed dynamic between the characters.

    Quotes

    1. “Our respect had also once been mutual. But that was before.”

    This quote captures the central tension between Reid and Jean Luc, highlighting how their childhood friendship has deteriorated due to professional rivalry and envy. It marks a turning point in their relationship dynamic within the chapter.

    2. “‘Perhaps it is fair and just for Reid alone to bear the consequences.’”

    Jean Luc’s pointed remark reveals the growing resentment beneath their camaraderie, emphasizing the burden of leadership and unequal accountability. This represents a key moment where their conflict comes to a head during training.

    3. “I complied. Slowly, surely, the tension in my shoulders eased. The heat on my face cooled. My breath came easier.”

    This passage demonstrates Reid’s internal struggle with anger management and his disciplined adherence to the Archbishop’s teachings. It shows his character development and the psychological toll of his responsibilities.

    4. “We shall catch the witches, and we shall burn their pestilence from the earth.”

    The Archbishop’s declaration encapsulates the chapter’s central conflict and the Chasseurs’ mission. This quote represents the ideological foundation that drives Reid’s actions and the story’s larger witch-hunting narrative.

    5. “Our respect had once been mutual. But that was before the envy.”

    The chapter’s closing line powerfully bookends the opening statement about their relationship, now explicitly naming envy as the corrosive force. This conclusion leaves readers with a clear understanding of the transformed dynamic between the characters.

    FAQs

    1. What internal conflict is Reid grappling with in this chapter, and how does it manifest in his interactions with Jean Luc?

    Answer:
    Reid is struggling with feelings of failure and self-doubt after letting a witch escape and disappointing both the Archbishop and Célie Tremblay. This internal conflict manifests in his tense sparring session with Jean Luc, where Reid responds aggressively to his friend’s teasing (elbowing him hard, creating welts) and nearly loses control of his anger. The chapter reveals Reid’s struggle to maintain composure through counting exercises, showing how his professional failures bleed into personal relationships. Jean Luc’s pointed remarks about Reid’s privileges and responsibilities further exacerbate this tension.

    2. Analyze the significance of the counting ritual Reid performs when angered. What does this reveal about his character and upbringing?

    Answer:
    Reid’s counting ritual (reaching seven while recalling the Archbishop’s childhood instruction to “master yourself”) reveals his disciplined upbringing under church authority and his ongoing battle with anger management. This coping mechanism shows how deeply the Archbishop’s teachings are ingrained in him, presenting Reid as someone who struggles to reconcile his emotional nature with rigid expectations of control. The ritual’s partial success—he still feels bitter regret later—suggests his emotional complexity beneath the disciplined exterior, making him more than just a zealous Chasseur.

    3. How does Jean Luc’s dialogue serve to develop both his character and the central tensions in the chapter?

    Answer:
    Jean Luc’s barbed teasing (“Still thinking about your witches?”), scripture-quoting wit, and pointed observations about Reid’s privileged position serve multiple purposes: 1) They establish their long-standing but strained friendship through casual cruelty masked as humor; 2) They highlight the envy Jean Luc feels toward Reid’s captain status (“Reid alone enjoys the privileges”); 3) They force Reid to confront his failures publicly. Jean Luc’s blend of humor and hostility makes him a foil who exposes Reid’s vulnerabilities while revealing his own resentment, deepening the chapter’s themes of envy and fractured camaraderie.

    4. What symbolic meaning might be inferred from Reid keeping his sweat-soaked shirt on during training while others discard theirs?

    Answer:
    Reid’s clinging shirt symbolizes his self-imposed punishment for recent failures—the physical discomfort mirrors his mental anguish. Unlike Jean Luc, who trains shirtless and carefree, Reid’s choice suggests he denies himself relief, literally and figuratively “stewing” in his mistakes. The wet fabric chafing his skin parallels how his regrets irritate him psychologically. This detail reinforces his self-flagellating nature and contrasts with his comrades’ more relaxed attitudes, visually underscoring his isolation as captain.

    5. Evaluate how the Archbishop’s appearance affects the power dynamics between Reid and Jean Luc.

    Answer:
    The Archbishop’s arrival shifts the power dynamic decisively in Reid’s favor: 1) He singles out Reid for a special assignment, validating his status despite recent failures; 2) Jean Luc’s visible frown and “flashing eyes” show his resentment at this preferential treatment; 3) The Archbishop explicitly absolves Reid of blame (“Last night was not your fault”), contradicting Jean Luc’s earlier accusations. This interaction confirms Jean Luc’s envy is rooted in reality—Reid does enjoy institutional favor—while showing the Archbishop’s role in maintaining hierarchy among the Chasseurs.

    Note