Cover of Serpent & Dove
    FantasyRomance Novel

    Serpent & Dove

    by Mahurin, Shelby
    “Serpent & Dove” by Shelby Mahurin is a YA fantasy novel set in a French-inspired world where witches are hunted by the Church. The story follows Louise “Lou” le Blanc, a witch who has renounced magic and hides in the city of Cesarine, and Reid Diggory, a devout witch hunter. After a chance encounter forces them into an arranged marriage, their opposing loyalties and beliefs create tension. As Lou’s secrets threaten to unravel, the pair must navigate betrayal, forbidden romance, and a brewing war between witches and the Church. The novel explores themes of identity, prejudice, and the clash between duty and desire, blending fantasy, romance, and adventure.

    Lou awak­ens dis­ori­ent­ed, feel­ing the throb­bing pain in her throat and the move­ment of the floor beneath her. Ansel’s voice cuts through her haze, urg­ing her to wake as chaos erupts around them—a witch’s laugh­ter, crash­ing debris, and Reid’s des­per­ate strug­gle. Lou real­izes Reid is los­ing the fight, weak­ened by an incom­plete anti­dote. The room is in ruins, and the witch toys with Reid, exploit­ing his slug­gish move­ments. Despite her own dizzi­ness and weak­ness, Lou knows she must inter­vene to save him, even as her vision blurs and her body fal­ters.

    Lou attempts to fight back, but her mag­ic is unre­li­able due to her drugged state. The witch mocks her loy­al­ty to Reid, who has shown hatred toward witch­es, yet Lou refus­es to aban­don him. In a fleet­ing moment of clar­i­ty, Lou con­jures a mag­i­cal cord to stran­gle the witch, but her con­cen­tra­tion wavers. The witch retal­i­ates, blast­ing Lou into Reid’s arms. Ansel joins the fray but is quick­ly over­pow­ered. Lou, bare­ly con­scious, admits her inabil­i­ty to defeat the witch alone, but Reid insists she use his strength to turn the tide.

    In a des­per­ate gam­ble, Lou taps into Reid’s body as a con­duit for her mag­ic, bind­ing both him and the witch in a shared pat­tern. Despite her reluc­tance to con­trol him, Lou rec­og­nizes their deep connection—nature itself acknowl­edg­ing their bond. She seizes the oppor­tu­ni­ty, using Reid’s phys­i­cal strength to immo­bi­lize the witch. Ansel retrieves Reid’s sword, Bal­is­ar­da, and hands it to Lou, who stands poised to deliv­er the final blow. The witch, now ter­ri­fied, strug­gles futile­ly against Lou’s mag­ic.

    With a deci­sive strike, Lou slits the witch’s throat, end­ing her life. The room falls silent as the witch’s body col­laps­es, her blood pool­ing at Lou’s feet. The weight of the moment set­tles over Lou, who stares at the aftermath—the Bal­is­ar­da drip­ping with blood, the still­ness of death. The chap­ter clos­es with Lou grap­pling with the title “witch killer,” a stark reminder of the bru­tal choic­es she has made to pro­tect those she loves, even as the cost of her actions lingers in the air.

    FAQs

    • 1. What critical decision does Lou face regarding Reid’s role in defeating the witch, and what does this reveal about their relationship?

      Answer:
      Lou faces the pivotal choice of whether to use Reid’s body as a magical conduit to defeat the witch, despite her moral reservations about manipulating others. Though initially resistant (“I wouldn’t hurt him, wouldn’t wield his body like other witches did”), she ultimately accepts this solution because Reid is “not just another body… he was… me.” This moment reveals their profound emotional bond—Lou’s love for Reid makes him a unique, willing partner in magic rather than a victim. The chapter underscores this trust when Reid actively offers himself (“Use me”) and their synchronized collapse after the spell dissolves (p. 381).

      2. Analyze how the witch’s taunting dialogue and actions contribute to the chapter’s tension.

      Answer:
      The witch heightens tension through sadistic psychological warfare. She mocks Lou’s loyalty to Reid (“You’ve seen his hatred, yet still you rush to his aid”), emphasizing the irony of their alliance (p. 379). Her physical dominance—blasting Reid against walls, toying with him instead of delivering a killing blow—creates a sense of inevitable doom. The line “You two deserve each other” (p. 379) drips with contempt, framing their connection as weakness. Her delayed violence (e.g., waiting for Lou to “kill them” first) prolongs suspense, making her eventual defeat more cathartic.

      3. How does the limited antidote dose create both physical and narrative stakes in this chapter?

      Answer:
      The incomplete antidote leaves Lou weakened (“I couldn’t concentrate. The room tilted and spun,” p. 378), raising physical stakes by forcing her to fight impaired. Narratively, it escalates urgency—Ansel’s plea (“Please!” p. 377) underscores Reid’s imminent defeat. This limitation also drives innovation: Lou’s inability to fight conventionally leads to the climactic solution of channeling Reid’s strength. The syringe’s lingering effects (“my mind was too drug-saturated,” p. 379) make her eventual victory against the witch a hard-won triumph over both external and internal obstacles.

      4. Evaluate the significance of Ansel’s role in this chapter’s conflict resolution.

      Answer:
      Ansel acts as a crucial catalyst and supporter. He administers the antidote (p. 377), alerts Lou to Reid’s peril, and proposes the idea of using Reid’s body (“The witches use other people all the time!” p. 380). His tactical assistance—fetching the Balisarda (p. 381)—enables the killing blow. Ansel bridges Lou’s magical weakness and Reid’s physical strength, embodying teamwork. His presence also contrasts the witch’s isolation; where she fights alone, the trio’s collaboration (“Ansel nodded frantically,” p. 380) proves decisive, reinforcing themes of unity against oppression.

      5. What symbolic meaning can be inferred from Lou’s final act of severing the witch’s throat with Reid’s Balisarda?

      Answer:
      The act carries layered symbolism: the Balisarda—a weapon Reid once wielded against witches—now serves justice through Lou’s hands, signifying their merged identities. The throat-cutting mirrors Lou’s own injury (p. 377), turning the witch’s violence back upon her. Blood imagery (“lifeblood coursed… down my arm,” p. 381) marks Lou’s transformation from victim to empowered agent. The witch’s earlier taunt (“Witch killer,” p. 381) is subverted—Lou embraces the title to protect loved ones, redefining it as righteous defiance rather than bigotry.

    Quotes

    • 1. “‘Use me.’”

      This pivotal moment occurs when Lou is too weak to fight the witch, and Reid offers himself as a vessel for her magic. It represents a turning point in their relationship, showcasing trust and sacrifice amid the chaos of battle.

      2. “‘He wasn’t just another body. Another shield of flesh. He was … me.’”

      Lou reflects on her deep connection with Reid as she prepares to wield magic through him. This quote encapsulates the theme of unity and love transcending their differences, marking a profound emotional and narrative climax.

      3. “‘I’ll see you in Hell,’ I whispered.”

      Lou delivers this chilling line before executing the witch, underscoring her transformation and resolve. It highlights the moral complexity of her actions and the brutal stakes of their conflict.

      4. “Witch killer.”

      This stark, two-word thought from Lou after killing the witch captures her internal conflict and the weight of her identity. It serves as a powerful conclusion to the chapter’s violent confrontation.

    Quotes

    1. “‘Use me.’”

    This pivotal moment occurs when Lou is too weak to fight the witch, and Reid offers himself as a vessel for her magic. It represents a turning point in their relationship, showcasing trust and sacrifice amid the chaos of battle.

    2. “‘He wasn’t just another body. Another shield of flesh. He was … me.’”

    Lou reflects on her deep connection with Reid as she prepares to wield magic through him. This quote encapsulates the theme of unity and love transcending their differences, marking a profound emotional and narrative climax.

    3. “‘I’ll see you in Hell,’ I whispered.”

    Lou delivers this chilling line before executing the witch, underscoring her transformation and resolve. It highlights the moral complexity of her actions and the brutal stakes of their conflict.

    4. “Witch killer.”

    This stark, two-word thought from Lou after killing the witch captures her internal conflict and the weight of her identity. It serves as a powerful conclusion to the chapter’s violent confrontation.

    FAQs

    1. What critical decision does Lou face regarding Reid’s role in defeating the witch, and what does this reveal about their relationship?

    Answer:
    Lou faces the pivotal choice of whether to use Reid’s body as a magical conduit to defeat the witch, despite her moral reservations about manipulating others. Though initially resistant (“I wouldn’t hurt him, wouldn’t wield his body like other witches did”), she ultimately accepts this solution because Reid is “not just another body… he was… me.” This moment reveals their profound emotional bond—Lou’s love for Reid makes him a unique, willing partner in magic rather than a victim. The chapter underscores this trust when Reid actively offers himself (“Use me”) and their synchronized collapse after the spell dissolves (p. 381).

    2. Analyze how the witch’s taunting dialogue and actions contribute to the chapter’s tension.

    Answer:
    The witch heightens tension through sadistic psychological warfare. She mocks Lou’s loyalty to Reid (“You’ve seen his hatred, yet still you rush to his aid”), emphasizing the irony of their alliance (p. 379). Her physical dominance—blasting Reid against walls, toying with him instead of delivering a killing blow—creates a sense of inevitable doom. The line “You two deserve each other” (p. 379) drips with contempt, framing their connection as weakness. Her delayed violence (e.g., waiting for Lou to “kill them” first) prolongs suspense, making her eventual defeat more cathartic.

    3. How does the limited antidote dose create both physical and narrative stakes in this chapter?

    Answer:
    The incomplete antidote leaves Lou weakened (“I couldn’t concentrate. The room tilted and spun,” p. 378), raising physical stakes by forcing her to fight impaired. Narratively, it escalates urgency—Ansel’s plea (“Please!” p. 377) underscores Reid’s imminent defeat. This limitation also drives innovation: Lou’s inability to fight conventionally leads to the climactic solution of channeling Reid’s strength. The syringe’s lingering effects (“my mind was too drug-saturated,” p. 379) make her eventual victory against the witch a hard-won triumph over both external and internal obstacles.

    4. Evaluate the significance of Ansel’s role in this chapter’s conflict resolution.

    Answer:
    Ansel acts as a crucial catalyst and supporter. He administers the antidote (p. 377), alerts Lou to Reid’s peril, and proposes the idea of using Reid’s body (“The witches use other people all the time!” p. 380). His tactical assistance—fetching the Balisarda (p. 381)—enables the killing blow. Ansel bridges Lou’s magical weakness and Reid’s physical strength, embodying teamwork. His presence also contrasts the witch’s isolation; where she fights alone, the trio’s collaboration (“Ansel nodded frantically,” p. 380) proves decisive, reinforcing themes of unity against oppression.

    5. What symbolic meaning can be inferred from Lou’s final act of severing the witch’s throat with Reid’s Balisarda?

    Answer:
    The act carries layered symbolism: the Balisarda—a weapon Reid once wielded against witches—now serves justice through Lou’s hands, signifying their merged identities. The throat-cutting mirrors Lou’s own injury (p. 377), turning the witch’s violence back upon her. Blood imagery (“lifeblood coursed… down my arm,” p. 381) marks Lou’s transformation from victim to empowered agent. The witch’s earlier taunt (“Witch killer,” p. 381) is subverted—Lou embraces the title to protect loved ones, redefining it as righteous defiance rather than bigotry.

    Note