Cover of Serpent & Dove
    FantasyRomance Novel

    Serpent & Dove

    by Mahurin, Shelby
    “Serpent & Dove” by Shelby Mahurin is a YA fantasy novel set in a French-inspired world where witches are hunted by the Church. The story follows Louise “Lou” le Blanc, a witch who has renounced magic and hides in the city of Cesarine, and Reid Diggory, a devout witch hunter. After a chance encounter forces them into an arranged marriage, their opposing loyalties and beliefs create tension. As Lou’s secrets threaten to unravel, the pair must navigate betrayal, forbidden romance, and a brewing war between witches and the Church. The novel explores themes of identity, prejudice, and the clash between duty and desire, blending fantasy, romance, and adventure.

    The chap­ter opens with Reid observ­ing the first snow­fall of the year, using phys­i­cal exer­cise to alle­vi­ate his frus­tra­tion. Lou, his com­pan­ion, has claimed the bed, leav­ing him to sleep on the floor. Their dynam­ic is tense yet play­ful, as Lou dis­miss­es a reli­gious book from the library as “dri­v­el,” mock­ing its pas­toral themes. Reid, in response, reveals a hid­den com­part­ment in his room where he keeps a cher­ished book, *La Vie Éphémère*, a love sto­ry about war­ring king­doms. Lou ini­tial­ly teas­es him, assum­ing it’s a “bodice-rip­per,” but Reid defends its deep­er themes of love, war, and hope.

    Reid’s emo­tion­al attach­ment to the book becomes evi­dent as he describes its trag­ic yet hope­ful end­ing, where the lovers die but their king­doms unite. Lou, skep­ti­cal of the story’s mer­it, ques­tions the val­ue of a nar­ra­tive that ends in death, but Reid insists on its under­ly­ing mes­sage of rec­on­cil­i­a­tion. Their ban­ter reveals a grow­ing cama­raderie, with Lou even­tu­al­ly agree­ing to read the book, albeit with sar­cas­tic reluc­tance. The exchange ends on a light­heart­ed note as Reid admits the book does con­tain a love scene, prompt­ing Lou’s laugh­ter and his own smile.

    Their moment is inter­rupt­ed by a knock from Ansel, who announces the arrival of Madame Labelle, demand­ing to speak with Lou. Lou, engrossed in the book, is annoyed by the dis­rup­tion but pre­pares to meet the vis­i­tor. Reid, halfway through wash­ing up, is teased by Lou for his odor, adding a touch of humor to the scene. Ansel’s dis­com­fort hints at the ten­sion sur­round­ing Madame Labelle’s unex­pect­ed vis­it, leav­ing the read­er curi­ous about her inten­tions.

    The chap­ter con­cludes with Lou’s char­ac­ter­is­tic wit as she reluc­tant­ly post­pones her read­ing to address Madame Labelle. The inter­ac­tion between Reid and Lou show­cas­es their evolv­ing rela­tion­ship, blend­ing con­flict, humor, and mutu­al under­stand­ing. The arrival of Madame Labelle intro­duces a new lay­er of intrigue, set­ting the stage for fur­ther devel­op­ments in the sto­ry. The chap­ter effec­tive­ly bal­ances char­ac­ter devel­op­ment with plot pro­gres­sion, main­tain­ing a engag­ing and dynam­ic tone through­out.

    FAQs

    • 1. How does Reid’s hidden vault behind the bed frame reveal important aspects of his character and past relationships?

      Answer:
      The hidden vault symbolizes Reid’s need for privacy and his complex relationship with Jean Luc. The text reveals that Reid created this hiding spot at sixteen when sharing the room with Jean Luc, whom he describes as having been “closer than brothers.” However, the phrase “perhaps we’d never been closer than brothers after all” suggests unresolved tension or betrayal. The vault contains personal items like his cherished book, showing Reid’s secretive nature and his desire to protect vulnerable aspects of himself from judgment, even from those closest to him.

      2. Analyze the contrasting attitudes toward literature between Reid and Lou. What does this reveal about their personalities?

      Answer:
      Reid values profound, philosophical literature like La Vie Éphémère, appreciating its exploration of “social constructs” and “good versus evil.” He focuses on the hopeful ending despite the lovers’ deaths. Lou initially dismisses it as a “bodice-ripper,” prioritizing entertainment and romance scenes. Their debate reflects deeper differences: Reid is idealistic and introspective, while Lou is pragmatic and irreverent. However, their shared smile at the end shows Lou’s willingness to engage with Reid’s interests, hinting at growing connection beneath their bickering.

      3. What is the significance of Reid sharing La Vie Éphémère with Lou, and why does he initially regret this decision?

      Answer:
      Sharing the book is a vulnerable act for Reid—it represents a private passion he typically hides (as shown by its placement in the vault). His regret stems from Lou’s mocking reaction; she reduces its themes to “dreary” tropes and focuses on the love scene, which feels dismissive of its deeper meaning. Reid’s defensiveness (“It ends in hope!”) reveals how personally he identifies with the story’s themes of reconciliation and sacrifice. The moment underscores his fear of being misunderstood, especially by someone whose opinion he increasingly values.

      4. How does the chapter use physical space (e.g., the bed, washroom, vault) to reflect the evolving dynamic between Reid and Lou?

      Answer:
      Physical spaces mirror their power struggles and tentative bonding. Lou claims Reid’s bed unapologetically, forcing him to sleep on the floor—a humorous reversal of traditional marital roles. The vault scene, however, shifts this dynamic; Reid controls access to this intimate space, inviting Lou into his world voluntarily. Their proximity during the book exchange (with Lou perched on “his” bed) and Reid’s smile at her enthusiasm show growing comfort. Later, the washroom interruption by Ansel pauses this intimacy, reintroducing external tensions.

      5. Why might the author have chosen to include Lou’s criticism of Shepherd and her eventual engagement with Reid’s book?

      Answer:
      This contrast highlights Lou’s intellectual curiosity beneath her rebellious exterior. Her disdain for Shepherd’s pious themes aligns with her established distrust of dogma, but her willingness to read Reid’s book—despite teasing him—shows her capacity for growth. The moment also foreshadows their relationship’s trajectory: like the warring lovers in La Vie Éphémère, they must move past initial antagonism. Lou’s final “cackle” and Reid’s smile suggest shared humor, a foundation for deeper connection despite their ideological differences.

    Quotes

    • 1. “I’d gouged it into the mortar, desperate for a place of my own. A place to hide the parts of myself I’d rather him not find. Perhaps we’d never been closer than brothers, after all.”

      This quote reveals Reid’s deep-seated need for personal secrecy and hints at the fractured relationship with Jean Luc. It underscores themes of identity and hidden truths, marking a pivotal introspective moment in the chapter.

      2. “‘It’s a story that examines the social construct of humanity, interprets the nuance of good versus evil, and explores the passion of war, love, friendship, death—’ ‘Death?’ ‘Yes. The lovers die at the end.’”

      This exchange captures the tension between Reid’s intellectual appreciation for layered narratives and Lou’s blunt pragmatism. It highlights their contrasting worldviews while foreshadowing deeper discussions about mortality and hope.

      3. “‘There’s nothing hopeful about death. Death is death.’”

      Lou’s stark declaration contrasts sharply with Reid’s nuanced perspective, encapsulating a central philosophical conflict in their dynamic. This quote distills the chapter’s exploration of hope, loss, and differing interpretations of meaning.

      4. “‘I like you, Ansel, but this had better be something good. Emilie and Alexandre just had a moment, and I swear if they don’t kiss soon, I will literally die.’”

      Lou’s humorous interruption showcases her irreverent personality and growing investment in Reid’s book, serving as a lighthearted turning point before Madame Labelle’s ominous arrival. It demonstrates how their relationship is softening through shared stories.

      5. “‘Also, Chass—you stink.’”

      This blunt remark exemplifies Lou’s unfiltered honesty and the casual intimacy developing between the characters. It provides comic relief while subtly showing their growing comfort with each other’s flaws.

    Quotes

    1. “I’d gouged it into the mortar, desperate for a place of my own. A place to hide the parts of myself I’d rather him not find. Perhaps we’d never been closer than brothers, after all.”

    This quote reveals Reid’s deep-seated need for personal secrecy and hints at the fractured relationship with Jean Luc. It underscores themes of identity and hidden truths, marking a pivotal introspective moment in the chapter.

    2. “‘It’s a story that examines the social construct of humanity, interprets the nuance of good versus evil, and explores the passion of war, love, friendship, death—’ ‘Death?’ ‘Yes. The lovers die at the end.’”

    This exchange captures the tension between Reid’s intellectual appreciation for layered narratives and Lou’s blunt pragmatism. It highlights their contrasting worldviews while foreshadowing deeper discussions about mortality and hope.

    3. “‘There’s nothing hopeful about death. Death is death.’”

    Lou’s stark declaration contrasts sharply with Reid’s nuanced perspective, encapsulating a central philosophical conflict in their dynamic. This quote distills the chapter’s exploration of hope, loss, and differing interpretations of meaning.

    4. “‘I like you, Ansel, but this had better be something good. Emilie and Alexandre just had a moment, and I swear if they don’t kiss soon, I will literally die.’”

    Lou’s humorous interruption showcases her irreverent personality and growing investment in Reid’s book, serving as a lighthearted turning point before Madame Labelle’s ominous arrival. It demonstrates how their relationship is softening through shared stories.

    5. “‘Also, Chass—you stink.’”

    This blunt remark exemplifies Lou’s unfiltered honesty and the casual intimacy developing between the characters. It provides comic relief while subtly showing their growing comfort with each other’s flaws.

    FAQs

    1. How does Reid’s hidden vault behind the bed frame reveal important aspects of his character and past relationships?

    Answer:
    The hidden vault symbolizes Reid’s need for privacy and his complex relationship with Jean Luc. The text reveals that Reid created this hiding spot at sixteen when sharing the room with Jean Luc, whom he describes as having been “closer than brothers.” However, the phrase “perhaps we’d never been closer than brothers after all” suggests unresolved tension or betrayal. The vault contains personal items like his cherished book, showing Reid’s secretive nature and his desire to protect vulnerable aspects of himself from judgment, even from those closest to him.

    2. Analyze the contrasting attitudes toward literature between Reid and Lou. What does this reveal about their personalities?

    Answer:
    Reid values profound, philosophical literature like La Vie Éphémère, appreciating its exploration of “social constructs” and “good versus evil.” He focuses on the hopeful ending despite the lovers’ deaths. Lou initially dismisses it as a “bodice-ripper,” prioritizing entertainment and romance scenes. Their debate reflects deeper differences: Reid is idealistic and introspective, while Lou is pragmatic and irreverent. However, their shared smile at the end shows Lou’s willingness to engage with Reid’s interests, hinting at growing connection beneath their bickering.

    3. What is the significance of Reid sharing La Vie Éphémère with Lou, and why does he initially regret this decision?

    Answer:
    Sharing the book is a vulnerable act for Reid—it represents a private passion he typically hides (as shown by its placement in the vault). His regret stems from Lou’s mocking reaction; she reduces its themes to “dreary” tropes and focuses on the love scene, which feels dismissive of its deeper meaning. Reid’s defensiveness (“It ends in hope!”) reveals how personally he identifies with the story’s themes of reconciliation and sacrifice. The moment underscores his fear of being misunderstood, especially by someone whose opinion he increasingly values.

    4. How does the chapter use physical space (e.g., the bed, washroom, vault) to reflect the evolving dynamic between Reid and Lou?

    Answer:
    Physical spaces mirror their power struggles and tentative bonding. Lou claims Reid’s bed unapologetically, forcing him to sleep on the floor—a humorous reversal of traditional marital roles. The vault scene, however, shifts this dynamic; Reid controls access to this intimate space, inviting Lou into his world voluntarily. Their proximity during the book exchange (with Lou perched on “his” bed) and Reid’s smile at her enthusiasm show growing comfort. Later, the washroom interruption by Ansel pauses this intimacy, reintroducing external tensions.

    5. Why might the author have chosen to include Lou’s criticism of Shepherd and her eventual engagement with Reid’s book?

    Answer:
    This contrast highlights Lou’s intellectual curiosity beneath her rebellious exterior. Her disdain for Shepherd’s pious themes aligns with her established distrust of dogma, but her willingness to read Reid’s book—despite teasing him—shows her capacity for growth. The moment also foreshadows their relationship’s trajectory: like the warring lovers in La Vie Éphémère, they must move past initial antagonism. Lou’s final “cackle” and Reid’s smile suggest shared humor, a foundation for deeper connection despite their ideological differences.

    Note