
Prince of Thorns
Chapter 37
by Mark, Lawrence,The chapter opens with the protagonist and his companions retreating from the ruins of Castle Red, their victory overshadowed by exhaustion and the absence of their fallen comrade, the Nuban. The journey back to the Tall Castle is arduous, marked by the physical strain of descending mountains and the emotional weight of their losses. Despite their triumph, the group feels hollow, with little material gain to show for their efforts. The protagonist reflects on the intangible currency of victory—political leverage and his father’s approval—while grappling with the burden of carrying unwelcome news.
As the group travels, the dynamics among the survivors shift. Gog, a young companion, displays an unsettling fascination with fire, hinting at deeper mysteries surrounding his nature. The protagonist’s thoughts oscillate between memories of his childhood, his strained relationship with his father, and his lingering obsession with Katherine, a woman from his past. The journey becomes a metaphor for his internal struggles, blending physical fatigue with unresolved emotional tensions. The familiarity of the landscape contrasts with the weight of his recent actions, underscoring his transformation.
Upon reaching the Tall Castle, the protagonist confronts the court with a mix of defiance and calculated bravado. He revels in the shock his presence elicits, particularly from his stepmother, Queen Sareth, who openly doubts his success. The protagonist’s recounting of the Forest Watch’s losses is delivered with sardonic humor, masking the gravity of his achievements. His father’s restrained reaction and the absence of Sageous, a key adversary, suggest deeper political machinations at play. The chapter highlights the protagonist’s sharp wit and his ability to manipulate perception.
The chapter closes with the protagonist standing before the court, his three-fingered tally of losses serving as a provocative challenge to their expectations. His tone is triumphant yet ambiguous, leaving the court—and the reader—to ponder the true cost of his victory. The interplay of power, family, and legacy lingers, setting the stage for future confrontations. The protagonist’s resilience and cunning shine, but the emotional toll of his journey remains unresolved.
FAQs
1. How does the physical journey back from Castle Red mirror Jorg’s psychological state?
Answer:
The arduous return journey serves as a powerful metaphor for Jorg’s internal struggles. Physically, the downward slope “puts a different kind of hurting in your legs” and makes him feel like the mountain is “calling the shots,” mirroring his psychological burden of carrying unshared news and unresolved paternal issues. The text notes how “good news weighs just as heavy as bad,” emphasizing his emotional baggage. Additionally, the absence of horses forces the group to walk, paralleling how Jorg must now “carry” the weight of his victory and its consequences without the Nuban’s guidance, making the return feel longer and more burdensome than the outward journey.2. What significance does Gog’s changing behavior hold in this chapter?
Answer:
Gog’s transformation symbolizes the lingering effects of their violent campaign. His intensified red markings and fascination with fire (“edging closer moment by moment”) suggest a growing connection to destructive forces, possibly mirroring Jorg’s own descent into ruthlessness. Gorgoth’s concern about this attraction hints at dangerous potential, much like Jorg’s unchecked ambitions. Gog’s childlike questions (“Why is the roof blue?”) contrast sharply with these dark developments, creating tension between innocence and corruption - a tension present in Jorg himself, who recalls his “golden” childhood even while planning to boast about his merciless victory.3. Analyze how Jorg’s anticipation of his father’s reaction reveals their complex relationship.
Answer:
Jorg’s imagined homecoming vividly illustrates his desperate need for paternal approval. He rehearses scenarios where King Olidan might “thank me, praise me, call me son,” but admits these visions turn “blind” and “faint,” revealing his deep-seated doubt. This contrasts sharply with his confident public persona. The chapter shows Jorg has internalized his father’s harsh lessons (“victory without compromise”), yet still craves validation for applying them. His plan to “thank King Olidan for his instruction” while showcasing his brutality demonstrates how he both resents and perpetuates this cycle of toxic masculinity, using violence as their primary language of connection.4. How does the chapter use contrasting imagery to underscore its themes?
Answer:
The text employs stark contrasts to highlight moral ambiguity. The “ruins of the mountain” versus Jorg’s memories of his mother’s music juxtapose destruction with lost innocence. Katherine’s “softness” contrasts with the “hard eyes” she later gives Jorg, mirroring his own conflict between tenderness and brutality. The “crimson” sunset racing them home evokes both blood and regal grandeur, reflecting Jorg’s mixed legacy. Even Gog’s innocent questions contrast with his fiery markings. These dichotomies reinforce the chapter’s central tension: whether Jorg’s victory represents heroic triumph or moral decay, a question left deliberately unresolved.5. What does Jorg’s courtroom revelation strategy reveal about his political acumen?
Answer:
Jorg demonstrates masterful manipulation through dramatic tension. By delaying his announcement and listing casualties first (“An intake of breath hissed through the aristocracy”), he heightens the impact of his eventual victory reveal. His theatrical counting on fingers and turning to the audience shows keen awareness of spectacle’s power. The strategic mention of Vincent de Gren’s death (“I had to push him”) establishes fear, while promoting Coddin signals reformist thinking. His sarcastic tone about the Watch’s “legendary woodcraft” undercuts critics while showcasing wit. This performance proves Jorg understands court politics as another battlefield, where information control and psychological dominance matter more than brute force.
Quotes
1. “Everything is for sale at the right price. A king’s favour, a succession, even a father’s respect.”
This cynical yet pragmatic observation by Jorg encapsulates the novel’s recurring theme of power dynamics and transactional relationships. It reveals his hardened worldview after the brutal campaign in Gelleth and foreshadows his political maneuvering upon returning home.
2. “Good news weighs just as heavy as bad. I could imagine myself back at court, boasting of my victory… What would not paint itself on the canvas of my imagination was my father’s reaction.”
This introspective moment highlights Jorg’s complex relationship with his father and the emotional burden of victory. The vivid metaphor of an incomplete “canvas” powerfully conveys his inability to envision paternal approval despite military success.
3. “Victory without compromise, without mercy or hesitation. I would thank King Olidan for his instruction and tell him how his enemies had fared at my hands. And he would approve.”
This quote demonstrates how Jorg has fully internalized his father’s ruthless philosophy, while still desperately seeking validation. The bitter irony lies in his certainty of approval for actions that have clearly traumatized him.
4. “We will be victors. And that’s what counts.”
This terse response to Elban’s question about heroism perfectly summarizes Jorg’s Machiavellian ethos. It contrasts the romantic notion of heroism with his pragmatic focus on results, reinforcing the novel’s exploration of moral ambiguity in power struggles.
5. “The losses among my own picked men were similarly grievous, but in our defence you must consider that the razing of a castle defended by nine hundred Gellethian veterans is a dangerous undertaking.”
Jorg’s sardonic battlefield report to the court showcases his characteristic blend of dark humor and strategic brilliance. The understated delivery of this staggering military achievement underscores his growing political acumen and flair for dramatic revelation.