Cover of Never Let Me Go
    DystopianFictionLiterary FictionPhilosophicalScience Fiction

    Never Let Me Go

    by Ishiguro, Kazuo
    Kazuo Ishiguro’s “Never Let Me Go” is a poignant dystopian novel exploring themes of identity, mortality, and the ethics of human cloning. The story follows Kathy H., a caregiver reflecting on her childhood at Hailsham, an isolated English boarding school where students are raised to become organ donors. As Kathy reconnects with her friends Ruth and Tommy, they confront their predetermined fate and the fleeting nature of their existence. Ishiguro’s restrained prose and subtle world-building underscore the novel’s meditation on love, loss, and what it means to be human. A haunting and thought-provoking work, it challenges readers to consider the moral implications of scientific advancement.

    In Chap­ter Twen­ty-Two of *Nev­er Let Me Go*, Kathy and Tom­my reunite with Miss Emi­ly, a for­mer guardian from Hail­sham, who is now elder­ly and con­fined to a wheel­chair. Miss Emi­ly rem­i­nisces about their time at Hail­sham, acknowl­edg­ing their growth and express­ing pride in their accom­plish­ments. She reveals that she and Madame (Marie-Claude) have become dis­il­lu­sioned with their past efforts, though Miss Emi­ly still believes their work deserves respect. The con­ver­sa­tion takes a somber turn as Miss Emi­ly pre­pares to leave momen­tar­i­ly, insist­ing on super­vis­ing the removal of a cher­ished bed­side cab­i­net from her Hail­sham days, high­light­ing her attach­ment to the past.

    Kathy and Tom­my con­front Miss Emi­ly about a long-stand­ing rumor among Hail­sham stu­dents: the pos­si­bil­i­ty of defer­ring their fate as donors. Miss Emi­ly dis­miss­es the rumor, explain­ing that it has per­sist­ed for years but has nev­er been true, despite occa­sion­al hope­ful cou­ples seek­ing con­fir­ma­tion. She admits feel­ing regret for those who gen­uine­ly believed in the rumor but main­tains that it served as a harm­less fan­ta­sy for most. Her tone sug­gests a deep­er, unspo­ken truth, leav­ing Kathy with a sense that there may be more to the sto­ry than Miss Emi­ly is reveal­ing.

    Tom­my press­es fur­ther, ques­tion­ing why Hail­sham col­lect­ed stu­dents’ art­work if the rumor of defer­rals was false. Miss Emi­ly con­firms the exis­tence of the Gallery, now housed in her home, though scaled down. Kathy then rais­es a more pro­found ques­tion: why were they edu­cat­ed and encour­aged to cre­ate art if their ulti­mate fate was inevitable? Madame inter­jects, echo­ing this exis­ten­tial inquiry, ask­ing, “Why Hail­sham at all?” This moment under­scores the cen­tral mys­tery of their upbring­ing and its pur­pose, hint­ing at unre­solved ten­sions between the guardians’ ideals and the harsh real­i­ty of the stu­dents’ lives.

    The chap­ter ends with Miss Emi­ly reflect­ing on her long­stand­ing skep­ti­cism about Hailsham’s mis­sion, con­trast­ing it with Madame’s recent dis­il­lu­sion­ment. She implies that she was the only one who ques­tioned their efforts from the begin­ning, while oth­ers, like Madame, only began to doubt after the Morn­ing­dale scan­dal. The exchange leaves Kathy and Tom­my with more ques­tions than answers, deep­en­ing the novel’s explo­ration of iden­ti­ty, pur­pose, and the ethics of their exis­tence.

    FAQs

    • 1. What is the “rumour” that Kathy and Tommy are asking Miss Emily about, and how does she respond to their inquiry?

      Answer:
      The rumour refers to the belief among Hailsham students that couples in love could apply for a “deferral” to delay or avoid their fate as donors. Kathy and Tommy have come to ask Miss Emily if this is true. Miss Emily explains that the rumour has persisted for years but has no basis in reality. She states it was “never true,” even during Hailsham’s prime, and calls it a “wishful rumour” that naturally resurfaces among students. While she sympathizes with their disappointment, she firmly denies the existence of any deferral system (e.g., “It was never true. Even before the Morningdale scandal…”).

      Answer:
      Miss Emily implies that Hailsham’s mission was about more than just preparing students for donations. The Gallery, which still exists in her home, collected students’ artwork as proof of their creativity and humanity. When Tommy and Kathy question why they were encouraged to produce art if it wouldn’t change their fate, Miss Emily doesn’t provide a direct answer, but Madame interjects with the broader question: “Why Hailsham at all?” This suggests the school’s purpose was ideological—to demonstrate that clones like Kathy and Tommy had souls and deserved dignity, even if society ultimately treated them as expendable (e.g., “Why did we do all of that work in the first place?… Why Hailsham at all?”).

      3. Analyze the dynamic between Miss Emily and Madame (Marie-Claude) in this chapter. How do their attitudes toward Hailsham and its students differ?

      Answer:
      Miss Emily takes a resigned but somewhat proud stance, acknowledging Hailsham’s failures while still valuing its achievements (e.g., “You’ve turned out well”). She seems to care about the students’ feelings, expressing regret for disappointing them. In contrast, Madame is disillusioned and bitter, dismissively calling the rumour a foolish belief and questioning Hailsham’s entire purpose. Their conflict is evident when Madame snaps, “What good does it do you or them?” and later when Miss Emily notes that Madame “never did worry about” the rumour. Their tension reflects broader disagreements about whether Hailsham’s humane approach was meaningful or futile.

      4. What does Kathy’s reaction to Miss Emily’s revelation reveal about her character and her relationship with Tommy?

      Answer:
      Kathy remains surprisingly calm despite the devastating news, focusing on the possibility that Miss Emily might be withholding information (e.g., “something being held back”). This shows her analytical nature and emotional resilience. She also avoids looking at Tommy, suggesting she’s protecting both herself and him from the full weight of their shared disappointment. Her quiet follow-up questions (“Is it the case, then, that deferrals don’t exist?”) demonstrate her determination to confront the truth, even as she subtly shields Tommy from its immediate impact. Their dynamic highlights her role as both a carer and a partner in their quest for answers.

      5. Why might Ishiguro include the detail about Miss Emily’s bedside cabinet in this scene? How does it contribute to the themes of the chapter?

      Answer:
      The cabinet symbolizes Miss Emily’s attachment to the past and her futile efforts to preserve value in a system that discards people. Her insistence on guarding it from rough handling mirrors her earlier role at Hailsham—trying to protect students’ dignity in a world that sees them as commodities. The interruption (“Oh dear, is that the men come for the cabinet?”) also underscores the inevitability of loss, paralleling Kathy and Tommy’s realization that their hopes for deferral are being “taken away.” The detail reinforces the novel’s themes of memory, transience, and the fragility of human efforts to resist a predetermined fate.

    Quotes

    • 1. “Look at the two of you. You’ve turned out well. I’m sure you have much you could tell me to make me proud.”

      Miss Emily reflects on the success of her educational project at Hailsham, expressing pride in how Kathy and Tommy have developed despite the controversial nature of their existence. This quote introduces the theme of legacy and the moral ambiguity surrounding the school’s purpose.

      2. “I came to believe that this rumour, it’s not just a single rumour. What I mean is, I think it’s one that gets created from scratch over and over.”

      Miss Emily explains the persistent myth about deferrals for clones in relationships, revealing how such hopes are repeatedly kindled and crushed. This captures the central deception and psychological manipulation inherent in the Hailsham system.

      3. “Why did we do all of that work in the first place? Why train us, encourage us, make us produce all of that? If we’re just going to give donations anyway, then die, why all those lessons?”

      Kathy’s poignant question cuts to the heart of the ethical dilemma - why cultivate creativity and humanity in beings destined for organ harvesting. This represents the chapter’s climactic challenge to Hailsham’s foundational hypocrisy.

      4. “Why Hailsham at all? It’s a good question for you to ask.”

      Madame’s interjection underscores the fundamental existential question about the purpose of the school. This brief but powerful line encapsulates the growing doubt about the entire experiment’s morality and validity.

      5. “Long before Morningdale, right from the very beginning, I asked that. And that made it easy for the rest of them… they could all carry on…”

      Miss Emily reveals she was the only one questioning Hailsham’s purpose from the start, exposing the collective denial among the guardians. This concluding insight shows how systemic injustice persists through willful ignorance.

    Quotes

    1. “Look at the two of you. You’ve turned out well. I’m sure you have much you could tell me to make me proud.”

    Miss Emily reflects on the success of her educational project at Hailsham, expressing pride in how Kathy and Tommy have developed despite the controversial nature of their existence. This quote introduces the theme of legacy and the moral ambiguity surrounding the school’s purpose.

    2. “I came to believe that this rumour, it’s not just a single rumour. What I mean is, I think it’s one that gets created from scratch over and over.”

    Miss Emily explains the persistent myth about deferrals for clones in relationships, revealing how such hopes are repeatedly kindled and crushed. This captures the central deception and psychological manipulation inherent in the Hailsham system.

    3. “Why did we do all of that work in the first place? Why train us, encourage us, make us produce all of that? If we’re just going to give donations anyway, then die, why all those lessons?”

    Kathy’s poignant question cuts to the heart of the ethical dilemma - why cultivate creativity and humanity in beings destined for organ harvesting. This represents the chapter’s climactic challenge to Hailsham’s foundational hypocrisy.

    4. “Why Hailsham at all? It’s a good question for you to ask.”

    Madame’s interjection underscores the fundamental existential question about the purpose of the school. This brief but powerful line encapsulates the growing doubt about the entire experiment’s morality and validity.

    5. “Long before Morningdale, right from the very beginning, I asked that. And that made it easy for the rest of them… they could all carry on…”

    Miss Emily reveals she was the only one questioning Hailsham’s purpose from the start, exposing the collective denial among the guardians. This concluding insight shows how systemic injustice persists through willful ignorance.

    FAQs

    1. What is the “rumour” that Kathy and Tommy are asking Miss Emily about, and how does she respond to their inquiry?

    Answer:
    The rumour refers to the belief among Hailsham students that couples in love could apply for a “deferral” to delay or avoid their fate as donors. Kathy and Tommy have come to ask Miss Emily if this is true. Miss Emily explains that the rumour has persisted for years but has no basis in reality. She states it was “never true,” even during Hailsham’s prime, and calls it a “wishful rumour” that naturally resurfaces among students. While she sympathizes with their disappointment, she firmly denies the existence of any deferral system (e.g., “It was never true. Even before the Morningdale scandal…”).

    Answer:
    Miss Emily implies that Hailsham’s mission was about more than just preparing students for donations. The Gallery, which still exists in her home, collected students’ artwork as proof of their creativity and humanity. When Tommy and Kathy question why they were encouraged to produce art if it wouldn’t change their fate, Miss Emily doesn’t provide a direct answer, but Madame interjects with the broader question: “Why Hailsham at all?” This suggests the school’s purpose was ideological—to demonstrate that clones like Kathy and Tommy had souls and deserved dignity, even if society ultimately treated them as expendable (e.g., “Why did we do all of that work in the first place?… Why Hailsham at all?”).

    3. Analyze the dynamic between Miss Emily and Madame (Marie-Claude) in this chapter. How do their attitudes toward Hailsham and its students differ?

    Answer:
    Miss Emily takes a resigned but somewhat proud stance, acknowledging Hailsham’s failures while still valuing its achievements (e.g., “You’ve turned out well”). She seems to care about the students’ feelings, expressing regret for disappointing them. In contrast, Madame is disillusioned and bitter, dismissively calling the rumour a foolish belief and questioning Hailsham’s entire purpose. Their conflict is evident when Madame snaps, “What good does it do you or them?” and later when Miss Emily notes that Madame “never did worry about” the rumour. Their tension reflects broader disagreements about whether Hailsham’s humane approach was meaningful or futile.

    4. What does Kathy’s reaction to Miss Emily’s revelation reveal about her character and her relationship with Tommy?

    Answer:
    Kathy remains surprisingly calm despite the devastating news, focusing on the possibility that Miss Emily might be withholding information (e.g., “something being held back”). This shows her analytical nature and emotional resilience. She also avoids looking at Tommy, suggesting she’s protecting both herself and him from the full weight of their shared disappointment. Her quiet follow-up questions (“Is it the case, then, that deferrals don’t exist?”) demonstrate her determination to confront the truth, even as she subtly shields Tommy from its immediate impact. Their dynamic highlights her role as both a carer and a partner in their quest for answers.

    5. Why might Ishiguro include the detail about Miss Emily’s bedside cabinet in this scene? How does it contribute to the themes of the chapter?

    Answer:
    The cabinet symbolizes Miss Emily’s attachment to the past and her futile efforts to preserve value in a system that discards people. Her insistence on guarding it from rough handling mirrors her earlier role at Hailsham—trying to protect students’ dignity in a world that sees them as commodities. The interruption (“Oh dear, is that the men come for the cabinet?”) also underscores the inevitability of loss, paralleling Kathy and Tommy’s realization that their hopes for deferral are being “taken away.” The detail reinforces the novel’s themes of memory, transience, and the fragility of human efforts to resist a predetermined fate.

    Note