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    Cover of Men, Women, and Ghosts
    Poetry

    Men, Women, and Ghosts

    by

    In this chapter titled The Fruit Shop, Jeanne Tourmont steps into a narrow street alive with dust and echoes of change, her muslin gown trailing the ground and bonnet shading her determined eyes. Her errand is simple—to buy fruit—but the world she enters is layered with history and hardship. The shopkeeper, Monsieur Popain, greets her from within a canopy of ivy and vines, his face weathered like the fruit he tends. Though his display of pears, oranges, and pomegranates shimmers with sun and color, a closer look reveals bruises, thinning skins, and signs of journeys too long. Each piece of fruit holds not just ripeness, but stories—of merchant ships dodging blockades, of bruising hands from distant plantations, and of markets squeezed by war. Jeanne fingers a cluster of grapes, their sweetness promising luxury her francs may not afford, and listens quietly as Popain describes how even fruit now comes with a cost measured in more than coin.

    Monsieur Popain doesn’t simply sell produce; he speaks it into relevance. A fig, he explains, was once destined for a noble’s table before revolution swept the nobility away. The pomegranate, once revered by aristocrats in silken salons, now waits for hands that value calories over symbolism. He gestures to a box of oranges, chipped and tired from sea air, reminding Jeanne that these fruits had braved British patrols and the chaos of naval uncertainty to arrive in his store. In every description, he folds in hints of battle, hardship, and distance—elevating even blemished fruit into artifacts of endurance. Jeanne nods, caught between amusement and sympathy. She knows the fruit is not just overpriced—it is burdened with the journey of a broken world. Her handful of francs feels thinner with each word he speaks, not from guilt, but from the sobering knowledge that even sweetness must now travel through conflict to reach her.

    Jeanne eyes the corner where the softest, least desirable fruit is sold—the windfall offerings. Monsieur Popain follows her gaze and softens, offering a discount and a story: these apples, he claims, grew behind a broken gate in a marquis’s garden, now overrun with weeds and war memories. That garden, once manicured by royal hands, still yields perfection, though the hands that tend it now are gnarled by grief and age. An old woman, he whispers, is said to guard the grounds alone, her presence respected by locals, her fruit untouched by theft or pest. Jeanne listens, charmed by the mystery, but wonders if the tale is spun more for effect than fact. Yet when she bites into a windfall pear, its softness blooms with unexpected sweetness. Whether grown in nobility or rumor, its taste lingers longer than most.

    Popain continues, animated by the quiet connection they’ve formed. He explains that trade has become a gamble: captains bribed to dock, sailors bribed to load, and customs men bribed to look away. The fruits, he says, carry not just flavor but the bruises of diplomacy. Each grape cluster is a record of hands passed through—workers in vineyards, soldiers at ports, and merchants watching their profits shrink. Jeanne shifts her gaze from the fruit to the man, realizing that he too carries the fatigue of a city that survives on rumor, rationing, and recollection. She makes her modest purchase, filling her bag with more weight in narrative than food, and thanks him not just for the fruit but for reminding her that every sweetness has a bitter root somewhere. She walks away slowly, her coins lighter, her mind fuller.

    The Fruit Shop becomes more than a place of exchange—it is a capsule of survival in a world reassembling itself after revolution. It reveals how even a piece of fruit is threaded with history, geography, and the scars of distant battles. Through Popain’s storytelling and Jeanne’s quiet witness, the chapter shows how life continues, improvised and imperfect, through small acts of beauty and commerce. The fruit may be chipped, the streets uncertain, and the francs few, but the act of buying and selling remains one of resilience. Each transaction is not just about nutrition—it’s about preserving stories, asserting dignity, and tasting, however briefly, something that was once abundant and now must be earned with care.

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