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    Literary

    Letters on Literature

    by

    Plot­i­nus (A.D. 200–262) stands as a vivid fig­ure in the land­scape of ancient thought, blend­ing mys­ti­cism with a struc­tured philo­soph­i­cal pur­suit of the divine. Born in Lycopo­lis, Egypt, he found ear­ly direc­tion in the teach­ings of Alexan­dria, a cen­ter that offered both intel­lec­tu­al rig­or and spir­i­tu­al spec­u­la­tion. His life, though marked by failed ambitions—such as his thwart­ed jour­ney to India—was nonethe­less filled with an intense inward jour­ney. He sought not just to under­stand the divine but to merge with it through con­tem­pla­tion. Plot­i­nus believed that the soul could ascend to uni­ty with the “One,” a being beyond intel­lect and form. This belief placed him in con­trast with the more dual­is­tic Gnos­tic sects, whom he crit­i­cized for their harsh judg­ments of the mate­r­i­al world. His phi­los­o­phy, lat­er com­piled by his stu­dent Por­phyry into the Enneads, shows a struc­tured attempt to climb from sen­sa­tion to divine union, not through rejec­tion, but through refine­ment.

    One can­not study Plot­i­nus with­out rec­og­niz­ing the pecu­liar blend of aus­ter­i­ty and inten­si­ty that char­ac­ter­ized his life. He lived with a delib­er­ate dis­re­gard for the phys­i­cal, refus­ing even to have his like­ness paint­ed, claim­ing it improp­er for one whose essence resided in the soul. His veg­e­tar­i­an­ism and ascetic prac­tices were not mere habits but spir­i­tu­al com­mit­ments aligned with his vision of purifi­ca­tion. Yet Plot­i­nus was no recluse. He attract­ed a fol­low­ing of Roman nobles, thinkers, and mys­tics, who saw in him both wis­dom and won­der. One famed episode involved a failed rite to sum­mon his per­son­al dai­mon, only to call forth a high­er being—a god—according to the priest over­see­ing the rit­u­al. Such moments fed into the mys­ti­cal aura sur­round­ing him, one not sought by Plot­i­nus but seem­ing­ly grant­ed. Unlike the frauds of his age, his rep­u­ta­tion rest­ed on a con­sis­tent align­ment between life and doc­trine.

    There is a curi­ous moder­ni­ty to Plot­i­nus despite the ancient set­ting. Lang clev­er­ly likens him to Dr. Johnson—another fig­ure whose habits, spir­i­tu­al con­cerns, and bursts of insight defied easy cat­e­go­riza­tion. Plot­i­nus, like John­son, lived immersed in con­tra­dic­tion: deep meta­phys­i­cal abstrac­tion coex­ist­ed with super­sti­tious anec­dotes and ordi­nary human frail­ties. Por­phyry once con­sid­ered sui­cide in a cri­sis of despair; Plot­i­nus, sens­ing this from afar, urged him to trav­el instead of die—advice cred­it­ed with sav­ing his pupil’s life. These accounts do more than entertain—they paint Plot­i­nus not mere­ly as a thinker, but as a man who embod­ied his beliefs. His con­cern was not aca­d­e­m­ic ele­gance but the ele­va­tion of the soul. The idea that one could ascend toward a source of pure uni­ty still res­onates with those dis­il­lu­sioned by mate­r­i­al excess or exis­ten­tial drift.

    Though accused of pla­gia­rism by some rivals, Plot­i­nus was more like­ly a syn­the­siz­er than a thief. In an age when philo­soph­i­cal schools fierce­ly guard­ed orig­i­nal­i­ty, the flu­id move­ment of ideas often bred sus­pi­cion. What Plot­i­nus offered was a spir­i­tu­al archi­tec­ture for under­stand­ing real­i­ty, draw­ing from Pla­to yet push­ing fur­ther into meta­phys­i­cal ter­rain. The three hypostases—The One, the Intel­lect, and the Soul—formed a cas­cad­ing hier­ar­chy of exis­tence, invit­ing the prac­ti­tion­er to move inward and upward. Mod­ern psy­chol­o­gy might inter­pret his struc­ture as a sym­bol­ic mod­el for human growth: from sen­sa­tion to thought, and final­ly to tran­scen­dence. His work shaped cen­turies of Chris­t­ian, Islam­ic, and Jew­ish mys­ti­cism, despite—or per­haps because of—his resis­tance to insti­tu­tion­al reli­gion. His writ­ings remain dense but are filled with pas­sages of lyri­cal beau­ty, expres­sions of some­one who had, at least occa­sion­al­ly, tast­ed the divine.

    Upon his death, it was said that Plot­i­nus van­ished peace­ful­ly, enter­ing that realm of light and har­mo­ny he had long pur­sued. The Ora­cle of Del­phi declared him a “spir­it freed,” no longer bound by the illu­sions of mat­ter. Lang, with his char­ac­ter­is­tic blend of humor and admi­ra­tion, mus­es on this apoth­e­o­sis not as a mere leg­end, but as a fit­ting poet­ic clo­sure to a life aimed upward. To mod­ern read­ers, the fig­ure of Plot­i­nus offers both a chal­lenge and an invi­ta­tion. His mes­sage is not mere­ly to know, but to become—to shift from the dis­trac­tions of the out­ward world to the illu­mi­na­tion with­in. Whether one fol­lows his full meta­physics or not, the core of his teaching—that true wis­dom lies in inward clar­i­ty and unity—remains strik­ing­ly rel­e­vant. In a noisy, frac­tured age, his voice echoes as a reminder that depth is still pos­si­ble.

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