Header Image
    Cover of Legends and Lyrics- First Series
    Poetry

    Legends and Lyrics- First Series

    by

    The Angel’s Sto­ry begins on a cold Christ­mas night, where the streets glim­mer under fes­tive lights and joy­ful sounds echo through the air. Yet not every home mir­rors the cel­e­bra­tion out­side. In a house filled with beau­ty and wealth, a qui­et sor­row unfolds. A child, pale and weak, lies wrapped in blan­kets, fight­ing an ill­ness no rich­es could heal. His moth­er, bro­ken with wor­ry, stays close, read­ing to him and singing soft­ly, her voice hold­ing more love than hope. She watch­es each breath with trem­bling antic­i­pa­tion, pray­ing the warmth of the sea­son might still reach her son’s fad­ing spir­it.

    Out­side, snow falls silent­ly, indif­fer­ent to joy or grief, while inside, time slows. The child’s smile, once bright, dims with each pass­ing hour, though his moth­er’s arms offer con­stant com­fort. As her lul­la­by soft­ens, the room fills with a sud­den peace—not born of med­i­cine, but of some­thing unseen. A pres­ence enters—not to fright­en, but to calm. The angel appears in radi­ant still­ness, invis­i­ble to all but the soul it came for. The child’s pain fades like mist, his breath­ing qui­et, his hand rest­ing gen­tly against his mother’s before falling still. In that moment, the house feels sacred, trans­formed by silent under­stand­ing.

    The angel lifts the child as one would lift a newborn—without effort, with­out fear. With a glance, the moth­er sens­es some­thing has passed, but not lost. The child is no longer bound by suf­fer­ing. His spir­it, light and free, trav­els beyond the cold room. As they ascend, the angel speaks—not in words, but in feel­ings under­stood by the heart. They vis­it places unknown to the boy, yet each one stirs some­thing famil­iar. A sim­ple gar­den. A qui­et chapel. A street cor­ner where two chil­dren once met—one with noth­ing but a flower, the oth­er offer­ing all he could.

    In one vision, a starv­ing orphan sits beneath a crum­bling wall, hold­ing a rose. The flower was giv­en by a stranger, a child with mit­tens too big and a scarf too short. That rose, though small, changed the orphan’s day. For the first time, some­one had seen him. Some­one had giv­en. This gift, mean­ing­less to many, became a mem­o­ry car­ried even into death. The angel shows how that moment glowed brighter than gold in heav­en. Because in a world of indif­fer­ence, it meant some­thing. It was love in its sim­plest, most pow­er­ful form.

    Now, the boy begins to see beyond his room, beyond the pain. He sees that kind­ness, once offered, con­tin­ues long after it’s giv­en. The angel explains how even sor­row can car­ry pur­pose. His mother’s tears were nev­er in vain—they were proof of love that moved heav­en. The rose in the orphan’s hand became a sym­bol, not of pover­ty, but of grace. Each act of love, how­ev­er small, is gath­ered and remem­bered. They are woven into the fab­ric of eter­ni­ty. In this, the boy finds com­fort. Though his life was short, he had been loved deeply, and that love will echo for­ev­er.

    The angel does not promise ease, but it shows mean­ing. The boy, once scared of the dark, no longer feels alone. His fear is gone, replaced by won­der. The stars above, the warmth he feels, the light around him—all speak of some­thing greater. He is told that those who grieve him will heal, and that their love will nev­er van­ish. Instead, it will guide them for­ward. And in the qui­etest ways, he will still be near. Through laugh­ter, through kind­ness, through small acts repeat­ed in his mem­o­ry.

    What makes this tale pow­er­ful is not just the angel or the jour­ney beyond life, but the reminder of what mat­ters here on earth. Read­ers are shown that wealth can­not pre­serve life, but com­pas­sion can give it mean­ing. Through this lens, death is not defeat. It is a tran­si­tion. The end of pain, and the begin­ning of peace. In see­ing the joy that a sin­gle rose brought, the sto­ry gen­tly urges us to offer what we can—whether that’s time, care, or a kind word. Because when giv­en in love, it lasts far beyond the moment.

    The Angel’s Sto­ry also high­lights a truth often for­got­ten: that suf­fer­ing and beau­ty often exist side by side. The sor­row of loss becomes inter­twined with the hope of some­thing more. And in that ten­sion, we find humanity’s most hon­est expres­sion. The mother’s grief, the orphan’s joy, the boy’s release—none are wast­ed. All are wit­nessed. All are felt deeply. The angel’s role is not to erase suf­fer­ing, but to show that noth­ing good is ever lost. Every love, every sor­row, every ges­ture rip­ples out­ward and upward.

    In the end, the child and the angel dis­ap­pear into a light that holds no fear. His body remains, but his spir­it con­tin­ues, car­ry­ing with it the touch of hands that loved him. The moth­er, though shat­tered, begins to feel that peace. Not because she for­gets, but because she remem­bers every­thing that mat­tered. The rose, the song, the final breath—all now threads in a larg­er sto­ry. The Angel’s Sto­ry leaves us with a qui­et call to action: that kind­ness is eter­nal, and even in sor­row, love is nev­er wast­ed.

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