Cover of Legend (Legend #1)
    Adventure FictionScience FictionYoung Adult

    Legend (Legend #1)

    by Marie, Lu,
    “Legend” by Marie Lu is a dystopian young adult novel set in a war-torn future where the United States has fractured into two opposing nations. The story follows two protagonists: June, a prodigious military cadet from the elite Republic, and Day, a wanted criminal from the impoverished slums. When June’s brother is murdered, Day becomes the prime suspect, leading to a cat-and-mouse chase that unravels government secrets. Themes of class disparity, loyalty, and corruption drive the narrative. The novel’s dual-perspective structure and fast-paced action make it a standout in the genre, appealing to fans of dystopian fiction and political intrigue.

    The chap­ter opens with a nos­tal­gic flash­back where June, the nar­ra­tor, recalls a child­hood mem­o­ry of her broth­er Metias miss­ing his mil­i­tary induc­tion cer­e­mo­ny to care for her while she was sick. Despite her protests, Metias stays by her side, show­cas­ing their close bond. The scene high­lights the oppres­sive atmos­phere of the Repub­lic, with loud­speak­ers blar­ing pro­pa­gan­da and Metias’s unwa­ver­ing loy­al­ty to the regime. Their ten­der sib­ling dynam­ic is under­scored by play­ful ban­ter and June’s admi­ra­tion for her broth­er, who reas­sures her he will nev­er leave her.

    Years lat­er, the nar­ra­tive shifts to the present, where June, now a dis­ci­plined trainee, is abrupt­ly informed by Thomas, a fel­low sol­dier, that Metias has been killed. The news leaves June numb, her world col­laps­ing into silence as she mechan­i­cal­ly fol­lows Thomas to a wait­ing jeep. Her inter­nal mono­logue repeats the thought that Metias should have tak­en her with him, reflect­ing her grief and dis­be­lief. The descrip­tion of the dystopi­an city—power out­ages, pro­pa­gan­da screens, and mil­i­ta­rized streets—paints a grim back­drop to her per­son­al tragedy.

    As they dri­ve through the dark­ened city, June observes the stark con­trasts of their soci­ety: impov­er­ished work­ers, vig­i­lant sol­diers, and the ever-present threat of rebel attacks. The jour­ney to the hos­pi­tal tow­er, where Metias’s body lies, is marked by ten­sion and unease. June’s sharp ana­lyt­i­cal skills sur­face when she deduces that the killer escaped, not­ing details like the bro­ken win­dow and lack of ambu­lances. Her detach­ment con­trasts with Thomas’s hes­i­tant con­cern, empha­siz­ing her strug­gle to process the loss.

    The chap­ter clos­es with June’s arrival at the hos­pi­tal, sur­round­ed by mil­i­tary per­son­nel and chaos. Her focus on the crime scene details—such as the height of the jump and the failed pursuit—hints at her deter­mi­na­tion to uncov­er the truth. The emo­tion­al weight of Metias’s death lingers, set­ting the stage for June’s impend­ing quest for jus­tice in a world where loy­al­ty and sur­vival are con­stant­ly at odds.

    FAQs

    • 1. How does the opening flashback scene establish the relationship between June and Metias?

      Answer:
      The flashback reveals a deeply caring and protective sibling dynamic. Despite his military induction ceremony, Metias prioritizes caring for his sick 7-year-old sister June, demonstrating his devotion through small acts like feeding her oranges and cooling her fever. Their playful banter about girlfriends and June’s anxious question (“You’re not going to leave me too?”) foreshadow later events while highlighting their emotional bond. Metias’s promise to stay “forever and ever” contrasts tragically with his eventual death, making the opening a poignant setup for their relationship’s significance (e.g., “Metias kissed me on my forehead” shows physical affection rare in their militarized world).

      2. Analyze how the author uses sensory details to create atmosphere during Thomas’s arrival. What mood does this evoke?

      Answer:
      The scene employs stark sensory contrasts to build tension: the “oil lamps” against building darkness, Ollie’s frantic barking versus the “silent” shock June later experiences, and the damp jeep smell of “rubber and metal and fresh sweat” that grounds the surreal moment in physicality. The distorted stairwell reflections (“I can’t make out my expression”) mirror June’s emotional dissociation. These details create a jarring, ominous mood, emphasizing the disconnect between routine (Thomas’s polished rifle grease) and life-altering news. The overcast sky and JumboTron warnings about bombings further amplify the dystopian unease surrounding Metias’s death.

      3. What does June’s immediate deduction about the crime scene reveal about her character and training?

      Answer:
      June instantly analyzes the hospital scene like a soldier: noting the broken window, absent ambulances, and active search parties to conclude the killer escaped after a high fall. This showcases her razor-sharp observational skills and tactical mindset, likely honed through military training (“dressed in my training uniform”). Her coldly logical response—contrasted with Thomas’s hesitancy—hints at her ability to compartmentalize trauma, though her repeated thought “Metias should have taken me with him” reveals survivor’s guilt. The detail about Batalla’s lights staying on despite citywide outages also reflects her ingrained awareness of military privilege.

      4. How does the chapter juxtapose the Republic’s authoritarianism with intimate human moments?

      Answer:
      The national pledge broadcast and Metias’s automatic salute to the Elector’s 11th term underscore the Republic’s oppressive control, yet the siblings’ private interactions subvert this. Metias jokes about hacking databases (defying surveillance) and prioritizes June over Commander Jameson’s ceremony. Later, Thomas’s awkward formality (“Ms. Iparis”) clashes with his compassionate hug, showing how institutional roles strain personal connections. Even small rebellions—June sneaking to the track, Ollie’s unrestrained barking—contrast with the silent, goggled soldiers, suggesting humanity persists despite the regime’s dehumanizing structures.

      5. Why might the author have chosen to reveal Metias’s death through Thomas’s perspective rather than showing it directly?

      Answer:
      Using Thomas as the messenger intensifies the emotional impact through June’s dissociation (“the world around me goes silent”), forcing readers to experience her shock subjectively. His nervous demeanor (grease streak, hesitant glances) makes the news feel more visceral than a detached action scene. This also preserves mystery around the killer’s identity and motives, building suspense. Additionally, Thomas’s role as a fellow soldier—not a family member—highlights how the Republic’s bureaucracy mediates even personal tragedies, as seen when Commander Jameson orders June’s escort rather than calling directly.

    Quotes

    • 1. “‘Forever and ever, kid, until you’re sick and tired of seeing me.’”

      This tender moment between June and her brother Metias captures their deep bond and his promise to always be there for her—a promise tragically cut short by his death. It underscores the theme of familial love and loss that permeates the chapter.

      2. “‘Metias has been killed.’ That’s when the world around me goes silent.”

      This pivotal line marks the emotional climax of the chapter, where June’s world shatters upon learning of her brother’s death. The stark simplicity of the announcement contrasts with its devastating impact, emphasizing the abruptness of grief.

      3. “Metias should have taken me with him. […] I run this thought over and over again in my head.”

      June’s recurring thought reveals her guilt and helplessness after Metias’s death, showcasing her struggle to process the loss. The repetition mirrors her trauma and foreshadows her future actions driven by this unresolved pain.

      4. “‘Whoever it was survived a two-and-a-half-story jump and still had enough strength to escape.’”

      June’s sharp observational skills shine here, hinting at her military-trained mind even in grief. This quote also introduces the mystery of her brother’s killer, setting up the central conflict of the story.

    Quotes

    1. “‘Forever and ever, kid, until you’re sick and tired of seeing me.’”

    This tender moment between June and her brother Metias captures their deep bond and his promise to always be there for her—a promise tragically cut short by his death. It underscores the theme of familial love and loss that permeates the chapter.

    2. “‘Metias has been killed.’ That’s when the world around me goes silent.”

    This pivotal line marks the emotional climax of the chapter, where June’s world shatters upon learning of her brother’s death. The stark simplicity of the announcement contrasts with its devastating impact, emphasizing the abruptness of grief.

    3. “Metias should have taken me with him. […] I run this thought over and over again in my head.”

    June’s recurring thought reveals her guilt and helplessness after Metias’s death, showcasing her struggle to process the loss. The repetition mirrors her trauma and foreshadows her future actions driven by this unresolved pain.

    4. “‘Whoever it was survived a two-and-a-half-story jump and still had enough strength to escape.’”

    June’s sharp observational skills shine here, hinting at her military-trained mind even in grief. This quote also introduces the mystery of her brother’s killer, setting up the central conflict of the story.

    FAQs

    1. How does the opening flashback scene establish the relationship between June and Metias?

    Answer:
    The flashback reveals a deeply caring and protective sibling dynamic. Despite his military induction ceremony, Metias prioritizes caring for his sick 7-year-old sister June, demonstrating his devotion through small acts like feeding her oranges and cooling her fever. Their playful banter about girlfriends and June’s anxious question (“You’re not going to leave me too?”) foreshadow later events while highlighting their emotional bond. Metias’s promise to stay “forever and ever” contrasts tragically with his eventual death, making the opening a poignant setup for their relationship’s significance (e.g., “Metias kissed me on my forehead” shows physical affection rare in their militarized world).

    2. Analyze how the author uses sensory details to create atmosphere during Thomas’s arrival. What mood does this evoke?

    Answer:
    The scene employs stark sensory contrasts to build tension: the “oil lamps” against building darkness, Ollie’s frantic barking versus the “silent” shock June later experiences, and the damp jeep smell of “rubber and metal and fresh sweat” that grounds the surreal moment in physicality. The distorted stairwell reflections (“I can’t make out my expression”) mirror June’s emotional dissociation. These details create a jarring, ominous mood, emphasizing the disconnect between routine (Thomas’s polished rifle grease) and life-altering news. The overcast sky and JumboTron warnings about bombings further amplify the dystopian unease surrounding Metias’s death.

    3. What does June’s immediate deduction about the crime scene reveal about her character and training?

    Answer:
    June instantly analyzes the hospital scene like a soldier: noting the broken window, absent ambulances, and active search parties to conclude the killer escaped after a high fall. This showcases her razor-sharp observational skills and tactical mindset, likely honed through military training (“dressed in my training uniform”). Her coldly logical response—contrasted with Thomas’s hesitancy—hints at her ability to compartmentalize trauma, though her repeated thought “Metias should have taken me with him” reveals survivor’s guilt. The detail about Batalla’s lights staying on despite citywide outages also reflects her ingrained awareness of military privilege.

    4. How does the chapter juxtapose the Republic’s authoritarianism with intimate human moments?

    Answer:
    The national pledge broadcast and Metias’s automatic salute to the Elector’s 11th term underscore the Republic’s oppressive control, yet the siblings’ private interactions subvert this. Metias jokes about hacking databases (defying surveillance) and prioritizes June over Commander Jameson’s ceremony. Later, Thomas’s awkward formality (“Ms. Iparis”) clashes with his compassionate hug, showing how institutional roles strain personal connections. Even small rebellions—June sneaking to the track, Ollie’s unrestrained barking—contrast with the silent, goggled soldiers, suggesting humanity persists despite the regime’s dehumanizing structures.

    5. Why might the author have chosen to reveal Metias’s death through Thomas’s perspective rather than showing it directly?

    Answer:
    Using Thomas as the messenger intensifies the emotional impact through June’s dissociation (“the world around me goes silent”), forcing readers to experience her shock subjectively. His nervous demeanor (grease streak, hesitant glances) makes the news feel more visceral than a detached action scene. This also preserves mystery around the killer’s identity and motives, building suspense. Additionally, Thomas’s role as a fellow soldier—not a family member—highlights how the Republic’s bureaucracy mediates even personal tragedies, as seen when Commander Jameson orders June’s escort rather than calling directly.

    Note