Cover of Legend (Legend #1)
    Adventure FictionScience FictionYoung Adult

    Legend (Legend #1)

    by Marie, Lu,
    “Legend” by Marie Lu is a dystopian young adult novel set in a war-torn future where the United States has fractured into two opposing nations. The story follows two protagonists: June, a prodigious military cadet from the elite Republic, and Day, a wanted criminal from the impoverished slums. When June’s brother is murdered, Day becomes the prime suspect, leading to a cat-and-mouse chase that unravels government secrets. Themes of class disparity, loyalty, and corruption drive the narrative. The novel’s dual-perspective structure and fast-paced action make it a standout in the genre, appealing to fans of dystopian fiction and political intrigue.

    The chap­ter opens with the pro­tag­o­nist await­ing exe­cu­tion in a stark, heav­i­ly guard­ed cell, reflect­ing on the Republic’s bru­tal tra­di­tion of broad­cast­ing pris­on­ers’ final moments to a pub­lic square. The crowd rev­els in the spec­ta­cle of crim­i­nals break­ing down or attempt­ing futile escapes. Despite the oppor­tu­ni­ty to “enter­tain,” the pro­tag­o­nist remains still, con­sumed by dread and thoughts of his broth­er John, whom he hopes June—a priv­i­leged ally—might save. His emo­tions oscil­late between fear and deter­mi­na­tion, as he resolves to fight until the end, even if June’s plans fail.

    As time drags on, the pro­tag­o­nist observes the sol­diers’ height­ened vig­i­lance, mock­ing their fear of him. He imag­ines the crowd out­side, torn between pity, hatred, and mor­bid curios­i­ty. The monot­o­ny of wait­ing becomes unbear­able, and he begins to crave the exe­cu­tion as a reprieve from his grim sur­round­ings. His thoughts linger on loved ones, espe­cial­ly Tess and John, whose fates haunt him. The ten­sion esca­lates when June arrives in full mil­i­tary regalia, sig­nal­ing the approach­ing exe­cu­tion time.

    June’s arrival marks a piv­otal moment. She for­mal­ly offers the pro­tag­o­nist a final request, sub­tly mouthing “John” to prompt him. When he asks to see his broth­er, Com­man­der Jame­son reluc­tant­ly agrees. The reunion with John is brief and heart-wrench­ing; John, vis­i­bly weak­ened, urges the pro­tag­o­nist to face death with defi­ance. Their exchange under­scores the injus­tice of their situation—John, inno­cent and kind, trapped in the same bru­tal sys­tem as his rebel­lious broth­er. The pro­tag­o­nist is left grap­pling with guilt and sor­row.

    The chap­ter clos­es with the pro­tag­o­nist steel­ing him­self for what comes next. June’s cryp­tic actions hint at a pos­si­ble escape plan, but the stakes are per­ilous­ly high. The protagonist’s resolve hard­ens as he pre­pares to con­front his fate, whether through June’s inter­ven­tion or his own defi­ance. The emo­tion­al weight of John’s words—“scare them all the way until the end”—echoes in his mind, rein­forc­ing his deter­mi­na­tion to resist the Republic’s cru­el­ty until his last breath.

    FAQs

    • 1. What is the significance of the Republic’s tradition of unchaining prisoners before execution, and how does Day react to this practice?

      Answer:
      The Republic unchains prisoners before execution to broadcast footage of them for public entertainment, hoping they’ll break down or attempt escape—actions that reinforce the state’s power through spectacle. Day, however, subverts expectations by refusing to perform; he remains seated, mentally preparing for his fate while mocking the soldiers’ wasted time. His reaction highlights his defiance and the psychological toll of the Republic’s dehumanizing rituals, as seen when he thinks, “I don’t feel like entertaining anyone” and sarcastically remarks, “Wasting a day of your life watching me sit in a cell.”

      2. Analyze June’s appearance and demeanor when she enters Day’s cell. What might her uniform and actions symbolize in this context?

      Answer:
      June’s formal uniform—luxurious epaulettes, a velvet cape, and polished boots—symbolizes her authority and the Republic’s opulent militarism. Her detached delivery of Day’s “final request” (asking about John) maintains her cover, but subtle cues like “burning” eyes and a mouthed name reveal her clandestine agenda. The contrast between her performative coldness (“Four forty-five P.M.”) and secret signals underscores the duality of her role: a loyal agent outwardly, a rebel inwardly. This mirrors the chapter’s tension between appearance and reality, as Day notes her “flawless” ponytail while searching for hidden meaning.

      3. How does the interaction between Day and John reveal their relationship dynamics and shared resilience?

      Answer:
      Their brief exchange showcases John’s protective older-brother role and Day’s vulnerability. John prioritizes Eden’s safety (“Is he alive?”) and urges Day to die defiantly (“Make them work for it”), emphasizing familial loyalty over fear. Day, meanwhile, feels guilt for John’s suffering (“Things shouldn’t be like this for John”) but draws strength from his brother’s advice, whispering, “Okay” like a “little brother.” Their dialogue, though sparse, reflects a bond forged in adversity, with John’s “crooked smile” and Day’s suppressed tears illustrating shared stoicism in the face of oppression.

      4. Evaluate the chapter’s portrayal of public spectacle as a tool of control. How does the crowd’s anticipated reaction reinforce the Republic’s power?

      Answer:
      The chapter critiques the Republic’s use of execution as propaganda: crowds gather for “morbid curiosity,” cheering or gasping at the violence, while reruns extend the spectacle’s reach. Day’s musings—imagining protesters, haters, and the “delight” of onlookers—reveal how the state manipulates public sentiment to legitimize violence. The soldiers’ gas masks and vests heighten the theatrics, framing Day as a dangerous outlier. This echoes real-world authoritarian tactics, where public executions serve as both entertainment and warning, as seen in the line, “The Republic will be happy that they’ve made an example out of another criminal.”

      5. What internal conflicts does Day grapple with while awaiting execution, and how do they shape his resolve?

      Answer:
      Day oscillates between hope (trusting June’s plan), dread (fearing for John), and existential fatigue (“I find myself looking forward to the execution”). His “shuddering breath” and self-doubt (“am I ready to follow through?”) humanize him, but he ultimately chooses defiance: “They’re going to have to fill me with bullets to get me to stay still.” This resolve is fueled by love (for John, Tess, Eden) and anger at the Republic’s cruelty. His emotional turmoil—balancing vulnerability (“I feel like a little brother”) with hardened determination—illustrates the psychological warfare inherent in state-sanctioned violence.

    Quotes

    • 1. “Before a publicized criminal goes off to face the firing squad, Batalla Hall broadcasts footage of them to all the JumboTrons in the square. They unchain you so you have the chance to do something entertaining.”

      This quote highlights the Republic’s brutal spectacle of executions, where prisoners are paraded for public entertainment before their deaths. It underscores the dehumanizing nature of the regime and sets the tone for the protagonist’s impending execution.

      2. “Even if June’s plans fail, even if I’m going to be isolated and friendless when I head out to the firing squad… I’m going to fight. They’re going to have to fill me with bullets to get me to stay still.”

      This moment captures the protagonist’s defiant resolve in the face of death, showcasing his determination to resist the Republic’s oppression until the very end. It reflects his internal struggle between fear and courage.

      3. “‘Make them work for it. Punch someone if you have to.’ John gives me a sad, crooked smile. ‘You’re a scary kid. So scare them. Okay? All the way until the end.’”

      John’s words to his brother are both heartbreaking and empowering, emphasizing the theme of resistance and familial loyalty. This exchange humanizes the characters amid the brutality of their circumstances.

      4. “For the first time in a long time, I feel like a little brother.”

      This simple yet poignant line reveals the protagonist’s vulnerability and the emotional weight of his final moments with John. It underscores the personal stakes behind his political struggle.

      5. “June stops some distance away from me and, as I struggle to my feet, she looks down at her watch. ‘Four forty-five P.M.,’ she says. She looks back up at me. I try to read her eyes, to see if I can guess what her plans are.”

      This tense interaction encapsulates the uncertainty and high stakes of June’s potential betrayal or rescue. The protagonist’s attempt to decipher her intentions reflects the chapter’s central tension.

    Quotes

    1. “Before a publicized criminal goes off to face the firing squad, Batalla Hall broadcasts footage of them to all the JumboTrons in the square. They unchain you so you have the chance to do something entertaining.”

    This quote highlights the Republic’s brutal spectacle of executions, where prisoners are paraded for public entertainment before their deaths. It underscores the dehumanizing nature of the regime and sets the tone for the protagonist’s impending execution.

    2. “Even if June’s plans fail, even if I’m going to be isolated and friendless when I head out to the firing squad… I’m going to fight. They’re going to have to fill me with bullets to get me to stay still.”

    This moment captures the protagonist’s defiant resolve in the face of death, showcasing his determination to resist the Republic’s oppression until the very end. It reflects his internal struggle between fear and courage.

    3. “‘Make them work for it. Punch someone if you have to.’ John gives me a sad, crooked smile. ‘You’re a scary kid. So scare them. Okay? All the way until the end.’”

    John’s words to his brother are both heartbreaking and empowering, emphasizing the theme of resistance and familial loyalty. This exchange humanizes the characters amid the brutality of their circumstances.

    4. “For the first time in a long time, I feel like a little brother.”

    This simple yet poignant line reveals the protagonist’s vulnerability and the emotional weight of his final moments with John. It underscores the personal stakes behind his political struggle.

    5. “June stops some distance away from me and, as I struggle to my feet, she looks down at her watch. ‘Four forty-five P.M.,’ she says. She looks back up at me. I try to read her eyes, to see if I can guess what her plans are.”

    This tense interaction encapsulates the uncertainty and high stakes of June’s potential betrayal or rescue. The protagonist’s attempt to decipher her intentions reflects the chapter’s central tension.

    FAQs

    1. What is the significance of the Republic’s tradition of unchaining prisoners before execution, and how does Day react to this practice?

    Answer:
    The Republic unchains prisoners before execution to broadcast footage of them for public entertainment, hoping they’ll break down or attempt escape—actions that reinforce the state’s power through spectacle. Day, however, subverts expectations by refusing to perform; he remains seated, mentally preparing for his fate while mocking the soldiers’ wasted time. His reaction highlights his defiance and the psychological toll of the Republic’s dehumanizing rituals, as seen when he thinks, “I don’t feel like entertaining anyone” and sarcastically remarks, “Wasting a day of your life watching me sit in a cell.”

    2. Analyze June’s appearance and demeanor when she enters Day’s cell. What might her uniform and actions symbolize in this context?

    Answer:
    June’s formal uniform—luxurious epaulettes, a velvet cape, and polished boots—symbolizes her authority and the Republic’s opulent militarism. Her detached delivery of Day’s “final request” (asking about John) maintains her cover, but subtle cues like “burning” eyes and a mouthed name reveal her clandestine agenda. The contrast between her performative coldness (“Four forty-five P.M.”) and secret signals underscores the duality of her role: a loyal agent outwardly, a rebel inwardly. This mirrors the chapter’s tension between appearance and reality, as Day notes her “flawless” ponytail while searching for hidden meaning.

    3. How does the interaction between Day and John reveal their relationship dynamics and shared resilience?

    Answer:
    Their brief exchange showcases John’s protective older-brother role and Day’s vulnerability. John prioritizes Eden’s safety (“Is he alive?”) and urges Day to die defiantly (“Make them work for it”), emphasizing familial loyalty over fear. Day, meanwhile, feels guilt for John’s suffering (“Things shouldn’t be like this for John”) but draws strength from his brother’s advice, whispering, “Okay” like a “little brother.” Their dialogue, though sparse, reflects a bond forged in adversity, with John’s “crooked smile” and Day’s suppressed tears illustrating shared stoicism in the face of oppression.

    4. Evaluate the chapter’s portrayal of public spectacle as a tool of control. How does the crowd’s anticipated reaction reinforce the Republic’s power?

    Answer:
    The chapter critiques the Republic’s use of execution as propaganda: crowds gather for “morbid curiosity,” cheering or gasping at the violence, while reruns extend the spectacle’s reach. Day’s musings—imagining protesters, haters, and the “delight” of onlookers—reveal how the state manipulates public sentiment to legitimize violence. The soldiers’ gas masks and vests heighten the theatrics, framing Day as a dangerous outlier. This echoes real-world authoritarian tactics, where public executions serve as both entertainment and warning, as seen in the line, “The Republic will be happy that they’ve made an example out of another criminal.”

    5. What internal conflicts does Day grapple with while awaiting execution, and how do they shape his resolve?

    Answer:
    Day oscillates between hope (trusting June’s plan), dread (fearing for John), and existential fatigue (“I find myself looking forward to the execution”). His “shuddering breath” and self-doubt (“am I ready to follow through?”) humanize him, but he ultimately chooses defiance: “They’re going to have to fill me with bullets to get me to stay still.” This resolve is fueled by love (for John, Tess, Eden) and anger at the Republic’s cruelty. His emotional turmoil—balancing vulnerability (“I feel like a little brother”) with hardened determination—illustrates the psychological warfare inherent in state-sanctioned violence.

    Note