Cover of Legend (Legend #1)
    Adventure FictionScience FictionYoung Adult

    Legend (Legend #1)

    by Marie, Lu,
    “Legend” by Marie Lu is a dystopian young adult novel set in a war-torn future where the United States has fractured into two opposing nations. The story follows two protagonists: June, a prodigious military cadet from the elite Republic, and Day, a wanted criminal from the impoverished slums. When June’s brother is murdered, Day becomes the prime suspect, leading to a cat-and-mouse chase that unravels government secrets. Themes of class disparity, loyalty, and corruption drive the narrative. The novel’s dual-perspective structure and fast-paced action make it a standout in the genre, appealing to fans of dystopian fiction and political intrigue.

    The chap­ter opens with the pro­tag­o­nist dream­ing of a nos­tal­gic scene at home, where John reads to their moth­er while Eden doo­dles near­by. The dream takes a turn when the Girl appears, and the pro­tag­o­nist intro­duces her to their moth­er. How­ev­er, the dream turns night­mar­ish as Eden van­ish­es, and the Girl solemn­ly declares, “Eden is dead.” The pro­tag­o­nist wakes abrupt­ly to the sound of a mil­i­tary medic siren, a sound that sig­nals urgency and dan­ger, pulling them back to real­i­ty. The dream’s vivid­ness lingers, leav­ing them unset­tled.

    Upon wak­ing, the pro­tag­o­nist notices the Girl already awake and tense, her demeanor stark­ly dif­fer­ent from the pre­vi­ous night’s inti­ma­cy. The sound of the siren sparks curios­i­ty and con­cern, as such trucks are typ­i­cal­ly used for trans­port­ing plague cas­es or injured sol­diers. Tess, anoth­er char­ac­ter, ques­tions the siren’s pur­pose, but the pro­tag­o­nist is pre­oc­cu­pied with the Girl’s sud­den emo­tion­al dis­tance. Her cold­ness con­trasts sharply with their shared moment the night before, leav­ing the pro­tag­o­nist con­fused and uneasy.

    The Girl’s behav­ior takes a dark­er turn as she con­fronts the pro­tag­o­nist about their fam­i­ly, reveal­ing she fol­lowed them the pre­vi­ous night. She ques­tions their motives for sav­ing mon­ey, imply­ing it’s for a plague cure, and drops a dev­as­tat­ing bomb­shell: the plague patrol is com­ing for their fam­i­ly today. Her blunt­ness and detach­ment sug­gest she knows more than she’s let­ting on, height­en­ing the pro­tag­o­nist’s anx­i­ety. The rev­e­la­tion shifts the tone from intro­spec­tion to impend­ing cri­sis, as the pro­tag­o­nist grap­ples with the Girl’s cryp­tic warn­ing.

    The chap­ter ends on a cliffhang­er, with the Girl’s omi­nous state­ment cast­ing a shad­ow over the protagonist’s real­i­ty. Her knowl­edge of the protagonist’s fam­i­ly and the impend­ing plague patrol rais­es ques­tions about her role and inten­tions. The protagonist’s con­fu­sion and fear are pal­pa­ble as they face the pos­si­bil­i­ty of los­ing their fam­i­ly, mir­ror­ing the loss fore­shad­owed in the dream. The chap­ter mas­ter­ful­ly blends dream­like nos­tal­gia with harsh real­i­ty, set­ting the stage for an urgent and emo­tion­al con­fronta­tion.

    FAQs

    • 1. What does the dream sequence reveal about the protagonist’s family dynamics and underlying fears?

      Answer:
      The dream sequence provides key insights into the protagonist’s family relationships and subconscious anxieties. It portrays John as a patient, gentle figure reading to their mother—a contrast to the protagonist’s personality—while Eden is depicted as a quiet, artistic presence. The sudden disappearance of Eden and the Girl’s declaration that “Eden is dead” reflect the protagonist’s deep-seated fear of losing family members, likely tied to the plague’s threat. The dream’s idyllic setup followed by disruption mirrors the protagonist’s reality, where safety is fragile. This also foreshadows the later revelation about the plague patrol coming for the family.

      2. How does the military medic truck siren serve as both a plot device and a thematic symbol in this chapter?

      Answer:
      The siren acts as a critical plot device by transitioning the protagonist from dreams to reality and hinting at impending danger. Thematically, it symbolizes the oppressive presence of authority and the inevitability of the plague’s impact. The detail that these trucks prioritize military cases—but are repurposed for plague transports—highlights how the war and plague are intertwined crises. The protagonist’s immediate recognition of the siren’s unusual purpose (“special plague cases”) underscores their lived experience in this dystopian world, where institutional systems are both familiar and threatening.

      3. Analyze the shift in the Girl’s behavior toward the protagonist. What might explain her sudden distance and confrontation about the plague patrol?

      Answer:
      The Girl’s shift from intimacy (“she was as into me as I was into her”) to detachment suggests she has learned critical information overnight—likely about the plague patrol’s imminent arrival. Her probing questions (“Your family had their door marked”) and blunt revelation (“today the plague patrol is coming”) imply she’s forcing the protagonist to confront reality, possibly to spur action. This mirrors her earlier tragic expression in the dream, positioning her as both a truth-teller and a figure whose loyalty may extend beyond the protagonist (e.g., to a resistance network). Her silence and grave focus on the street further hint at strategic awareness.

      4. What broader societal realities are exposed through the details of the protagonist’s world (e.g., plague cures, marked doors, and military priorities)?

      Answer:
      The chapter reveals a stratified society grappling with war and pandemic. The mention of saving money for “a plague cure” implies healthcare is commodified, accessible only to those who can pay. “Marked doors” suggest systematic surveillance and segregation of the infected, while military trucks getting “first priority” reflects a militarized state prioritizing war over civilian welfare. The protagonist’s observation that soldiers are usually treated at the warfront—except when repurposed for plague cases—further illustrates how crises are managed through containment rather than care, deepening the dystopian tone.

    Quotes

    • 1. “John is the strongest of us, but he has a patient, gentle streak that I didn’t inherit. A trait from our father.”

      This quote reveals the protagonist’s reflection on family dynamics and inherited traits, contrasting John’s gentle nature with their own personality. It establishes key character relationships and hints at the absent father figure.

      2. “The Girl’s smile fades. She looks at me with tragic eyes. ‘Eden is dead,’ she says.”

      A pivotal dream sequence where the Girl delivers a haunting prophecy about Eden’s fate. This moment foreshadows impending tragedy and creates tension between the dream world and reality.

      3. “Except we have no injured soldiers coming back to Los Angeles. They get treated at the warfront’s border. The other thing these trucks are used for around here is to transport special plague cases to the labs, due to their better emergency equipment.”

      This world-building quote explains the dystopian setting’s rules while creating dread about the siren’s true purpose. It connects the military state with plague containment measures.

      4. “‘You’re too late,’ she says. ‘Because today the plague patrol is coming for your family. They’re taking them away.’”

      The chapter’s climactic revelation where the Girl delivers devastating news about the protagonist’s family. This quote represents a major turning point, forcing immediate action and confirming earlier foreshadowing.

    Quotes

    1. “John is the strongest of us, but he has a patient, gentle streak that I didn’t inherit. A trait from our father.”

    This quote reveals the protagonist’s reflection on family dynamics and inherited traits, contrasting John’s gentle nature with their own personality. It establishes key character relationships and hints at the absent father figure.

    2. “The Girl’s smile fades. She looks at me with tragic eyes. ‘Eden is dead,’ she says.”

    A pivotal dream sequence where the Girl delivers a haunting prophecy about Eden’s fate. This moment foreshadows impending tragedy and creates tension between the dream world and reality.

    3. “Except we have no injured soldiers coming back to Los Angeles. They get treated at the warfront’s border. The other thing these trucks are used for around here is to transport special plague cases to the labs, due to their better emergency equipment.”

    This world-building quote explains the dystopian setting’s rules while creating dread about the siren’s true purpose. It connects the military state with plague containment measures.

    4. “‘You’re too late,’ she says. ‘Because today the plague patrol is coming for your family. They’re taking them away.’”

    The chapter’s climactic revelation where the Girl delivers devastating news about the protagonist’s family. This quote represents a major turning point, forcing immediate action and confirming earlier foreshadowing.

    FAQs

    1. What does the dream sequence reveal about the protagonist’s family dynamics and underlying fears?

    Answer:
    The dream sequence provides key insights into the protagonist’s family relationships and subconscious anxieties. It portrays John as a patient, gentle figure reading to their mother—a contrast to the protagonist’s personality—while Eden is depicted as a quiet, artistic presence. The sudden disappearance of Eden and the Girl’s declaration that “Eden is dead” reflect the protagonist’s deep-seated fear of losing family members, likely tied to the plague’s threat. The dream’s idyllic setup followed by disruption mirrors the protagonist’s reality, where safety is fragile. This also foreshadows the later revelation about the plague patrol coming for the family.

    2. How does the military medic truck siren serve as both a plot device and a thematic symbol in this chapter?

    Answer:
    The siren acts as a critical plot device by transitioning the protagonist from dreams to reality and hinting at impending danger. Thematically, it symbolizes the oppressive presence of authority and the inevitability of the plague’s impact. The detail that these trucks prioritize military cases—but are repurposed for plague transports—highlights how the war and plague are intertwined crises. The protagonist’s immediate recognition of the siren’s unusual purpose (“special plague cases”) underscores their lived experience in this dystopian world, where institutional systems are both familiar and threatening.

    3. Analyze the shift in the Girl’s behavior toward the protagonist. What might explain her sudden distance and confrontation about the plague patrol?

    Answer:
    The Girl’s shift from intimacy (“she was as into me as I was into her”) to detachment suggests she has learned critical information overnight—likely about the plague patrol’s imminent arrival. Her probing questions (“Your family had their door marked”) and blunt revelation (“today the plague patrol is coming”) imply she’s forcing the protagonist to confront reality, possibly to spur action. This mirrors her earlier tragic expression in the dream, positioning her as both a truth-teller and a figure whose loyalty may extend beyond the protagonist (e.g., to a resistance network). Her silence and grave focus on the street further hint at strategic awareness.

    4. What broader societal realities are exposed through the details of the protagonist’s world (e.g., plague cures, marked doors, and military priorities)?

    Answer:
    The chapter reveals a stratified society grappling with war and pandemic. The mention of saving money for “a plague cure” implies healthcare is commodified, accessible only to those who can pay. “Marked doors” suggest systematic surveillance and segregation of the infected, while military trucks getting “first priority” reflects a militarized state prioritizing war over civilian welfare. The protagonist’s observation that soldiers are usually treated at the warfront—except when repurposed for plague cases—further illustrates how crises are managed through containment rather than care, deepening the dystopian tone.

    Note