Cover of Killers of the Flower Moon The Osage Murders and the Birth of the FBI (David Grann)
    True Crime

    Killers of the Flower Moon The Osage Murders and the Birth of the FBI (David Grann)

    by testsuphomeAdmin
    Killers of the Flower Moon by David Grann explores the Osage murders in 1920s Oklahoma and the FBI's investigation into the crimes.

    The doc­u­men­ta­tion cred­its a rich array of sources for the illus­tra­tions uti­lized, under­scor­ing the com­pre­hen­sive effort to visu­al­ly rep­re­sent the his­tor­i­cal and cul­tur­al con­texts addressed in the book. Notably, the con­tri­bu­tions are diverse, span­ning indi­vid­ual con­tri­bu­tions, pub­lic insti­tu­tions, and pri­vate col­lec­tions, high­light­ing a col­lab­o­ra­tive effort to assem­ble a visu­al­ly infor­ma­tive sup­ple­ment to the tex­tu­al nar­ra­tive.

    Per­son­al con­tri­bu­tions, such as those from Archie Mason and Ray­mond Red Corn, exem­pli­fy the close con­nec­tions and first­hand nar­ra­tives that enrich the book’s authen­tic­i­ty and depth. These per­son­al con­tri­bu­tions are com­ple­ment­ed by insti­tu­tion­al sup­port from esteemed enti­ties such as the Osage Nation Muse­um, the Okla­homa His­tor­i­cal Soci­ety, the Bartlesville Area His­to­ry Muse­um, and the Fed­er­al Bureau of Inves­ti­ga­tion, among oth­ers. This wide range of sources under­scores the mul­ti­fac­eted approach to gath­er­ing visu­al evi­dence and tes­ti­monies to sup­port the book’s nar­ra­tive.

    Sig­nif­i­cant atten­tion is giv­en to his­tor­i­cal doc­u­ments, with the West­ern His­to­ry Col­lec­tions at the Uni­ver­si­ty of Okla­homa Libraries being a major source, offer­ing a trove of pho­tographs and doc­u­ments from the Finney and Cun­ning­ham col­lec­tions that pro­vide a win­dow into the past. The inclu­sion of mate­ri­als from the Library of Con­gress and Cor­bis fur­ther extends the reach and depth of his­tor­i­cal visu­al doc­u­men­ta­tion.

    More­over, the cred­its high­light a geo­graph­i­cal spread in sourc­ing, from the local (Osage Coun­ty His­tor­i­cal Soci­ety Muse­um) to the nation­al lev­el (Nation­al Archives at Kansas City), indi­cat­ing the expan­sive effort under­tak­en to visu­al­ly chart the book’s the­mat­ic con­cerns. Acknowl­edg­ing the con­tri­bu­tions from enti­ties such as the Mon­tana His­tor­i­cal Soci­ety and the Austin His­to­ry Cen­ter exhibits a com­mit­ment to cap­tur­ing a broad spec­trum of his­tor­i­cal­ly sig­nif­i­cant visu­als.

    The illus­tra­tion cred­its, through their detailed acknowl­edg­ment of sources, reveal a con­sci­en­tious ded­i­ca­tion to pre­serv­ing and pre­sent­ing a visu­al­ly rich his­tor­i­cal nar­ra­tive. This aspect of the book not only enhances the read­er’s under­stand­ing and engage­ment but also serves as a trib­ute to those who have con­tributed to or been part of the depict­ed events and eras. The metic­u­lous assem­bly of cred­its show­cas­es the blend of per­son­al nar­ra­tives, insti­tu­tion­al archives, and col­lec­tive his­to­ry that visu­al­ly com­ple­ments the tex­tu­al explo­ration with­in the book.

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