Cover of If These Wings Could Fly
    Paranormal Fiction

    If These Wings Could Fly

    by testsuphomeAdmin
    If These Wings Could Fly by Kyrie McCauley follows Leighton, a teenage girl living in a troubled home in a small town. Struggling with family secrets and an abusive father, she finds solace in the local bird sanctuary. As she learns to navigate her own path, Leighton discovers the power of friendship, hope, and personal strength.

    Chap­ter 37 begins on a cold Sat­ur­day morn­ing at 6:45 A.M., with the nar­ra­tor stand­ing beside a frosty field, prepar­ing to inter­view hunters dressed in cam­ou­flage and armed with loaded guns. The tem­per­a­ture is a brisk 34 degrees, and as the chill bites at their skin, they reflect on the series of deci­sions that led them to this moment. The inter­view is cru­cial for their crow col­umn, which was sparked by an inquiry to Dr. Cor­nell, a bird expert. Dr. Cor­nell explains that anoth­er town had made unsuc­cess­ful attempts to man­age a crow pop­u­la­tion of approx­i­mate­ly fifty thou­sand, using spo­radic hunts. While the town’s res­i­dents hoped to con­trol the pop­u­la­tion, Dr. Cor­nell points out that such hunts are inef­fec­tive at sig­nif­i­cant­ly affect­ing the crows’ num­bers or their migra­tion pat­terns. This insight paints a grim pic­ture for the community’s efforts, sug­gest­ing that the approach is flawed and unlike­ly to bring last­ing results.

    As the inter­view pro­gress­es, the nar­ra­tor learns of an alter­na­tive approach from a near­by town that turned its crow prob­lem into a pos­i­tive oppor­tu­ni­ty. Instead of resort­ing to hunt­ing, this town embraced its crow pop­u­la­tion by host­ing a fes­ti­val that cel­e­brates the birds, trans­form­ing a prob­lem into a tourist attrac­tion. This inno­v­a­tive strat­e­gy catch­es the narrator’s atten­tion, mak­ing them ques­tion the effi­ca­cy of the cur­rent approach and whether there might be a more com­pas­sion­ate, sus­tain­able solu­tion. The idea of cel­e­brat­ing the crows instead of hunt­ing them stirs curios­i­ty in the nar­ra­tor, who begins to won­der how oth­er towns might ben­e­fit from a sim­i­lar mind­set. By refram­ing the prob­lem in a new light, the town was able to both solve its issue and bring in eco­nom­ic ben­e­fits, sug­gest­ing that look­ing at prob­lems from a dif­fer­ent angle can often yield unex­pect­ed and cre­ative results.

    Liam, who is present with the nar­ra­tor dur­ing the hunt, reveals that his father has expressed a desire for them to bond over hunt­ing, a tra­di­tion Liam does not feel con­nect­ed to. While he under­stands his father’s inten­tions, Liam admits he finds lit­tle enjoy­ment in the idea of hunt­ing crows, a species he has devel­oped a fond­ness for. This con­ver­sa­tion reveals a gen­er­a­tional gap between them, high­light­ing dif­fer­ing views on tra­di­tion­al prac­tices such as hunt­ing. Liam’s dis­com­fort with hunt­ing show­cas­es the shift in atti­tudes among younger gen­er­a­tions, who are increas­ing­ly ques­tion­ing the need for such prac­tices in mod­ern times. This insight into Liam’s per­spec­tive adds depth to the nar­ra­tive, illus­trat­ing how tra­di­tions are often inher­it­ed but not nec­es­sar­i­ly embraced by every indi­vid­ual, espe­cial­ly as per­son­al beliefs and val­ues evolve.

    As the nar­ra­tor and Liam dis­cuss poten­tial inter­vie­wees at the hunt, the narrator’s thoughts drift to Joe and Juniper, who are also involved in the event. Anx­ious about Joe’s par­tic­i­pa­tion, the narrator’s unease grows, espe­cial­ly as they reflect on the dark­er aspects of the hunt. Liam notices the change in the narrator’s demeanor and offers a com­fort­ing ges­ture, but the nar­ra­tor deflects, insist­ing they are fine and that they don’t like guns. Despite the narrator’s attempt to hide their dis­com­fort, Liam’s con­cern only deep­ens, and he advis­es cau­tion as they part ways. This sub­tle moment of sup­port from Liam fur­ther illus­trates their grow­ing bond, but it also empha­sizes the narrator’s inter­nal con­flict and wari­ness sur­round­ing the hunt and its effects on both the birds and the peo­ple involved.

    Despite the hunters’ gen­er­al dis­in­ter­est in the envi­ron­men­tal impact of their actions, they eager­ly engage with the nar­ra­tor, offer­ing infor­ma­tion and anec­dotes about the hunt. How­ev­er, the sound of gun­shots rings out, and the nar­ra­tor becomes increas­ing­ly unset­tled, long­ing for a dif­fer­ent out­come. They wish the town would shift towards a more pos­i­tive cel­e­bra­tion of the crows, akin to the fes­ti­val men­tioned ear­li­er. The nar­ra­tor imag­ines a world where the town embraces the crows, turn­ing the event into some­thing joy­ful and edu­ca­tion­al rather than grim and vio­lent. They long for a more mean­ing­ful exchange, where the efforts made by the com­mu­ni­ty could be direct­ed toward fos­ter­ing under­stand­ing and appre­ci­a­tion for the birds, rather than per­pet­u­at­ing a cycle of vio­lence. This reflec­tion cap­tures the narrator’s inner desire for change, high­light­ing their grow­ing belief that there are always alter­na­tive solu­tions to prob­lems, if only peo­ple are will­ing to shift their per­spec­tive.

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