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    Chapter XV of “Agnes Grey,” titled “The Walk,” unfolds a day after Rosalie’s dismissal of Mr. Hatfield, leaving her with a sense of boredom and longing for excitement. Rosalie, speaking to Matilda, expresses regret over losing Hatfield and anticipates the dullness of coming days without social engagements. Despite Matilda’s suggestions that Rosalie might have had genuine feelings for Hatfield, Rosalie dismisses the idea, holding out for someone superior. The narrative proceeds to examine Mr. Hatfield’s professional demeanor following his rejection, noting a perceived change in his usual bravado during Sunday services, possibly indicating his internal strife.

    Agnes and Rosalie’s walk to the village becomes the central event, as Rosalie, likely in pursuit of chance encounters with potential suitors, engages in speculative conversation about various gentlemen, including Mr. Hatfield and others within their social realm. Despite the casual nature of their outing, it’s apparent Rosalie’s thoughts linger on Hatfield, indicating her affected indifference might mask a deeper concern. During their venture, Agnes observes Rosalie’s lively interaction with others, feeling isolated herself, until unexpectedly joined by Mr. Weston. Their conversation quickly evolves into a significant exchange, revealing Agnes’s inclination for intellectual and emotional companionship, contrasted against her modest social ambitions.

    The encounter with Mr. Weston becomes a pivotal moment for Agnes, offering rare personal engagement outside her duties, which is interrupted as Rosalie seeks to captivate Mr. Weston’s attention upon their reunion. Rosalie’s strategic interaction with Mr. Weston, aimed at securing his admiration, stirs a mix of emotions in Agnes, who fears the potential implications of Rosalie’s flirtations for Mr. Weston’s affection. The chapter closes with Agnes’s turmoil, as she grapples with the unfolding dynamics, hinting at her concealed affection for Mr. Weston and her apprehensions about Rosalie’s influence over him.

    Throughout “The Walk,” themes of social expectation, personal longing, and the complexities of human emotion are explored against the backdrop of Victorian societal norms, illustrating the constrained and often covert channels through which individuals navigate their desires and relational aspirations.

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