44 Results in the "Non-Fiction" category
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Chapter
Orkideh
Orkideh, the protagonist in this chapter, embarks on a profound reflection of death and the role of art in navigating the complexities of grief. The narrative unfolds with an intense exploration of personal loss and the sense of emptiness that follows, portraying a moment of profound detachment from reality. The narrator's introspection leads to the creation of an installation titled "Death-Speak," which serves as both an artistic expression and a confrontation with mortality. This piece aims to engage…-
245.7 K • Ongoing
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Chapter
Monday
Monday marks a deeply emotional day for Cyrus Shams, as he grapples with the profound aftermath of his mother Orkideh’s death. The moment arrives when he discovers an obituary for Orkideh, an Iranian American visual artist, in the New York Times, while walking in Prospect Park. The obituary details her final days, where she chose to publicly engage with the theme of death, leaving a legacy of confronting mortality at the Brooklyn Museum. This discovery, prompted by a message from his friend Sad James,…-
245.7 K • Ongoing
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Chapter
Sang Linh
Sang Linh opens with a vivid portrayal of the protagonist as she reflects on her life while preparing for the exhibition titled "Why We Put Mirrors in Birdcages" in New York, 1997. The atmosphere is filled with the hectic energy of setting up the gallery, and the protagonist is at the heart of it all. Despite the demanding nature of her art career, she balances this with the responsibilities of motherhood, finding joy in the moments spent with her eldest son, Duy. Duy, a helpful and responsible companion,…-
245.7 K • Ongoing
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Chapter
[I feel dangerous…]
In this chapter "I feel dangerous...", a sensation that emerges from within as I wrestle with both my own emotions and the societal labels that are imposed upon me. In this chapter, Cyrus Shams delves deeply into the complexities of identity and the emotional burden of feeling like a "dangerous" person because of my Iranian heritage. The author explores the paradox that exists when one, born into a culture often associated with volatility and threat, starts to grapple with those very stereotypes while also…-
245.7 K • Ongoing
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Chapter
Epigraph
Epigraphs serve as powerful gateways into the themes and moods of a work, and in Epigraph, Martyr!, the author employs a memorable line from Clarice Lispector to open the story with a deep reflection on mortality. The line "My God, I just remembered that we die" immediately establishes an introspective, somber tone, guiding readers into an existential contemplation of life's transient nature. The starkness of this statement—shocking in its simplicity—pushes the reader to pause and reflect on their own…-
245.7 K • Ongoing
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Chapter
Acknowledgments
Acknowledgments in this chapter offer a heartfelt tribute to the numerous individuals whose support, guidance, and encouragement made the creation of the novel possible. The author begins by thanking Tommy Orange, a person described as not just a bandmate but also a guiding force in the author’s journey. The profound impact of Orange’s influence is highlighted, as the author recognizes that the novel would not have been brought into being without his invaluable contributions, both in personal and…-
245.7 K • Ongoing
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Chapter
A Note About the Author
Author Kaveh Akbar is a distinguished poet whose work has made significant contributions to some of the most prestigious literary outlets, including The New Yorker, The New York Times, Paris Review, and Best American Poetry. His poetry explores deeply personal and universal themes, with a particular focus on spirituality, addiction, and the complexities of self-identity. Through his acclaimed poetry collections, Pilgrim Bell and Calling a Wolf a Wolf, Akbar provides readers with an intimate view into his…-
245.7 K • Ongoing
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Chapter
Cover
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Chapter
Title Page
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Chapter
Copyright
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