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Stories
123
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6,871
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19.7 M
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Reading
68 d, 13 h
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In Chapter 12 of *Hillbilly Elegy*, the author recounts his journey applying to law schools, initially underestimating his potential by avoiding top-tier institutions like Yale, Harvard, and Stanford. His perspective shifts after learning about the struggles of a law school graduate working as a busboy, prompting him to reconsider his options. Despite his doubts, he applies to Yale and Harvard, though he skips Stanford due to an unfamiliar requirement involving a dean’s endorsement—a hurdle he…
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37.4 K • Ongoing
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The chapter opens with the author's enthusiastic arrival at Ohio State University in 2007, marking a fresh start after his Marine Corps service. He vividly recalls the details of orientation day, from eating at Chipotle to crafting a manageable class schedule—a stark contrast to the military's rigid routines. Columbus, with its vibrant urban energy and revitalized neighborhoods, feels like a world away from his hometown of Middletown. The proximity to family allows for weekend visits, while his friend's…
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37.4 K • Ongoing
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In Chapter 14 of *Hillbilly Elegy*, the narrator reflects on his second year of law school, where he feels he has overcome his tumultuous upbringing to achieve success. Despite his accomplishments—a prestigious summer job, a promising relationship with Usha, and a bright career ahead—he grapples with unresolved emotional baggage. His self-congratulatory attitude masks deeper insecurities, particularly his fear of inheriting the destructive behaviors of his family, especially his mother. The absence of…
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37.4 K • Ongoing
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The chapter opens with the author reflecting on his experience shopping for a needy child through a Salvation Army program. Struggling to choose appropriate gifts, he critiques traditional suggestions like pajamas as "elite indulgences" and recalls childhood memories where such items felt alien. His eventual selections—clothes, a toy phone, and fire trucks—reflect his conflicted perspective as someone who has transitioned from poverty to privilege. This scene underscores the cultural dissonance he…
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37.4 K • Ongoing
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The chapter opens with a vivid and unsettling scene at a rundown motel, where the narrator is confronted by giant spiders and a grim atmosphere. This setting symbolizes the life he had worked hard to escape—a world marked by poverty, addiction, and neglect. The motel clerk, a worn-out woman with a childlike voice, embodies the despair of the community. The narrator, a Yale Law graduate with a stable life, is acutely aware of the contrast between his present success and the bleak reality he left behind,…
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37.4 K • Ongoing
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The chapter opens with a vivid depiction of Saint-Malo's remaining inhabitants—those too stubborn, poor, or disbelieving to evacuate—as they react to the imminent threat of bombardment. Among them are spinsters, prostitutes, nuns, and the blind, some rushing to shelters, others dismissing the danger as a drill. The town, a last German stronghold on the Breton coast, stands in stark contrast to the liberated regions of France, its people whispering of elaborate underground defenses, including tunnels,…
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392.9 K • Ongoing
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The chapter "Bombers" opens with a midnight flight across the Channel, as twelve bombers, each named after popular songs like *Stardust* and *In the Mood*, glide through the dark sky. The serene yet ominous scene is marked by the moonlit sea below, dotted with whitecaps, and the distant outline of islands on the horizon. The narrative sets a deliberate, almost eerie tone as the bombers approach their destination, blending the mechanical precision of war with the poetic irony of their musical namesakes. As…
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392.9 K • Ongoing
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Marie-Laure LeBlanc, a blind girl, stands in her bedroom as air raid sirens wail and enemy bombers approach. Despite the urgency to seek shelter in the cellar, she remains fixated on a detailed miniature model of her city, tracing its streets and landmarks with her fingers. The model, a tactile representation of her surroundings, serves as her connection to the world she cannot see. As the bombs draw nearer, the vibrations rattle the windows, heightening the tension, yet Marie-Laure continues her…
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392.9 K • Ongoing
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The chapter "Leaflets" opens with a vivid depiction of leaflets descending upon a town at dusk, carried by the wind and filling the streets. The leaflets carry an urgent message instructing the inhabitants to evacuate immediately to open country, creating a sense of impending danger. The imagery of the swirling white papers against the cobblestones underscores the disruption and urgency of the situation, setting a tense and foreboding tone for the narrative. As the scene unfolds, the tide rises, and a…
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392.9 K • Ongoing
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The chapter introduces Marie-Laure LeBlanc, a blind sixteen-year-old girl living on the top floor of a narrow house in Saint-Malo. She spends her time meticulously exploring a detailed miniature model of the city, which includes scaled-down replicas of buildings, streets, and landmarks like the cathedral and the Château de Saint-Malo. Her fingers trace the model's features, allowing her to navigate the city mentally. The model serves as both a tool for orientation and a source of comfort as she anxiously…
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392.9 K • Ongoing
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