LovelyMay
Stories
93
Chapters
1,535
Words
3.4 M
Comments
0
Reading
11 d, 22 h
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He put his arm about her ample waist with its unlovely bulges, and pressed his lips to hers in a kiss that was neither perfunctory nor eager, but was, somehow, grateful. Millie Whitcomb, of fancy goods and notions at Bascom's, inspired me with her comment on my last story’s too-beautiful heroine, suggesting I write about an ugly girl instead. Millie, adorned in her lavender and gray, conjures images of elegant simplicity, contrasting sharply with the usual depiction of sales clerks. Her insight leads…-
27.9 K • Ongoing
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In the bustling and diverse essence of South Clark Street, Chicago, marked by its eclectic mix of cultures and faces, lives Tony, the unique newsboy with a stand that seems to bridge the global divide. Tony sells newspapers from every conceivable place, making his stand a cornerstone for those yearning for a slice of home, wherever that may be. He is a testament to the fact that, despite his rough exterior, the heart of the community pulses through the tales shared and the papers sold. The story unfolds…
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27.9 K • Ongoing
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In "The Leading Lady" from "Buttered Side Down", the story unfolds with the lead actress of a small touring play, engulfed in the solitude and monotony of her itinerant life, finding herself overwhelmed by loneliness in a dingy hotel room. Unlike the glamorous weeping seen on stage, her tears reveal the raw despair of her isolation, surrounded by the stale and depressing ambiance of her temporary lodgings. Her emotional breakdown is a poignant testament to the grueling reality behind the glittering facade…
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27.9 K • Ongoing
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"Maymeys from Cuba," part of Edna Ferber's "Buttered Side Down," unfolds the tale of Jennie, a young, unemployed, and famished woman in Chicago during wintertime. Jennie stares longingly at exotic fruits in a grocer's window, where affluent delicacies like peaches, grapes, and a curious item labeled "maymeys from Cuba" ignite in her a mix of desire and indignation. As hunger gnaws at her, Jennie reflects on the absurdity of such luxuries amidst her own dire need. Her journey from the mesmerizing window…
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27.9 K • Ongoing
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In "One of the Old Girls" from "Buttered Side Down," we meet Effie Bauer, an accomplished and prosperous department store employee well-versed in the latest trends in fashion and personal adornment. Despite her professional success, Effie's personal life has not followed the conventional path of early marriage and family; she has remained single into middle age, not out of choice, but due to a lack of opportunity in her younger years. Effie is portrayed as a capable and independent woman, yet one who…
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27.9 K • Ongoing
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In "Sun Dried," Mary Louise, an aspiring writer and former teacher from Escanaba, Michigan, grapples with the challenges of city life in New York and her quest to break into the magazine world. The chapter opens with a universal moment of realization for many women—the sudden need to wash their hair. This seemingly mundane act sets the stage for Mary Louise's day as she temporarily abandons her struggling story, where her hero frustratingly remains lifeless, to attend to her personal care. Amidst her…
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27.9 K • Ongoing
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In "The Foreigner at Home," the author reflects on the nuanced divisions of races and nations, emphasizing the peculiar experience of feeling foreign within the United Kingdom—a land of diverse dialects, landscapes, and heritages. This diversity, manifest in the stark contrasts between the bustling industriousness of England and the rugged, Gaelic-speaking regions of Scotland, Ireland, and Wales, underscores the complexity of national identity. Despite English dominance and the widespread reach of the…
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45.9 K • Ongoing
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In Act I of "Uncle Vanya," the scene is set at the country estate of the Serebrakoff family, depicted through a languid afternoon on the terrace showcasing a mix of ennui and subtle discontent among the characters. Marina, a nurturing old nurse, and Astrov, a physician weary of his overburdened professional life, engage in a dialogue revealing Astrov's despondence over the monotony of existence and the growing emptiness he feels despite his professional dedication. The arrival of Voitski (Vanya) introduces…
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6.7 K • Ongoing
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Act II of "Uncle Vanya" unfolds in the dining room of Serebrakoff's house at night, with Serebrakoff and Helena half asleep. The scene primarily captures a tense and introspective dialogue between the characters, revealing Serebrakoff's deep dissatisfaction with aging and his fear of being a burden. Helena, although trying to offer comfort, eventually distances herself as Serebrakoff expresses his self-loathing and fear of death. This conversation lays bare the emotional and generational gap between the…
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6.7 K • Ongoing
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In Act IV of "Uncle Vanya," Voitski's bedroom, doubling as his office, is detailed with both practical and personal items, signaling its use as a place of work and solitude. As the scene opens, we witness a quiet, anticipatory moment between Telegin and Marina, suggesting a change is afoot with the departure of the professor's family to Kharkoff in search of a different life. This departure sparks relief in Marina and Telegin, hinting at the discomfort and disruption caused by the family's presence. The…
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6.7 K • Ongoing
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