Cover of Killers of the Flower Moon The Osage Murders and the Birth of the FBI (David Grann)
    True Crime

    Killers of the Flower Moon The Osage Murders and the Birth of the FBI (David Grann)

    by testsuphomeAdmin
    Killers of the Flower Moon by David Grann explores the Osage murders in 1920s Oklahoma and the FBI's investigation into the crimes.

    Chap­ter 22, “GHOSTLANDS,” reflects on the lin­ger­ing traces of the Osage Nation’s past, focus­ing on the trans­for­ma­tion of the once-thriv­ing oil boom land­scape in Okla­homa. The nar­ra­tive high­lights how the pas­sage of time has erod­ed many of the phys­i­cal reminders of this era, such as the tow­er­ing petro­le­um der­ricks that once sym­bol­ized rapid wealth and indus­try. One of the most poignant loss­es is the dis­ap­pear­ance of the “Mil­lion Dol­lar Elm,” where Osage landown­ers signed lucra­tive oil leas­es that tem­porar­i­ly made them among the wealth­i­est peo­ple per capi­ta in the world.

    How­ev­er, that pros­per­i­ty came at a dev­as­tat­ing cost, as greed and cor­rup­tion led to a series of cal­cu­lat­ed mur­ders tar­get­ing Osage indi­vid­u­als for their wealth. Over the decades, many of the boom­towns that emerged dur­ing this fren­zied peri­od have fad­ed into obscu­ri­ty, their once-bustling streets now over­tak­en by nature. These desert­ed towns, once filled with ambi­tion and wealth, now serve as ghost­ly echoes of a time when oil barons and crim­i­nals alike sought to exploit the Osage peo­ple for finan­cial gain.

    Despite this decline, Pawhus­ka remains a town that con­tin­ues to hold its place in his­to­ry, stand­ing as the cap­i­tal of the Osage Nation. Though some of its build­ings have fall­en into dis­re­pair, the town remains a vital cul­tur­al and admin­is­tra­tive hub for the Osage peo­ple. In 2006, the Osage Nation reaf­firmed its sov­er­eign­ty by adopt­ing a new con­sti­tu­tion, demon­strat­ing their resilience and ongo­ing com­mit­ment to self-deter­mi­na­tion, even after endur­ing decades of exploita­tion and hard­ship.

    The chap­ter then shifts focus to the author’s vis­it to Pawhus­ka in 2012, a jour­ney fueled by a desire to uncov­er the unre­solved mys­ter­ies of the Osage mur­ders. At the Osage Nation Muse­um, the author meets Kathryn Red Corn, the muse­um’s direc­tor, who shares a small but mean­ing­ful act of defiance—deliberately remov­ing William K. Hale’s image from a his­tor­i­cal pho­to­graph. This absence speaks vol­umes, serv­ing as a sym­bol­ic rejec­tion of the man who orches­trat­ed so much pain, ensur­ing that his pres­ence does not receive a place of hon­or in the his­tor­i­cal nar­ra­tive curat­ed by the Osage peo­ple.

    As the inves­ti­ga­tion deep­ens, the author meets Margie Burkhart, the grand­daugh­ter of Mol­lie Burkhart, a cen­tral fig­ure in the Osage mur­ders who endured pro­found per­son­al tragedy. Through Margie’s per­spec­tive, the read­er gains insight into the lin­ger­ing emo­tion­al and psy­cho­log­i­cal wounds passed down through gen­er­a­tions. The impact of betray­al and loss still lingers with­in Osage fam­i­lies, as they con­tin­ue to grap­ple with the knowl­edge that their ances­tors were sys­tem­at­i­cal­ly tar­get­ed by those they once trust­ed.

    Beyond the his­tor­i­cal injus­tices, the nar­ra­tive high­lights the sig­nif­i­cance of cul­tur­al preser­va­tion, par­tic­u­lar­ly in the form of Osage tra­di­tions that have per­sist­ed despite efforts to erase them. One of the most endur­ing aspects of Osage her­itage is the con­tin­u­a­tion of sacred dances, which serve as both a trib­ute to ances­tors and a tes­ta­ment to the strength of the com­mu­ni­ty. These tra­di­tions not only keep the cul­ture alive but also act as a form of heal­ing, allow­ing the Osage peo­ple to reclaim their iden­ti­ty and resist the forces that sought to dis­man­tle their way of life.

    The sto­ry also under­scores the impor­tance of his­tor­i­cal remem­brance and the chal­lenges asso­ci­at­ed with uncov­er­ing the full truth of past atroc­i­ties. While his­to­ri­ans and researchers have made sig­nif­i­cant strides in piec­ing togeth­er the events of the Osage mur­ders, many aspects remain unre­solved due to lost or delib­er­ate­ly con­cealed evi­dence. The Osage peo­ple, how­ev­er, refuse to allow their his­to­ry to be for­got­ten, active­ly work­ing to edu­cate future gen­er­a­tions about the injus­tices their ances­tors faced and the strength it took to sur­vive them.

    Ulti­mate­ly, “GHOSTLANDS” is a med­i­ta­tion on loss, mem­o­ry, and resilience, weav­ing togeth­er per­son­al sto­ries with broad­er his­tor­i­cal reflec­tions. The chap­ter high­lights the pro­found ways in which the past con­tin­ues to shape the present, as the Osage peo­ple nav­i­gate the com­plex­i­ties of pre­serv­ing their her­itage while seek­ing jus­tice for those who were wronged. Their abil­i­ty to hon­or the mem­o­ries of their ances­tors while forg­ing a future built on cul­tur­al strength and self-gov­er­nance speaks to their endur­ing lega­cy of resis­tance and sur­vival.

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