Cover of [Stone Barrington 03] • Dead in the Water
    Adventure FictionFictionThriller

    [Stone Barrington 03] • Dead in the Water

    by Stuart, Woods,
    In “Dead in the Water,” part of Stuart Woods’ Stone Barrington series, the suave attorney and former NYPD detective finds himself embroiled in a high-stakes legal thriller. While vacationing in the Caribbean, Barrington is drawn into a case involving a wealthy woman accused of murdering her husband at sea. As he investigates, he uncovers layers of deception, maritime law complexities, and dangerous adversaries. The novel blends legal intrigue with action, showcasing Barrington’s wit and resourcefulness. Themes of justice, trust, and survival underpin this fast-paced entry in the popular series, appealing to fans of courtroom dramas and adventure alike.

    The chap­ter opens with Stone meet­ing Leslie Hewitt out­side the jail, both anx­ious for updates on Alli­son Manning’s impend­ing exe­cu­tion. Hewitt reveals the prime minister’s office has gone silent, refus­ing to com­mu­ni­cate despite their efforts. With the exe­cu­tion dead­line set for sun­down at 7:59 PM, ten­sion mounts as they real­ize time is run­ning out. Inside the jail, they join Hilary Kramer and Jim For­rester, who are equal­ly tense, though For­rester admits his reluc­tance to face Alli­son, hint­ing at his emo­tion­al tur­moil over the sit­u­a­tion.

    Stone and Hewitt vis­it Alli­son in her cell, where she appears calm despite the grim cir­cum­stances. She men­tions being stripped of per­son­al belong­ings and tries to dis­tract her­self by read­ing *David Cop­per­field*. The group sits in pro­longed silence, inter­rupt­ed only by a jail­er who denies her request for water, sig­nal­ing the execution’s immi­nent approach. Small talk about future plans feels hol­low, and the arrival of Rev­erend John Wills under­scores the grav­i­ty of the moment. The priest’s pres­ence forces Stone and Hewitt to leave, grant­i­ng Alli­son a pri­vate moment for spir­i­tu­al solace.

    Out­side, Stone and the oth­ers wait anx­ious­ly as Hewitt attempts again to con­tact the prime min­is­ter, only to find the phone unan­swered. Forrester’s dis­tress grows, voic­ing dis­be­lief that Alli­son could actu­al­ly be hanged, while Kramer remains stead­fast. The priest even­tu­al­ly emerges, not­ing Allison’s resigned demeanor, and invites Kramer and For­rester to see her briefly. For­rester, how­ev­er, can­not bring him­self to enter, leav­ing Kramer to deliv­er Allison’s grat­i­tude for her sup­port­ive report­ing.

    As the clock ticks toward 7:35 PM, Alli­son makes prac­ti­cal arrange­ments, nam­ing Stone as her next of kin and entrust­ing Hewitt with posthu­mous instruc­tions. Despite Stone’s reas­sur­ances, Allison’s calm accep­tance of her fate con­trasts sharply with the group’s lin­ger­ing hope for a last-minute reprieve. The chap­ter clos­es with an unspo­ken dread, as the char­ac­ters brace for the final moments, their silence echo­ing the uncer­tain­ty of whether the prime min­is­ter will inter­vene.

    FAQs

    • 1. What is the significance of the time “seven fifty-nine” mentioned multiple times in the chapter?

      Answer:
      Seven fifty-nine is the time of sundown, which holds critical importance because it is implied to be the scheduled time for Allison Manning’s execution. The chapter repeatedly emphasizes this deadline to build tension, showing how the characters are acutely aware of the dwindling time. Hewitt mentions that executions are always done “on the minute,” heightening the suspense as the group waits for a last-minute reprieve from the prime minister. The precise time reference underscores the inevitability and punctuality of the execution system, adding to the psychological tension experienced by both the characters and readers.

      2. How does the chapter portray the psychological states of the main characters as the execution deadline approaches?

      Answer:
      The chapter reveals varying psychological responses to the impending execution. Allison displays a calm resignation, reading David Copperfield and later a Bible, suggesting she has accepted her fate. Stone and Hewitt, however, show mounting anxiety—Hewitt admits his worry, while Stone struggles to maintain hope. Hilary Kramer and Jim Forrester exhibit distress, with Forrester even refusing to see Allison, calling himself “not much of a reporter.” The priest’s observation that Allison seems “resigned” contrasts with Stone’s internal defiance (“He wasn’t resigned”), highlighting the disparity between acceptance and desperate hope among those involved.

      3. Analyze the symbolic role of the priest’s visit and Allison’s request to see the reporters.

      Answer:
      The priest’s visit serves as both a practical and symbolic preparation for death, offering spiritual solace and emphasizing the gravity of the situation. His presence forces the others to confront the reality of execution, as seen when Hewitt and Stone leave Allison alone with him. Allison’s request to see Kramer and Forrester, meanwhile, reflects her desire for closure and acknowledgment. She thanks Kramer for her fair reporting, showing gratitude for how her story was told. These interactions underscore themes of dignity, reconciliation, and the human need for connection in the face of mortality.

      4. Why does the prime minister’s silence create such tension, and what might it suggest about the political context?

      Answer:
      The prime minister’s refusal to communicate—ignoring calls and leaving the characters in the dark—amplifies tension by denying closure or clarity. This silence could imply political maneuvering: the government may be delaying a decision to avoid public backlash or testing the resolve of Allison’s supporters. Alternatively, it might signal bureaucratic indifference, highlighting how systems dehumanize individuals. Hewitt’s frustration (“Nobody is answering the phone”) underscores the powerlessness of even well-connected individuals against opaque authority, making the silence a metaphor for unchecked institutional power.

      5. How does the chapter use mundane details (e.g., the confiscation of Allison’s belongings, the offer of magazines) to deepen the narrative’s emotional impact?

      Answer:
      Small details like the jailer confiscating Allison’s underwear or offering magazines while denying water humanize her ordeal, emphasizing the humiliation and triviality of prison protocols. The denial of food/water signals the execution’s imminence, while the jailer’s hollow gesture (“thought you might like some magazines”) underscores the absurdity of normalcy in such a context. Allison’s casual remark about David Copperfield (“The most exciting thing they had to offer”) contrasts with her dire circumstances, using irony to highlight her resilience and the bleakness of her environment. These details ground the tension in tangible realities, making the stakes feel visceral.

    Quotes

    • 1. “I’ve never been through anything like this,” Stone said. “Neither has Allison,” Hewitt replied.

      This exchange captures the unprecedented tension and gravity of the situation as the characters face an execution deadline. It highlights their shared vulnerability and the extraordinary nature of their circumstances.

      2. “I find it difficult to think about the future right now.”

      Allison’s poignant admission reveals her psychological state as she awaits possible execution. This quote encapsulates the chapter’s central tension between hope and resignation, showing how the immediacy of mortality overshadows all other concerns.

      3. “Resigned, Stone thought. He wasn’t resigned. Why the hell didn’t the prime minister’s office call and at least put them out of their misery?”

      This internal monologue powerfully contrasts Allison’s acceptance with Stone’s persistent hope and frustration. It represents the chapter’s emotional climax and the psychological toll of waiting for a life-or-death decision.

      4. “I’ve also left some instructions with Leslie,” she said. “To be opened…” She let the sentence trail off.

      Allison’s unfinished statement about her final arrangements creates one of the chapter’s most chilling moments. The ellipsis speaks volumes about the unspoken reality they’re all avoiding - the possibility of her impending execution.

      5. “Both you and Stone have been perfectly wonderful. I coul…”

      The truncated final line (mirroring the chapter’s abrupt ending) leaves Allison’s gratitude hanging, creating dramatic tension. This incomplete thought serves as a powerful literary device, leaving readers suspended in the same uncertainty as the characters.

    Quotes

    1. “I’ve never been through anything like this,” Stone said. “Neither has Allison,” Hewitt replied.

    This exchange captures the unprecedented tension and gravity of the situation as the characters face an execution deadline. It highlights their shared vulnerability and the extraordinary nature of their circumstances.

    2. “I find it difficult to think about the future right now.”

    Allison’s poignant admission reveals her psychological state as she awaits possible execution. This quote encapsulates the chapter’s central tension between hope and resignation, showing how the immediacy of mortality overshadows all other concerns.

    3. “Resigned, Stone thought. He wasn’t resigned. Why the hell didn’t the prime minister’s office call and at least put them out of their misery?”

    This internal monologue powerfully contrasts Allison’s acceptance with Stone’s persistent hope and frustration. It represents the chapter’s emotional climax and the psychological toll of waiting for a life-or-death decision.

    4. “I’ve also left some instructions with Leslie,” she said. “To be opened…” She let the sentence trail off.

    Allison’s unfinished statement about her final arrangements creates one of the chapter’s most chilling moments. The ellipsis speaks volumes about the unspoken reality they’re all avoiding - the possibility of her impending execution.

    5. “Both you and Stone have been perfectly wonderful. I coul…”

    The truncated final line (mirroring the chapter’s abrupt ending) leaves Allison’s gratitude hanging, creating dramatic tension. This incomplete thought serves as a powerful literary device, leaving readers suspended in the same uncertainty as the characters.

    FAQs

    1. What is the significance of the time “seven fifty-nine” mentioned multiple times in the chapter?

    Answer:
    Seven fifty-nine is the time of sundown, which holds critical importance because it is implied to be the scheduled time for Allison Manning’s execution. The chapter repeatedly emphasizes this deadline to build tension, showing how the characters are acutely aware of the dwindling time. Hewitt mentions that executions are always done “on the minute,” heightening the suspense as the group waits for a last-minute reprieve from the prime minister. The precise time reference underscores the inevitability and punctuality of the execution system, adding to the psychological tension experienced by both the characters and readers.

    2. How does the chapter portray the psychological states of the main characters as the execution deadline approaches?

    Answer:
    The chapter reveals varying psychological responses to the impending execution. Allison displays a calm resignation, reading David Copperfield and later a Bible, suggesting she has accepted her fate. Stone and Hewitt, however, show mounting anxiety—Hewitt admits his worry, while Stone struggles to maintain hope. Hilary Kramer and Jim Forrester exhibit distress, with Forrester even refusing to see Allison, calling himself “not much of a reporter.” The priest’s observation that Allison seems “resigned” contrasts with Stone’s internal defiance (“He wasn’t resigned”), highlighting the disparity between acceptance and desperate hope among those involved.

    3. Analyze the symbolic role of the priest’s visit and Allison’s request to see the reporters.

    Answer:
    The priest’s visit serves as both a practical and symbolic preparation for death, offering spiritual solace and emphasizing the gravity of the situation. His presence forces the others to confront the reality of execution, as seen when Hewitt and Stone leave Allison alone with him. Allison’s request to see Kramer and Forrester, meanwhile, reflects her desire for closure and acknowledgment. She thanks Kramer for her fair reporting, showing gratitude for how her story was told. These interactions underscore themes of dignity, reconciliation, and the human need for connection in the face of mortality.

    4. Why does the prime minister’s silence create such tension, and what might it suggest about the political context?

    Answer:
    The prime minister’s refusal to communicate—ignoring calls and leaving the characters in the dark—amplifies tension by denying closure or clarity. This silence could imply political maneuvering: the government may be delaying a decision to avoid public backlash or testing the resolve of Allison’s supporters. Alternatively, it might signal bureaucratic indifference, highlighting how systems dehumanize individuals. Hewitt’s frustration (“Nobody is answering the phone”) underscores the powerlessness of even well-connected individuals against opaque authority, making the silence a metaphor for unchecked institutional power.

    5. How does the chapter use mundane details (e.g., the confiscation of Allison’s belongings, the offer of magazines) to deepen the narrative’s emotional impact?

    Answer:
    Small details like the jailer confiscating Allison’s underwear or offering magazines while denying water humanize her ordeal, emphasizing the humiliation and triviality of prison protocols. The denial of food/water signals the execution’s imminence, while the jailer’s hollow gesture (“thought you might like some magazines”) underscores the absurdity of normalcy in such a context. Allison’s casual remark about David Copperfield (“The most exciting thing they had to offer”) contrasts with her dire circumstances, using irony to highlight her resilience and the bleakness of her environment. These details ground the tension in tangible realities, making the stakes feel visceral.

    Note