Cover of Buried Prey
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    Buried Prey

    by Sandford, John
    “Buried Prey” by John Sandford is a gripping crime thriller featuring detective Lucas Davenport. When the bodies of two missing girls are discovered decades after their disappearance, Davenport revisits a cold case that has haunted him since his early career. The novel alternates between the original investigation and the present-day pursuit of justice, exploring themes of persistence, guilt, and the passage of time. Sandford’s sharp prose and intricate plotting highlight the complexities of police work and the personal toll of unsolved crimes. A standout in the Prey series, this book delves into Davenport’s character while delivering a tense, satisfying mystery.

    The chap­ter opens with Lucas Dav­en­port speed­ing through the streets in his Lexus, respond­ing to an urgent call from his col­leagues Jenk­ins and Shrake. With a restrained sus­pect, Berg, in the back­seat and his part­ner Del Cap­slock by his side, Lucas is tense and con­fused about the emer­gency. The urgency in Jenk­ins and Shrake’s voic­es sug­gests a dire sit­u­a­tion, though the specifics remain unclear. Upon arriv­ing at the scene, Lucas learns the dev­as­tat­ing news: his close friend and col­league, Mar­cy Sher­rill, has been shot and killed dur­ing a vio­lent home inva­sion at the Bark­er res­i­dence. The shock of her death leaves Lucas momen­tar­i­ly frozen, strug­gling to process the real­i­ty.

    Del takes charge, dri­ving Lucas across town to the crime scene while Lucas clings to denial, insist­ing there must be a mis­take. Del, how­ev­er, believes Jenkins’s report is accu­rate, giv­en his reli­a­bil­i­ty. The atmos­phere is heavy with dread as they nav­i­gate through traf­fic, Lucas’s mind rac­ing with dis­be­lief. Upon arrival, they encounter a chaot­ic scene with Bloom­ing­ton police secur­ing the area. Detec­tive John Rimes con­firms Marcy’s death and pro­vides grim details: two oth­ers, includ­ing anoth­er offi­cer, were injured in the attack. A blood trail sug­gests the shoot­er was wound­ed but escaped in a white car­go van.

    Inside the Bark­er home, Lucas is con­front­ed with the bru­tal after­math. Mar­cy lies life­less on the floor, her injuries fatal and instan­ta­neous. The scene is marked by over­turned fur­ni­ture and blood­stains, paint­ing a pic­ture of the vio­lent strug­gle. Rimes shares wit­ness accounts describ­ing the shoot­er as a large, beard­ed man, and assures Lucas that DNA evi­dence will help track him down. Despite the pro­fes­sion­al tone of the inves­ti­ga­tion, Lucas is over­whelmed, step­ping out­side to com­pose him­self as grief takes hold.

    Del, rec­og­niz­ing Lucas’s dis­tress, arranges to take him home, insist­ing some­one else should inform Marcy’s fam­i­ly. Lucas, strug­gling to speak through his tears, is con­sumed by sor­row and the weight of the loss. The chap­ter ends with Del guid­ing Lucas away from the scene, leav­ing the inves­ti­ga­tion in the hands of the respond­ing offi­cers. The emo­tion­al toll of Marcy’s death is pal­pa­ble, set­ting the stage for Lucas’s deter­mi­na­tion to seek jus­tice in the chap­ters to come.

    FAQs

    • 1. What urgent situation prompts Lucas to drive recklessly at the beginning of the chapter, and how does this set the tone for the events that follow?

      Answer:
      Lucas receives a frantic call from fellow officers Jenkins and Shrake about an emergency, causing him to speed through traffic with a detained suspect (Berg) in the backseat. This immediate sense of urgency establishes a tense, chaotic tone that escalates when Jenkins reveals that Marcy Sherrill has been fatally shot. The reckless driving mirrors the emotional turmoil and impending doom that permeates the chapter, foreshadowing the devastating news about Marcy’s death and the violent crime scene Lucas encounters later.

      2. Analyze how the author builds suspense during Lucas and Del’s drive to the crime scene. What literary techniques are employed?

      Answer:
      The author builds suspense through Lucas’s internal monologue (“yelling out reasons why it couldn’t be right”) and Del’s silent skepticism (“shook his head”). The repetition of Lucas’s denial (“they would have transported her”) contrasts with Del’s grim acceptance, creating dramatic irony. Sensory details like “the sick feeling of doom in his gut” heighten tension, while the frantic pace of the drive (noted by specific streets and speeds) mirrors the characters’ racing emotions. The delayed revelation of Marcy’s fate keeps readers engaged until the scene’s tragic climax.

      3. How does the physical description of the crime scene, particularly Marcy Sherrill’s body, contribute to the emotional impact of the chapter?

      Answer:
      The stark imagery of Marcy’s body—her open eyes, the “small hole under her chin,” and the “big puddle of blood”—visually underscores the brutality of her death. The “bloody handprints” on her blouse humanize her, emphasizing failed attempts to save her. The contrast between her “blank” eyes and the chaotic surroundings (overturned furniture, blood trails) amplifies the shock. These details force Lucas (and the reader) to confront the reality of her death, triggering his physical collapse (“began to shake”) and marking a pivotal emotional turning point.

      4. What critical investigative clues emerge from the crime scene, and how might they connect to broader themes in the story?

      Answer:
      Key clues include the shooter’s description (“big fat guy with a black beard”), the blood trail suggesting he was wounded, and the witness account of a “white cargo van.” These details hint at a targeted attack, possibly linked to Lucas’s earlier interview with the Barkers about the “Jones investigation.” The van’s mention ties back to prior events (likely a recurring motif), while the DNA reference foreshadows forensic resolution. The violence against law enforcement (Marcy and Hill) suggests escalating conflict, positioning this event as a catalyst for future plot developments.

      5. Evaluate Lucas’s psychological state after learning of Marcy’s death. How does his reaction compare to Del’s, and what does this reveal about their characters?

      Answer:
      Lucas exhibits denial (“can’t be right”), physical distress (“couldn’t find his voice”), and overwhelming grief (“tears streaming”), revealing his deep emotional attachment to Marcy. In contrast, Del remains pragmatic—reholstering his weapon, driving calmly, and later guiding Lucas (“Let’s get you home”). Their dynamic highlights Lucas’s impulsivity and capacity for vulnerability versus Del’s stoic professionalism. Del’s insistence on shielding Lucas from notifying Marcy’s family (“not you”) further shows his protective role, underscoring their bond and contrasting coping mechanisms in crises.

    Quotes

    • 1. “Something bad, man, something really bad.”

      This quote captures the urgency and dread Lucas feels when receiving the emergency call about his colleagues. It sets the tone for the chapter’s escalating tension and foreshadows the tragic events to come.

      2. “They’re not transporting her… She’s gone, man. That’s what they’re telling us.”

      This devastating revelation about Marcy Sherrill’s death represents the emotional climax of the chapter. Jenkins’ blunt delivery underscores the shocking finality of the loss, hitting both Lucas and the reader with full force.

      3. “And all the way, with the sick feeling of doom in his gut, Lucas was yelling out reasons why it couldn’t be right.”

      This passage powerfully illustrates Lucas’s denial and emotional turmoil as he struggles to process Marcy’s death. The visceral description of his “sick feeling of doom” makes his grief palpable to readers.

      4. “She was wearing a white silky blouse with bloody handprints down the front, where somebody had tried to tend to her. Her eyes were blank as the sky.”

      This haunting visual description of Marcy’s body serves as the chapter’s most poignant moment. The contrast between the white blouse and bloody handprints, along with the sky metaphor, creates a lasting, tragic image.

      5. “It’s him. It’s the van. It’s the guy.”

      Lucas’s terse realization about the killer’s identity shifts the narrative from grief to determination. This moment plants the seed for the coming manhunt, showing Lucas beginning to channel his pain into purpose.

    Quotes

    1. “Something bad, man, something really bad.”

    This quote captures the urgency and dread Lucas feels when receiving the emergency call about his colleagues. It sets the tone for the chapter’s escalating tension and foreshadows the tragic events to come.

    2. “They’re not transporting her… She’s gone, man. That’s what they’re telling us.”

    This devastating revelation about Marcy Sherrill’s death represents the emotional climax of the chapter. Jenkins’ blunt delivery underscores the shocking finality of the loss, hitting both Lucas and the reader with full force.

    3. “And all the way, with the sick feeling of doom in his gut, Lucas was yelling out reasons why it couldn’t be right.”

    This passage powerfully illustrates Lucas’s denial and emotional turmoil as he struggles to process Marcy’s death. The visceral description of his “sick feeling of doom” makes his grief palpable to readers.

    4. “She was wearing a white silky blouse with bloody handprints down the front, where somebody had tried to tend to her. Her eyes were blank as the sky.”

    This haunting visual description of Marcy’s body serves as the chapter’s most poignant moment. The contrast between the white blouse and bloody handprints, along with the sky metaphor, creates a lasting, tragic image.

    5. “It’s him. It’s the van. It’s the guy.”

    Lucas’s terse realization about the killer’s identity shifts the narrative from grief to determination. This moment plants the seed for the coming manhunt, showing Lucas beginning to channel his pain into purpose.

    FAQs

    1. What urgent situation prompts Lucas to drive recklessly at the beginning of the chapter, and how does this set the tone for the events that follow?

    Answer:
    Lucas receives a frantic call from fellow officers Jenkins and Shrake about an emergency, causing him to speed through traffic with a detained suspect (Berg) in the backseat. This immediate sense of urgency establishes a tense, chaotic tone that escalates when Jenkins reveals that Marcy Sherrill has been fatally shot. The reckless driving mirrors the emotional turmoil and impending doom that permeates the chapter, foreshadowing the devastating news about Marcy’s death and the violent crime scene Lucas encounters later.

    2. Analyze how the author builds suspense during Lucas and Del’s drive to the crime scene. What literary techniques are employed?

    Answer:
    The author builds suspense through Lucas’s internal monologue (“yelling out reasons why it couldn’t be right”) and Del’s silent skepticism (“shook his head”). The repetition of Lucas’s denial (“they would have transported her”) contrasts with Del’s grim acceptance, creating dramatic irony. Sensory details like “the sick feeling of doom in his gut” heighten tension, while the frantic pace of the drive (noted by specific streets and speeds) mirrors the characters’ racing emotions. The delayed revelation of Marcy’s fate keeps readers engaged until the scene’s tragic climax.

    3. How does the physical description of the crime scene, particularly Marcy Sherrill’s body, contribute to the emotional impact of the chapter?

    Answer:
    The stark imagery of Marcy’s body—her open eyes, the “small hole under her chin,” and the “big puddle of blood”—visually underscores the brutality of her death. The “bloody handprints” on her blouse humanize her, emphasizing failed attempts to save her. The contrast between her “blank” eyes and the chaotic surroundings (overturned furniture, blood trails) amplifies the shock. These details force Lucas (and the reader) to confront the reality of her death, triggering his physical collapse (“began to shake”) and marking a pivotal emotional turning point.

    4. What critical investigative clues emerge from the crime scene, and how might they connect to broader themes in the story?

    Answer:
    Key clues include the shooter’s description (“big fat guy with a black beard”), the blood trail suggesting he was wounded, and the witness account of a “white cargo van.” These details hint at a targeted attack, possibly linked to Lucas’s earlier interview with the Barkers about the “Jones investigation.” The van’s mention ties back to prior events (likely a recurring motif), while the DNA reference foreshadows forensic resolution. The violence against law enforcement (Marcy and Hill) suggests escalating conflict, positioning this event as a catalyst for future plot developments.

    5. Evaluate Lucas’s psychological state after learning of Marcy’s death. How does his reaction compare to Del’s, and what does this reveal about their characters?

    Answer:
    Lucas exhibits denial (“can’t be right”), physical distress (“couldn’t find his voice”), and overwhelming grief (“tears streaming”), revealing his deep emotional attachment to Marcy. In contrast, Del remains pragmatic—reholstering his weapon, driving calmly, and later guiding Lucas (“Let’s get you home”). Their dynamic highlights Lucas’s impulsivity and capacity for vulnerability versus Del’s stoic professionalism. Del’s insistence on shielding Lucas from notifying Marcy’s family (“not you”) further shows his protective role, underscoring their bond and contrasting coping mechanisms in crises.

    Note