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    Cover of The Planet Mars and Its Inhabitants
    Science Fiction

    The Planet Mars and Its Inhabitants

    by

    CHAPTER XIII — Music is an Expres­sion of the Father high­lights the pro­found role that music plays in the uni­verse, espe­cial­ly on Mars, where it is seen as an essen­tial expres­sion of divine har­mo­ny. The nar­ra­tive begins by empha­siz­ing that all mate­r­i­al man­i­fes­ta­tions, from the sim­plest par­ti­cles to the most com­plex life forms, are inher­ent­ly vibra­tional. These vibra­tions rep­re­sent the shift from a divine cause to a mate­r­i­al effect, where the uni­verse itself is a phys­i­cal embod­i­ment of God’s har­mo­ny. This har­mo­ny is con­trast­ed with dis­cord, which is attrib­uted to human actions. The text sug­gests that while the uni­verse func­tions in divine bal­ance, human beings, through their actions, often dis­rupt this nat­ur­al order, result­ing in the dishar­mo­ny observed on Earth. The cos­mic vibra­tional ener­gy is under­stood as a reflec­tion of the divine, and music, as one of its purest expres­sions, mir­rors this con­nec­tion.

    The chap­ter fur­ther dis­cuss­es how music is the most direct expres­sion of the soul’s con­nec­tion to the divine, with Mars serv­ing as an exam­ple of an advanced civ­i­liza­tion deeply in tune with the vibra­to­ry essence of exis­tence. The fall of human­i­ty, accord­ing to the nar­ra­tive, has led to a loss of sen­si­tiv­i­ty to the fine fre­quen­cies that make up the universe’s vibra­tional make­up. On Earth, music is often lim­it­ed in its abil­i­ty to evoke true spir­i­tu­al res­o­nance because of human­i­ty’s dimin­ished abil­i­ty to per­ceive high­er fre­quen­cies. In con­trast, Mar­tians have a height­ened musi­cal sen­si­bil­i­ty, under­stand­ing that har­mo­ny is not mere­ly a con­cept but a law of the cos­mos. Music edu­ca­tion is high­ly pri­or­i­tized on Mars, where their instru­ments are far more advanced than those on Earth, able to detect and pro­duce tones that are imper­cep­ti­ble to the human ear. The Mar­t­ian approach to music is far beyond entertainment—it is deeply con­nect­ed to spir­i­tu­al devel­op­ment and the col­lec­tive har­mo­ny of their soci­ety.

    On Mars, music is not mere­ly heard; it is expe­ri­enced on mul­ti­ple sen­so­ry lev­els. Mar­t­ian music incor­po­rates ethe­re­al elec­tric vibra­tions that allow lis­ten­ers to expe­ri­ence sound and light simul­ta­ne­ous­ly, akin to per­ceiv­ing a rain­bow through both sight and hear­ing. This form of musi­cal cre­ation is not focused sole­ly on the tech­ni­cal aspects of sound pro­duc­tion but on the deep­er spir­i­tu­al and emo­tion­al res­o­nance it evokes. Music on Mars is used as a uni­fy­ing and puri­fy­ing force, capa­ble of stim­u­lat­ing love and col­lec­tive inspi­ra­tion. Mar­t­ian prac­tices in music, includ­ing singing and ensem­ble work, are fun­da­men­tal to main­tain­ing soci­etal cohe­sion and spir­i­tu­al ele­va­tion. Through music, the Mar­tians are able to cul­ti­vate a shared sense of pur­pose and love, cre­at­ing a com­mu­ni­ty bound togeth­er by their con­nec­tion to the divine and to each oth­er. Music serves as a reflec­tion of their spir­i­tu­al devel­op­ment, help­ing to main­tain their society’s har­mo­ny and align­ment with divine prin­ci­ples.

    The chap­ter con­cludes by draw­ing par­al­lels between Mar­t­ian musi­cal expe­ri­ences and the poten­tial for spir­i­tu­al awak­en­ing on Earth. It sug­gests that as humans spir­i­tu­al­ly evolve, they too could become recep­tive to the more sub­tle vibra­tions of the uni­verse, and music would play a cen­tral role in this pro­gres­sion. By align­ing more close­ly with divine har­mo­ny, humans could ele­vate their con­scious­ness and become attuned to the vibra­tional fre­quen­cies that under­lie all exis­tence. The nar­ra­tive presents the Mar­t­ian exam­ple as a guid­ing vision for human­i­ty, urg­ing Earth’s inhab­i­tants to embrace music as not just an art form but a path to spir­i­tu­al and com­mu­nal uplift­ment. Through this, music is framed not only as an expres­sion of divine har­mo­ny but also as a means to tran­scend the lim­i­ta­tions of the mate­r­i­al world. It is sug­gest­ed that through the pow­er of music, humans can recon­nect with the divine, find uni­ty, and ulti­mate­ly par­tic­i­pate in a broad­er cos­mic order.

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