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    Cover of The Witchand Other Stories
    Literary

    The Witchand Other Stories

    by

    Chap­ter XVI opens on a qui­et but emo­tion­al­ly charged evening, where the flick­er­ing glow of the hearth in the tav­ern kitchen reflects the unspo­ken long­ing that fills the space. Yegor, with sleeves rolled up and hands stained from ink and soot, lis­tens patient­ly as Vasil­isa dic­tates her heart­felt mes­sage to her absent daugh­ter. Each word she speaks car­ries the weight of four silent years, a gap filled with more ques­tions than answers. Her voice wavers as she names famil­iar hol­i­days and bless­ings, grasp­ing at mem­o­ries of a daugh­ter whose face now lives more in imag­i­na­tion than in recent mem­o­ry. Pyotr, her blind hus­band, sits silent­ly in the cor­ner, his still­ness speak­ing loud­er than words. While his pres­ence is most­ly pas­sive, it’s clear that even with­out sight, the ache of absence is ful­ly felt. The sim­ple act of writ­ing a let­ter becomes an emo­tion­al exca­va­tion of time and mem­o­ry.

    Yegor, once con­tent to sim­ply write what was told, now encour­ages Vasil­isa to share more, sens­ing that this let­ter might be more than just a sea­son­al greet­ing. The details spill out in fragments—news of neigh­bors, sto­ries of chang­ing sea­sons, men­tion of who has died, and who has mar­ried. But thread­ed with­in these updates is a hope that her daugh­ter might be thriv­ing, that life in the dis­tant cap­i­tal has treat­ed her gen­tly. They rem­i­nisce briefly over a crum­pled let­ter from years back, one that spoke of Andrey’s job at a hydro­path­ic estab­lish­ment and the busy streets of Peters­burg. Yet as Vasil­isa stares into the fire, doubt creeps in. What if Yefimya is gone? What if their words will find only silence at the oth­er end? The let­ter begins to feel like a final reach into the unknown.

    The con­trast between the warm kitchen and the imag­ined frost of Peters­burg becomes strik­ing. This mod­est vil­lage scene—scented with burn­ing wood and filled with the qui­et sounds of Yegor’s pen scratching—feels time­less. But the unknown world beyond the let­ter is vast and uncer­tain. As Yegor writes, he begins to infuse the let­ter with a more struc­tured tone, adding a touch of for­mal advice to bal­ance the emo­tion. He writes not just for Vasil­isa, but as some­one who under­stands what it means to be away from home, to miss let­ters, to feel for­got­ten. Though his lan­guage may be plain, the com­pas­sion in his phras­ing gives the let­ter a res­o­nance beyond sim­ple greet­ings. His role has shifted—from mere scribe to a bridge between gen­er­a­tions, con­nect­ing lives shaped by time, dis­tance, and silence.

    In the qui­et between Vasilisa’s words, Yegor reflects on the broad­er truth of the moment. Let­ters, he real­izes, car­ry not only infor­ma­tion but also yearn­ing and iden­ti­ty. They pre­serve pieces of the sender’s world—its sounds, scents, and sorrows—in a form that trav­els beyond their reach. For those left behind in small vil­lages, where the rhythm of life rarely changes, writ­ing is not just com­mu­ni­ca­tion but sur­vival. It pre­serves dig­ni­ty, staves off despair, and rein­forces hope. In that moment, Yegor doesn’t just tran­scribe; he wit­ness­es the raw human need for con­nec­tion, even when voic­es go unheard and answers nev­er come.

    The chap­ter con­cludes with the let­ter fold­ed, sealed, and entrust­ed to uncer­tain hands and uncer­tain roads. Though Vasil­isa and Pyotr may nev­er know if their words will be read, they have done what they could—they have remem­bered, hoped, and reached out. The silence of years has not hard­ened them; instead, it has made their mes­sage more ten­der, more urgent. In a world that often for­gets the old and the dis­tant, this let­ter becomes an act of faith. It says, “You are not for­got­ten. We are still here.” Through this sim­ple exchange, Chekhov cap­tures the aching per­sis­tence of famil­ial love, resilient in the face of time, dis­tance, and doubt.

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