Header Image
    Cover of The Circus Boys On The Mississippi
    Fiction

    The Circus Boys On The Mississippi

    by

    Chap­ter XIV opens on a riv­er still hum­ming with life as the sun dips below the hori­zon. The crew aboard the “Marie” and “Riv­er Queen” may have endured mishaps ear­li­er in the day, but their spir­its have rebound­ed with the kind of cheer only cir­cus cama­raderie can pro­vide. Laugh­ter fills the din­ing area as per­form­ers, roustabouts, and man­agers alike gath­er for their evening meal, brush­ing aside fatigue with jokes and hearty por­tions. A light-heart­ed exchange aris­es around the top­ic of per­form­ers tak­ing unex­pect­ed tum­bles in the ring. Ted­dy, nev­er one to miss an oppor­tu­ni­ty for word­play, deliv­ers a quip about a horse “bit­ing the dust,” draw­ing chuck­les and groans in equal mea­sure. His clever tim­ing is met with applause and eye-rolls, his humor a nat­ur­al salve for the day’s ear­li­er stress. The scene under­scores not just humor, but the bond forged by trav­el­ing, work­ing, and liv­ing togeth­er under the ever-chang­ing skies of the Mis­sis­sip­pi.

    Just as the meal set­tles into a rhythm, the good-natured teas­ing takes a sud­den turn. Cum­mings, the beard­ed and eas­i­ly flus­tered pilot of the “Marie,” becomes the focus of Teddy’s next gag—though not by his own choice. Tak­ing issue with Teddy’s ban­ter, Cum­mings play­ful­ly sug­gests the boy should be “taught a les­son.” That sug­ges­tion back­fires spec­tac­u­lar­ly when Ted­dy leaps into action, slap­ping sand­wich­es onto Cum­mings’ face and reduc­ing him to a bewil­dered mess of bread and indig­na­tion. The table erupts into chaos as laugh­ter echoes through the boat. Sand­wich fill­ings scat­ter, plates top­ple, and the once-calm din­ing space trans­forms into a stage of com­ic bed­lam. Ted­dy, quick on his feet and brim­ming with mis­chief, darts through the room while Cum­mings chas­es him in sput­ter­ing frus­tra­tion, sand­wich crumbs trail­ing in his wake.

    The sit­u­a­tion teeters on the edge of dis­or­der until Mr. Mia­co, the sea­soned head clown, steps in with the­atri­cal author­i­ty. With a sin­gle exag­ger­at­ed ges­ture and a firm word, he brings the scuf­fle to a halt, his per­for­mance as com­mand­ing as any ring­mas­ter under the big top. Cum­mings, despite his messy state, can’t help but grin at the absur­di­ty. Ted­dy, catch­ing his breath and dust­ing him­self off, flash­es a look that says he meant no harm—just a lit­tle chaos to keep things inter­est­ing. The crowd’s laugh­ter lingers, the mood undamp­ened by the ruined food. This light­heart­ed episode cements what every­one already knows: humor, even when it goes side­ways, is part of the glue that holds their world togeth­er. For the cir­cus folk, every mishap becomes a moment, and every moment a mem­o­ry.

    When the noise dies down and plates are cleared, Ted­dy shares a qui­et laugh with Phil, his clos­est friend and part­ner in count­less adven­tures. Their bond goes beyond jokes; it’s root­ed in trust and a shared dream of some­day run­ning the show them­selves. Their con­ver­sa­tion drifts from the evening’s chaos to the hard work it takes to keep a cir­cus moving—logistics, safe­ty, and the count­less invis­i­ble roles behind the scenes. Mr. Spar­ling soon joins Phil, and their exchange turns more seri­ous. Spar­ling, ever the thought­ful show­man, rec­og­nizes the fine line his per­form­ers walk between fun and pro­fes­sion­al­ism. He prais­es Teddy’s spir­it but reminds Phil that lead­er­ship in a cir­cus means bal­anc­ing free­dom with account­abil­i­ty. The suc­cess of a per­for­mance isn’t just about spec­ta­cle; it’s about trust, pre­ci­sion, and tim­ing behind the cur­tain.

    Teddy’s antics, while dis­rup­tive, reveal a deep­er truth about life among cir­cus fam­i­lies: mis­chief is tolerated—even encouraged—so long as it doesn’t harm the whole. His con­fi­dence reflects years of learn­ing through action, watch­ing, and lis­ten­ing, and while not every move he makes earns applause, his instincts for tim­ing and crowd reac­tion are sharp. In many ways, the din­ner prank becomes a rehearsal in disguise—another test of impro­vi­sa­tion and audi­ence response, not unlike what hap­pens beneath the big top. Phil’s reac­tion, mature yet affec­tion­ate, offers a ground­ing force to Teddy’s wild ener­gy, illus­trat­ing the bal­anc­ing act their friend­ship often per­forms.

    The evening winds down not with scold­ing, but with sto­ry­telling. Laugh­ter is shared once more as the crew gath­ers near the rail­ing, star­ing out at the moon­lit riv­er and let­ting the events of the day set­tle into mem­o­ry. Tomor­row will bring new towns, new crowds, and fresh chal­lenges, but tonight they have each oth­er, and that is enough. In the world of trav­el­ing per­form­ers, rou­tine is rare, but rhythm is every­thing. And for the Spar­ling cir­cus on the Mis­sis­sip­pi, rhythm lives not only in the performance—but also in the pulse of laugh­ter, the flash of mis­chief, and the friend­ships that bind it all togeth­er.

    Quotes

    FAQs

    Note