PRESS COMMENTS ON THE PLAY

“Damaged Goods,” a play by Eugene Brieux, received unprecedented attention when it was first presented in America at the Fulton Theater in New York on March 14, 1913, captivating audiences with its urgent societal message. Garnering accolades from press, clergy, and the public for its raw depiction of the consequences of venereal diseases, the play was hailed as a profound societal contribution. Producer Richard Bennett faced initial criticism but was soon lauded for his bravery in showcasing such controversial subject matter. Following a special performance in Washington D.C., attended by influential figures from various sectors, the play was universally endorsed, prompting its continuous showing in New York and plans for national tours.

The performance in Washington, treated with the gravity of a religious service, underscored the play’s vital message without resorting to applause, heightening its impact. Influential voices, including Rabbi Simon and Surgeon General Blue, praised its potent message and the necessity of broader public engagement with the topics it addresses. The play was recognized not just as entertainment but as a critical educational tool in the fight against ignorance surrounding sexual health and morality.

Brieux, acclaimed by Bernard Shaw and others for his ability to blend social advocacy with dramatic artistry, argues against ignorance and for enlightenment through education. Critics and supporters alike acknowledged the play’s capacity to discuss openly and honestly the dangers and moral questions surrounding sexual health, urging a more educated public discourse. The reception of “Damaged Goods” reflected a growing recognition of the need for frank conversation about sexual health and morality, standing as a testament to the power of theater to influence and educate on pressing public health issues.