Header Background Image
    Cover of The Wedding People
    FictionLiterary Fiction

    The Wedding People

    by Espach, Alison

    In Chapter 3, Phoebe grapples with profound despair as she contemplates ending her life, reflecting on the trivial worries that once consumed her. The golden tassel lamps and luxurious surroundings contrast sharply with her internal turmoil, highlighting her disconnection from the world. Despite the imminence of her decision, she clings to small desires, such as savoring a last decadent meal and witnessing the ocean, a place she has never visited but always found meaningful. Her thoughts reveal a deep sense of loss, particularly regarding her husband’s departure and the fractured nature of their relationship amid the pandemic.

    Phoebe’s interactions underscore her isolation and the complexities of her emotional state. When she attempts to order room service for a final feast, she is met with disappointment due to pandemic-related restrictions, intensifying her feelings of loneliness. The cancellation of the meal becomes a metaphor for her thwarted plans and the absence of joy in her final hours. Instead of succumbing to despair, she finds herself confronting the quiet, unyielding presence of the ocean, which offers a calm yet ambiguous backdrop to her reflections on life and death.

    The chapter also explores Phoebe’s professional and personal struggles, revealing the toll of the pandemic on her academic life and social connections. She navigates awkward encounters with her estranged husband and his new partner, as well as the challenges of her adjunct faculty position, which lacks proper space and recognition. Her student Adam’s candid conversation about dropping out to pursue a nontraditional path serves as a poignant counterpoint to Phoebe’s own sense of stagnation and loss of control. These moments illustrate the tension between expectation and reality in both her career and personal life.

    Finally, Phoebe’s classroom experience encapsulates the disconnect between her intellectual world and the perspectives of her students. Teaching a John Donne poem, she faces confusion and irreverence from her class, symbolizing the broader challenges of communication and understanding she faces in her life. The chapter closes on this note of dissonance, reinforcing Phoebe’s sense of alienation yet also her persistence in engaging with the world around her, even as she contemplates its end.

    FAQs

    • 1. How does Phoebe’s attitude toward drinking and self-imposed rules reflect her emotional state in this chapter?

      Answer:
      Phoebe’s attitude toward drinking reveals her internal conflict and sense of despair. Although she recognizes that she “should not be drinking,” especially given her impending suicide, she chooses to ignore this rule, indicating a breakdown of her usual self-discipline. This reflects her emotional turmoil—she no longer sees the point in adhering to societal or personal norms because she is “hours from taking her own life.” Her decision to drink German chocolate wine despite her previous reservations symbolizes a relinquishing of control and a desire to find some fleeting comfort or pleasure before her planned death.

      2. What significance does the ocean hold for Phoebe, and how does it contrast with her expectations?

      Answer:
      The ocean symbolizes a vast, mysterious force that Phoebe has never experienced firsthand, yet she feels it should be part of her life before she dies. She expected the ocean to be dramatic and foreboding, akin to the ominous waves described in Herman Melville’s works that foreshadow death. However, when she looks out at the calm, flat ocean, it appears indifferent and serene, “like a flat and reliable rug.” This contrast highlights Phoebe’s disillusionment with life and death—the world seems quieter and less portentous than she anticipated, emphasizing the unpredictability and perhaps the quiet acceptance of her fate.

      3. How does the interaction between Phoebe, her husband Matt, Mia, and the student Adam reveal underlying tensions and themes in the chapter?

      Answer:
      The encounter in Phoebe’s office is charged with unresolved emotional tension. Matt and Mia’s presence, especially in the shared small space of the photocopier and coffee station, underscores the intrusion of Phoebe’s personal pain into her professional life. Matt’s earlier divorce request via Zoom and his current casual presence with Mia and their baby symbolize the dissolution of Phoebe’s marriage and the new life her husband has moved on to. Meanwhile, Adam’s announcement that Phoebe is “in charge of his life” and his desire to drop out to “make pants” contrasts youthful uncertainty and ambition with Phoebe’s own despair. Together, these interactions highlight themes of loss, transition, and the collision of personal and professional identities.

      4. In what ways does Phoebe’s experience with her students, particularly the discussion of John Donne’s poem, reflect her state of mind and challenges as an educator?

      Answer:
      Phoebe’s struggle to teach John Donne’s poem, and the students’ irreverent and literal interpretations, mirror her own difficulties in finding meaning and connection. The students’ blunt reading of the poem as a plea for violent divine intervention (“asking for God to rape him”) contrasts with Phoebe’s more traditional explanation of it as a “love letter to the Lord.” This disconnect illustrates the generational and cultural gap between Phoebe and her students, as well as her challenge in engaging them meaningfully. It also parallels Phoebe’s internal chaos—just as the students misunderstand or simplify complex ideas, Phoebe feels overwhelmed and unable to impose order on her own life or on the literary material she teaches.

      5. Considering Phoebe’s reflections and actions in this chapter, what do they suggest about her views on control and acceptance in the face of life’s uncertainties?

      Answer:
      Phoebe’s reflections reveal a tension between her desire for control and the inevitability of uncertainty. She initially tries to control her actions through rules (e.g., not drinking), but ultimately relinquishes these controls, suggesting a growing acceptance of life’s unpredictability. Her decision not to eat the limited food options and to simply feel the ocean breeze indicates a surrender to the present moment rather than clinging to past plans or expectations. The chapter portrays Phoebe grappling with loss of control—over her marriage, career, and life itself—but also hints at a quiet, if painful, acceptance as she faces the unknown with a mix of resignation and fleeting appreciation for simple experiences.

    Quotes

    • 1. “She refuses to spend her last hours on this planet worrying. She has spent too much time worrying about what to drink, where to vacation, what to wear, what to say, was it hotter to write cum or come, and what was the point? What did it matter how she spelled it? Her husband left anyway.”

      This quote encapsulates Phoebe’s deep existential reckoning and rejection of trivial anxieties in the face of profound personal loss and impending death. It highlights the chapter’s exploration of the futility of certain social and personal preoccupations.

      2. “Phoebe has never been to the ocean before, a fact that appalled most people but charmed her husband. He once liked that Phoebe did not run around feeling the pressure to conquer each worldly experience.”

      This passage reveals Phoebe’s unique perspective on life and experience, contrasting societal expectations with individual choice. It underscores a key theme of the chapter: the tension between external pressures and personal authenticity.

      3. “From up here, the water looks calm. Like a flat and reliable rug, as if it knows nothing about what is to come. Phoebe expected more from the ocean, maybe because she read too many Herman Melville books in which the ocean knows everything about the future—foreshadows death with every wild and loud crash of a wave.”

      This metaphorical reflection on the ocean symbolizes Phoebe’s confrontation with uncertainty and fate. It connects literary imagery with her emotional state, emphasizing the chapter’s mood of quiet foreboding and contemplation.

      4. “For the past ten years, there has been too much to do and not enough time. There was the dissertation that needed to become a book, the research that needed to become PowerPoints, the sex that needed to become a baby, and the students that needed her to run their lives.”

      This quote succinctly captures the overwhelming demands and expectations Phoebe has faced, illustrating the relentless pressures shaping her life. It serves as a pivotal insight into her exhaustion and alienation.

      5. “‘It is, essentially, a love letter to the Lord,’ Phoebe said. ‘Why would anyone write a love letter to the Lord?’ another student asked. ‘Oh my God, it’s not a love letter,’ the girl said. ‘He’s basically asking for God to rape him.’”

      This exchange highlights generational and interpretive divides around literature and spirituality, reflecting the challenges Phoebe faces as a teacher and the broader theme of misunderstanding and alienation threaded through the chapter.

    Quotes

    1. “She refuses to spend her last hours on this planet worrying. She has spent too much time worrying about what to drink, where to vacation, what to wear, what to say, was it hotter to write cum or come, and what was the point? What did it matter how she spelled it? Her husband left anyway.”

    This quote encapsulates Phoebe’s deep existential reckoning and rejection of trivial anxieties in the face of profound personal loss and impending death. It highlights the chapter’s exploration of the futility of certain social and personal preoccupations.

    2. “Phoebe has never been to the ocean before, a fact that appalled most people but charmed her husband. He once liked that Phoebe did not run around feeling the pressure to conquer each worldly experience.”

    This passage reveals Phoebe’s unique perspective on life and experience, contrasting societal expectations with individual choice. It underscores a key theme of the chapter: the tension between external pressures and personal authenticity.

    3. “From up here, the water looks calm. Like a flat and reliable rug, as if it knows nothing about what is to come. Phoebe expected more from the ocean, maybe because she read too many Herman Melville books in which the ocean knows everything about the future

    — foreshadows death with every wild and loud crash of a wave.”

    This metaphorical reflection on the ocean symbolizes Phoebe’s confrontation with uncertainty and fate. It connects literary imagery with her emotional state, emphasizing the chapter’s mood of quiet foreboding and contemplation.

    4. “For the past ten years, there has been too much to do and not enough time. There was the dissertation that needed to become a book, the research that needed to become PowerPoints, the sex that needed to become a baby, and the students that needed her to run their lives.”

    This quote succinctly captures the overwhelming demands and expectations Phoebe has faced, illustrating the relentless pressures shaping her life. It serves as a pivotal insight into her exhaustion and alienation.

    5. “‘It is, essentially, a love letter to the Lord,’ Phoebe said. ‘Why would anyone write a love letter to the Lord?’ another student asked. ‘Oh my God, it’s not a love letter,’ the girl said. ‘He’s basically asking for God to rape him.’”

    This exchange highlights generational and interpretive divides around literature and spirituality, reflecting the challenges Phoebe faces as a teacher and the broader theme of misunderstanding and alienation threaded through the chapter.

    FAQs

    1. How does Phoebe’s attitude toward drinking and self-imposed rules reflect her emotional state in this chapter?

    Answer:
    Phoebe’s attitude toward drinking reveals her internal conflict and sense of despair. Although she recognizes that she “should not be drinking,” especially given her impending suicide, she chooses to ignore this rule, indicating a breakdown of her usual self-discipline. This reflects her emotional turmoil—she no longer sees the point in adhering to societal or personal norms because she is “hours from taking her own life.” Her decision to drink German chocolate wine despite her previous reservations symbolizes a relinquishing of control and a desire to find some fleeting comfort or pleasure before her planned death.

    2. What significance does the ocean hold for Phoebe, and how does it contrast with her expectations?

    Answer:
    The ocean symbolizes a vast, mysterious force that Phoebe has never experienced firsthand, yet she feels it should be part of her life before she dies. She expected the ocean to be dramatic and foreboding, akin to the ominous waves described in Herman Melville’s works that foreshadow death. However, when she looks out at the calm, flat ocean, it appears indifferent and serene, “like a flat and reliable rug.” This contrast highlights Phoebe’s disillusionment with life and death—the world seems quieter and less portentous than she anticipated, emphasizing the unpredictability and perhaps the quiet acceptance of her fate.

    3. How does the interaction between Phoebe, her husband Matt, Mia, and the student Adam reveal underlying tensions and themes in the chapter?

    Answer:
    The encounter in Phoebe’s office is charged with unresolved emotional tension. Matt and Mia’s presence, especially in the shared small space of the photocopier and coffee station, underscores the intrusion of Phoebe’s personal pain into her professional life. Matt’s earlier divorce request via Zoom and his current casual presence with Mia and their baby symbolize the dissolution of Phoebe’s marriage and the new life her husband has moved on to. Meanwhile, Adam’s announcement that Phoebe is “in charge of his life” and his desire to drop out to “make pants” contrasts youthful uncertainty and ambition with Phoebe’s own despair. Together, these interactions highlight themes of loss, transition, and the collision of personal and professional identities.

    4. In what ways does Phoebe’s experience with her students, particularly the discussion of John Donne’s poem, reflect her state of mind and challenges as an educator?

    Answer:
    Phoebe’s struggle to teach John Donne’s poem, and the students’ irreverent and literal interpretations, mirror her own difficulties in finding meaning and connection. The students’ blunt reading of the poem as a plea for violent divine intervention (“asking for God to rape him”) contrasts with Phoebe’s more traditional explanation of it as a “love letter to the Lord.” This disconnect illustrates the generational and cultural gap between Phoebe and her students, as well as her challenge in engaging them meaningfully. It also parallels Phoebe’s internal chaos—just as the students misunderstand or simplify complex ideas, Phoebe feels overwhelmed and unable to impose order on her own life or on the literary material she teaches.

    5. Considering Phoebe’s reflections and actions in this chapter, what do they suggest about her views on control and acceptance in the face of life’s uncertainties?

    Answer:
    Phoebe’s reflections reveal a tension between her desire for control and the inevitability of uncertainty. She initially tries to control her actions through rules (e.g., not drinking), but ultimately relinquishes these controls, suggesting a growing acceptance of life’s unpredictability. Her decision not to eat the limited food options and to simply feel the ocean breeze indicates a surrender to the present moment rather than clinging to past plans or expectations. The chapter portrays Phoebe grappling with loss of control—over her marriage, career, and life itself—but also hints at a quiet, if painful, acceptance as she faces the unknown with a mix of resignation and fleeting appreciation for simple experiences.

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